Jahangir's India


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Francisco Pelasert (1595-1630) was a Dutch businessman and a representative of the Dutch East India Company (VOC). He travelled in different parts of Mughal India, and stayed in Agra for seven years before departing to Java. He was also the commander of VOC-owned ship Batavia.







Jahangir's India


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Jahangir's India


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The Lesser-known World of Mughal Emperor Jahangir


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This volume depicts the life and times of the Mughal emperor Jahangir in the light of his memoirs, Jahangirnama, popularly known as Tuzuk-i Jahangiri. With its fresh treatment of source material and a vivid account of historical events, the book tells the history of Jahangir’s India through his intimate and confessional memoirs incorporated in the genre of Mughal manuscript painting. The work is noteworthy for its historical portraits as well as Jahangir’s visual realism, his remarkable knowledge of natural history, and the perceptive and detailed descriptions of the world around him. Moving away from conventional historical writing, the book is a psychological study of an individual, his innate qualities, behavioural moves and instinctive affinities. Jahangir’s memoirs reveal deeper facets of him as a person as well as a poet, aesthete, connoisseur of painting and a keen observer of nature, both human and that of the natural world. The author also includes other contemporary literature of the period that narrate Jahangir’s life, such as Akbarnama, Ma’asir-i Jahangiri, Iqbalnama-i Jahangiri, Intikhab-i Jahangiri, Tatimma-i Waqi’at-i Jahangiri and Zakhirat-ul Khwanin, as well as Jesuits accounts and travelogues. He further analyses the influence of European Renaissance art on the history of Mughal paintings. A first of its kind, this book will greatly interest scholars and researchers of medieval history, Indian history, Mughal history, art history, popular culture and South Asian studies, as well as the general reader.




The Muslims of British India


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Dr Hardy has attempted a general history of British India's Muslims with a deeper perspective. He shows how the interplay of memories of past Muslim supremacy, Islamic religious aspirations and modern Muslim social and economic anxieties with the political needs of the alien ruling power gradually fostered a separate Muslim politics. Dr Hardy argues (contrary to the usual view) that Muslims were able to take political initiatives because, in the region of modern Uttar Pradesh, British rule before 1857 and even the events of the Mutiny and Rebellion of 1857-8 had not been economically disastrous for most of them. He stresses the force of religion in the growth of Muslim political separatism, showing how the 'modernists' kept the conversation among Muslims within Islamic postulates and underlining the role of the traditional scholars in heightening popular religious feeling. Regarding any sense of Muslim political unity and nationhood as an outcome of the period of British rule, Dr Hardy shows the limitations and frailty of that unity and nationhood by 1947.




The Emperor Jahangir


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Jahangir was the fourth of the six “Great Mughals,” the oldest son of Akbar the Great, who extended the Mughal Empire across the Indian Subcontinent, and the father of Shah Jahan, builder of the Taj Mahal. Although an alcoholic and opium addict, his reputation marred by rebellion against his father, once enthroned the Emperor Jahangir proved to be an adept politician. He was also a thoughtful and reflective memoirist and a generous patron of the arts, responsible for an innovative golden age in Mughal painting. Through a close study of the seventeenth century Mughal court chronicles, The Emperor Jahangir sheds new light on this remarkable historical figure, exploring Jahangir's struggle for power and defense of kingship, his addictions and insecurities, his relationship with his favourite wife, the Empress Nur Jahan, and with his sons, whose own failed rebellions bookended his reign.




The Indian Review


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