Ivan Bilibin: Drawings Colour Plates


Book Description

Ivan Yakovlevich Bilibin (1876 -1942) was a 20th-century illustrator and stage designer who took part in the Mir iskusstva and contributed to the Ballets Russes. Throughout his career, he was inspired by Slavic folklore.Ivan Bilibin was born in a suburb of St. Petersburg. He studied in 1898 at Anton Azbe Art School in Munich, then under Ilya Repin in St. Petersburg. In 1902-1904 Bilibin travelled in the Russian North, where he became fascinated with old wooden architecture and Russian folklore. He published his findings in the monograph Folk Arts of the Russian North in 1904. Another influence on his art was traditional Japanese prints.Bilibin gained renown in 1899, when he released his illustrations of Russian fairy tales. During the Russian Revolution of 1905, he drew revolutionary cartoons. He was the designer for the 1909 première production of Nikolai Rimsky-Korsakov's The Golden Cockerel. The October Revolution, however, proved alien to him. After brief stints in Cairo and Alexandria, he settled in Paris in 1925. There he took to decorating private mansions and Orthodox churches. He still longed for his homeland and, after decorating the Soviet Embassy in 1936, he returned to Soviet Russia. He delivered lectures in the Soviet Academy of Arts until 1941. Bilibin died during the Siege of Leningrad and was buried in a collective grave.







The Firebird and the Fox


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A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.







Russian Wonder Tales


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Ivan Bilibin


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Russian Art Nouveau


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The Art Nouveau movement in Russia was known under the name of The World of Art. This association grouped a remarkable collection of artist and poets at the end of the 19th century. Inspired by the poetic ideals of neo-Romanticism and Symbolism, they extended their influence into all forms of plastic and literary composition. Certain members of the group became world famous for book illustrations and theatrical decors. The illustrations include paintings, book illustrations, theatrical costumes and decors of such members as: Alexander Benois, Leon Bakst, Mstislav Dobujinsky, Boris Kustodiev, Evgeni Lanceray, Anna Ostrumova-Lebedeva, Konstantin Somov, Alexandre Golovin, Mikhail Vrubel, Valentin Serov Ivan Bilibin, Dimitri Mitrokin, Sergei Tchekonin and others.




The Stealers of Light


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Charles Burchfield


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Charles Burchfield (1893-1967) was an innovative visionary of American modernism, a watercolor painter who infused his landscapes of upstate New York and Ohio and scenes of small town industrialization with pulsing line and crackling, fluid color. He was also an accomplished writer who kept extensive journals and published several important essays during his lifetime. Burchfield's early watercolors were often strongly expressionistic, projecting a buoyant spirituality; he reached a critical juncture around 1920, when he turned to modernist pictorial strategies to express a severe geometry of houses, factories and barren trees, with skies traversed by stylized smoke. After moving to Buffalo in 1921, he became a founder of the Regionalist movement, but he returned to the dynamic expressionism of his youth in the 1940s; as he told a friend, "It is not that I am trying to escape real life, but that the realm of fantasy offers the true solution of truly evaluating an experience." Published for DC Moore Gallery's survey exhibition (and coinciding with the Whitney Museum's 2010 retrospective), this volume presents a career-wide selection of watercolors and drawings, many of which are drawn from private collections, and have never or very rarely been exhibited. The images are complemented by four autobiographical essays, spanning the years 1928 to 1965, which provide an intriguing window into the artist's complex personality. All are out of print and difficult to locate, making this catalogue an important reference source as well as a visually striking presentation of his work.