Author : Dutton Richard Dutton
Publisher : Edinburgh University Press
Page : 192 pages
File Size : 14,26 MB
Release : 2019-07-29
Category : LITERARY CRITICISM
ISBN : 1474467938
A book about Jacobean civic pageants.
Author : Tracey Hill
Publisher : Manchester University Press
Page : 242 pages
File Size : 26,44 MB
Release : 2004
Category : Drama
ISBN : 9780719063824
This in-depth study of the important but neglected writer Anthony Munday fills a long-standing gap in our knowledge and understanding of London and its culture in the early modern period. It will be of interest to historians, literary scholars and cultural geographers.
Author : G. Burgess
Publisher : Springer
Page : 241 pages
File Size : 18,58 MB
Release : 2016-03-02
Category : History
ISBN : 0230501583
This book analyzes the consequences of the accession of James I in 1603 for English and British history, politics, literature and culture. Questioning the extent to which 1603 marked a radical break with the past, the book explores the Scottish, Welsh, and wider European and colonial contexts, to this crucial date in history.
Author : J. Caitlin Finlayson
Publisher : Routledge
Page : 205 pages
File Size : 31,72 MB
Release : 2020-01-28
Category : Performing Arts
ISBN : 1315392682
Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London. This collection engages with modern interest in the spectacle and historical performances of pageantry and entertainments, including royal entries, progresses, coronation ceremonies, Lord Mayor’s Shows, and processions. Through a discussion of the extant texts, visual records, archival material, and emerging projects in the digital humanities, the chapters elucidate the forms in which the period itself recorded its public rituals, pageantry, and ephemeral entertainments. The diversity of approaches contained in these chapters reflects the collaborative nature of pageantry and civic entertainments, as well as the broad socio-cultural resonances of this form of drama, and in doing so offers a study that is multi-faceted and wide-ranging, much like civic performance itself. Ideal for scholars of Early Modern global politics, economics, and culture; literary and performance studies; print culture; and the digital humanities, Civic Performance casts a new lens on street pageantry and entertainments in the historically and culturally significant locus of Early Modern London.
Author : David M. Bergeron
Publisher : Arizona Center for Medieval and Renaissance Studies (ACMRS)
Page : 336 pages
File Size : 25,44 MB
Release : 2003
Category : Drama
ISBN :
"This revised book seeks to call renewed and vigorous attention to this sometimes marginalized dramatic form by insisting that civic pageants constituted a major part of cultural and theatrical life in early modern England. Bergeron's fresh look at this material seeks to recover and analyze the world of English civic pageantry, opening its richness for inspection and wonder."--BOOK JACKET.
Author : Tracey Hill
Publisher : Manchester University Press
Page : 409 pages
File Size : 33,59 MB
Release : 2017-05-26
Category : Literary Criticism
ISBN : 1526125102
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Pageantry and power is the first full and in-depth cultural history of the Lord Mayor’s Show in the early modern period. It provides new insight into the culture and history of the London of Shakespeare’s time and beyond. Central to the cultural life of London, the Lord Mayor’s Shows were high-profile and lavish entertainments produced by some of the most talented writers of the time. Employing an interdisciplinary approach, Pageantry and power explores various important factors, including the relationship between the printed texts of the Shows and actual events. This full-scale study of the civic works of important writers enhances our understanding of their other, often better-known, dramatic works contributing to a fuller estimation of their literary careers. This book is an invaluable resource for scholars and students of early modern literature, drama, history, civic culture, pageantry, urban studies, cultural geography, book history, as well as the interested general reader. Pageantry and power won the 2011 David Bevington Award for the Best New Book in Early Drama Studies.
Author : Julia Reinhard Lupton
Publisher : University of Chicago Press
Page : 291 pages
File Size : 29,76 MB
Release : 2014-02-11
Category : Religion
ISBN : 022615744X
Turning to the potent idea of political theology to recover the strange mix of political and religious thinking during the Renaissance, this bracing study reveals in the works of Shakespeare and his sources the figure of the citizen-saint, who represents at once divine messenger and civil servant, both norm and exception. Embodied by such diverse personages as Antigone, Paul, Barabbas, Shylock, Othello, Caliban, Isabella, and Samson, the citizen-saint is a sacrificial figure: a model of moral and aesthetic extremity who inspires new regimes of citizenship with his or her death and martyrdom. Among the many questions Julia Reinhard Lupton attempts to answer under the rubric of the citizen-saint are: how did states of emergency, acts of sovereign exception, and Messianic anticipations lead to new forms of religious and political law? What styles of universality were implied by the abject state of the pure creature, at sea in a creation abandoned by its creator? And how did circumcision operate as both a marker of ethnicity and a means of conversion and civic naturalization? Written with clarity and grace, Citizen-Saints will be of enormous interest to students of English literature, religion, and early modern culture.
Author : Roze Hentschell
Publisher : Oxford University Press, USA
Page : 289 pages
File Size : 42,69 MB
Release : 2020-06-15
Category : History
ISBN : 0198848811
Prior to the 1666 fire of London, St Paul's Cathedral was an important central site for religious, commercial, and social life in London. The literature of the period - both fictional and historical - reveals a great interest in the space, and show it to be complex and contested, with multiple functions and uses beyond its status as a church. St Paul's Cathedral Precinct in Early Modern Literature and Culture: Spatial Practices animates the cathedral space by focusing on the every day functions of the building, deepening and sometimes complicating previous works on St Paul's. St Paul's Cathedral Precinct in Early Modern Literature and Culture is a study of London's cathedral, its immediate surroundings, and its everyday users in early modern literary and historical documents and images, with special emphasis on the late sixteenth and early seventeenth centuries. It discusses representations of several of the seemingly discrete spaces of the precinct to reveal how these spaces overlap with and inform one another spatially, and argues that specific locations should be seen as mutually constitutive and in a dynamic and ever-evolving state. The varied uses of the precinct, including the embodied spatial practices of early modern Londoners and visitors, are examined, including the walkers in the nave, sermon-goers, those who shopped for books, the residents of the precinct, the choristers, and those who were devoted to church repairs and renovations.
Author : Richard Rowland
Publisher : Routledge
Page : 384 pages
File Size : 17,13 MB
Release : 2016-12-05
Category : Literary Criticism
ISBN : 1351879162
In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.
Author : Daniel Blank
Publisher : Oxford University Press
Page : 192 pages
File Size : 30,18 MB
Release : 2023-01-31
Category : Literary Criticism
ISBN : 0192886118
Dramatic performances at the universities in early modern England have usually been regarded as insular events, completely removed from the plays of the London stage. Shakespeare and University Drama in Early Modern England challenges that long-held notion, illuminating how an apparently secluded theatrical culture became a major source of inspiration for Shakespeare and his contemporaries. While many university plays featured classical themes, others reflected upon the academic environments in which they were produced, allowing a window into the universities themselves. This window proved especially fruitful for Shakespeare, who, as this book reveals, had a sustained fascination with the universities and their inhabitants. Daniel Blank provides groundbreaking new readings of plays from throughout Shakespeare's career, illustrating how depictions of academic culture in Love's Labour's Lost, Hamlet, and Macbeth were shaped by university plays. Shakespeare was not unique, however. This book also discusses the impact of university drama on professional plays by Christopher Marlowe, Robert Greene, and Ben Jonson, all of whom in various ways facilitated the connection between the university stage and the London commercial stage. Yet this connection, perhaps counterintuitively, is most significant in the works of a playwright who had no formal attachment to Oxford or Cambridge. Shakespeare, this study shows, was at the center of a rich exchange between two seemingly disparate theatrical worlds.
