Jacopo Tintoretto: Identity, Practice, Meaning


Book Description

Over the past twenty years or so it has finally been understood that Jacopo Tintoretto (1518/19-1594) is an old master of the very highest calibre, whose sharp visual intelligence and brilliant oil technique provides a match for any painter of any time. Based on papers given at a conference held at Keble College, Oxford, to mark the quincentenary of Tintoretto’s birth, this volume comprises ten new essays written by an international range of scholars that open many fresh perspectives on this remarkable Venetian painter. Reflecting current ‘hot spots’ in Tintoretto studies, and suggesting fruitful avenues for future research, chapters explore aspects of the artist’s professional and social identity; his graphic oeuvre and workshop practice; his secular and sacred works in their cultural context; and the emergent artistic personality of his painter-son Domenico. Building upon the opening-up of the Tintoretto phenomenon to less fixed or partial viewpoints in recent years, this volume reveals the great master’s painting practice as excitingly experimental, dynamic, open-ended, and original.




A Companion to Pietro Aretino


Book Description

An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.




Tintoretto


Book Description

The Venetian painter Jacopo Tintoretto (1518 94) is an ambiguous figure in the history of art. Critics and writers such as Vasari, Ruskin and Sartre all placed him in opposition to the established artistic practice of his time, noting that he had abandoned the values that typified the venerable Venetian Renaissance tradition, even being expelled as an apprentice from the workshop of Titian. This generously illustrated book offers a long-overdue re-evaluation of Tintoretto. Tom Nichols charts the artist's life and work in the context of Venetian art and the culture of the Cinquecento. He shows how the artist created a new manner of painting, which for all its originality and sophistication made its first appeal to the shared emotions of the widest-possible viewing audience. The book deals extensively with Tintoretto's greatest works, including the paintings at the Scuola di San Rocco in Venice."




Tintoretto's Difference


Book Description

A provocative account of the philosophical problem of 'difference' in art history, Tintoretto's Difference offers a new reading of this pioneering 16th century painter, drawing upon the work of the 20th century philosopher Gilles Deleuze. Bringing together philosophical, art historical, art theoretical and art historiographical analysis, it is the first book-length study in English of Tintoretto for nearly two decades and the first in-depth exploration of the implications of Gilles Deleuze's philosophy for the understanding of early modern art and for the discipline of art history. With a focus on Deleuze's important concept of the diagram, Tintoretto's Difference positions the artist's work within a critical study of both art history's methods, concepts and modes of thought, and some of the fundamental dimensions of its scholarly practice: context, tradition, influence, and fact. Indicating potentials of the diagrammatic for art historical thinking across the registers of semiotics, aesthetics, and time, Tintoretto's Difference offers at once an innovative study of this seminal artist, an elaboration of Deleuze's philosophy of the diagram, and a new avenue for a philosophical art history.




A Companion to Pietro Aretino


Book Description

"A Companion to Pietro Aretino offers exhaustive yet accessible essays aimed at understanding this complex and fascinating author. Its scope extends beyond the field of Italian studies, and includes references to other European literatures, visual arts, music, performance studies, gender studies, and social and religious history. It explores previously neglected areas of Aretino's literary and biographical identity: in particular, his religious writings and their fortune, his relationships to visual arts and music and his fashioning of a public persona. The essays here included support the current scholarly trend that no longer considers Aretino merely as a pornographer, but interpret his work in the light of the contemporary religious debate and cultural crisis"--




Raphael and the Redefinition of Art in Renaissance Italy


Book Description

A comprehensive re-assessment of Raphael's artistic achievement and the ways in which it transformed the idea of what art is.




Tintoretto in Venice. A Guide. Ediz. a Colori


Book Description

Unlike the other two master Renaissance painters associated with Venice, Titian and Veronese, Tintoretto (1519-94) alone was born in Venice and he left his mark there more than either artist. His paintings can still be found everywhere in the city: not only in museums, but as part of the original decorative cycles in public buildings such as the Scuola Grande di San Rocco, the Doge's Palace and the Liberia Marciana, and serving as altarpieces or chapel decorations in Venetian churches. Over one hundred and twenty of Tintoretto's breathtaking paintings spill out of the pages, divided into sections that correspond to the Venetian Sestieri or districts. Each painting is accompanied by entries written by an international team of art historians covering major issues and placing them in their artistic and cultural context.




Titian Remade


Book Description

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.




Cleaning Up Renaissance Italy


Book Description

People and goods from across the globe filled the vibrant ports of Genoa and Venice during the Renaissance. This book takes us onto the streets, bridges, and waterways of these significant, sensuous cities to reveal the ambitious schemes undertaken to promote the cleanliness and health of their communities. Along the way, we encounter a broad and fascinating cross-section of Renaissance society -- from courtesans to street food sellers and architects to canal diggers -- and, using new archival sources, uncover both the ideals and lived experiences of health and environmental management. During the Renaissance, vital connections were believed to exist between people's natures and those of the places they inhabited. Problems in urban or environmental bodies could have social and moral, as well as physical, effects. Street cleaning or the dredging of canals, therefore, were often justified in societal and religious, as well as natural, terms. These associations shaped government measures to regulate everyday life in ports, alongside communal responses to natural disasters. They informed the management of the environment, including waste disposal, flood defences, dredging, and land reclamation, and endowed such activity with both physical and symbolic purpose. This is not simply a story of elite, official initiatives. Members of communities used public health structures to resolve the challenges of urban life -- social and physical. Occupational groups such as fishermen acted as environmental experts through the organisation of their guilds and provided reports on specific projects and proposals to government magistracies. Finally, the governments of both ports operated important systems of petitions and privileges, which encouraged innovation and the development of new technology by citizens and foreigners to address the central, environmental challenges of the day. Renaissance public health, then, emerges as a collaborate enterprise, as well as a site of tension within cosmopolitan neighbourhoods, and its study unveils more about forms of governance and community in this period. An illuminating and original account of social policies, urban design, and environmental management between 1400 and 1600, Cleaning Up Renaissance Italy provides a new, multi-disciplinary history of Renaissance Italy.




Renaissance Self-portraiture


Book Description

An exploration of the genesis and early development of the genre of self-portraiture in Italy in the 15th and 16th centuries. The author examines a series of self-portraits in Renaissance Italy, arguing that they represented the aspirations of their creators to change their social standing.