Jack Lewis and His American Cousin, Nat Hawthorne


Book Description

When he was a student at Oxford University, C. S. Lewis wrote to a friend expressing his great admiration of and enthusiasm for the novels of Nathaniel Hawthorne, particularly The House of the Seven Gables and Transformation (British title of The Marble Faun). This study examines the parallels between these two kindred spirits and their works, focusing on their similar worldviews, their personal backgrounds and lifestyles, and the "Ultimates" they both pondered. It discusses common themes in their works, such as myth, scientism, and "the great power of blackness." Their respective attitudes toward these issues and others, such as faith, repentance, heaven and hell, confession, church attendance, the clergy, and Puritanism are strikingly similar. Considerable attention is given to "companion pieces" of the two writers, with discussion of the so-called "Fortunate Fall" in The Marble Faun and Perelandra, veil imagery in "The Minister's Black Veil," The Blithedale Romance, and Till We Have Faces, influence of Bunyan's allegory on The Pilgrim's Regress and "The Celestial Railroad," and multiform love in The Four Loves and The House of the Seven Gables. Examination of such affinities between these two writers and their works provides mutual illumination and enhanced appreciation of each.




Jack Lewis and His American Cousin, Nat Hawthorne


Book Description

When he was a student at Oxford University, C. S. Lewis wrote to a friend expressing his great admiration of and enthusiasm for the novels of Nathaniel Hawthorne, particularly The House of the Seven Gables and Transformation (British title of The Marble Faun). This study examines the parallels between these two kindred spirits and their works, focusing on their similar worldviews, their personal backgrounds and lifestyles, and the "Ultimates" they both pondered. It discusses common themes in their works, such as myth, scientism, and "the great power of blackness." Their respective attitudes toward these issues and others, such as faith, repentance, heaven and hell, confession, church attendance, the clergy, and Puritanism are strikingly similar. Considerable attention is given to "companion pieces" of the two writers, with discussion of the so-called "Fortunate Fall" in The Marble Faun and Perelandra, veil imagery in "The Minister's Black Veil," The Blithedale Romance, and Till We Have Faces, influence of Bunyan's allegory on The Pilgrim's Regress and "The Celestial Railroad," and multiform love in The Four Loves and The House of the Seven Gables. Examination of such affinities between these two writers and their works provides mutual illumination and enhanced appreciation of each.




Sehnsucht: The C. S. Lewis Journal


Book Description

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.




The Life of the Author: Nathaniel Hawthorne


Book Description

The first major Hawthorne biography to be published in two decades, featuring original scholarship on both unpublished and published sources The Life of the Author: Nathaniel Hawthorne presents a rich and nuanced portrait of one of America’s greatest writers, exploring the thoughts and ideas of a man whose profound insights about the human condition continue to resonate in the modern day. Accessible to those with little knowledge of Hawthorne, this unique volume uses a new biographical approach based on exhaustive primary research that provides readers with a better understanding of the artist and his work. Author Dale Salwak challenges the presumption that Hawthorne was a reclusive, eccentric, and alienated man whose relevance to modern times is diminishing. Drawing from his forty-five years’ experience reading, studying, and teaching Hawthorne, the author reveals a more approachable Hawthorne. In-depth and reflective chapters explore topics such as the circumstances that led Hawthorne to become a writer, the influence of Sophia Hawthorne on her husband’s work, the theory of the unfulfilled homoerotic relationship between Hawthorne and Herman Melville, and more. Offers a fresh reading of Hawthorne’s life and work from birth to death Provides new perspectives on Hawthorne and stories surrounding his work Draws from a wide variety of sources, including novels, tales, children’s books, notebooks, and personal letters to and from Hawthorne Suggests new strategies for teaching Hawthorne to today’s students Includes a detailed index and comprehensive introductory and concluding chapters Highlighting Hawthorne’s special contributions to American literature, The Life of the Author: Nathaniel Hawthorne is essential reading for scholars, lecturers, and college students taking courses including Literary History, American Literature, and History of the Novel as well as anyone interested in biography, literature, and creativity




Sehnsucht: The C. S. Lewis Journal


Book Description

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.




(Nathaniel) Hawthorne


Book Description













The Life and Genius of Nathaniel Hawthorne


Book Description

Excerpt: ...of their little red cottage, which has since unfortunately been destroyed by fire. She even began to give her daughter, who was only six years old, some instruction in drawing. The following extract concerning her husband, from a letter written to her mother, is charmingly significant of her state of mind at this time. "Beauty and the love of it, in him, are the true culmination of the good and true, and there is no beauty to him without these bases. He has perfect dominion over himself in every respect, so that to do the highest, wisest, loveliest thing is not the least effort to him, any more than it is to a baby to be innocent. It is his spontaneous act, and a baby is not more unconscious in its innocence. I never knew such loftiness, so simply borne. I have never known him to stoop from it in the most trivial household matter, any more than in a larger or more public one." Footnote: J. Hawthorne, i. 373. Truly this gives us a beautiful insight into their home-life, and Hawthorne himself could not have written a more accurate eulogium. As intimated in the last chapter, we all make our way through life by correcting our daily trespasses, and Hawthorne was no exception to it; but as a mental analysis of this man at his best Mrs. Hawthorne's statement deserves a lasting recognition. "THE HOUSE OF THE SEVEN GABLES" It was not until early frosts and shortening days drove Hawthorne within doors that he again took up his writing, but who can tell how long he had been dreaming over his subject? Within five months, or by the last week of January, "The House of the Seven Gables" was ready for the press. There is no such house in Salem, exactly as he describes it; but an odd, antiquated-looking structure at No. 54 Turner Street is supposed to have served him for the suggestion of it. The name is picturesque and well suited to introduce the reader to a homely suburban romance. The subject of the story goes back to the witchcraft period, and its active...