Jamaica Anansi Stories


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Folklore from Contemporary Jamaicans


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Jamaican Song and Story


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A Brief History of Seven Killings


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A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil.




Jamaica Folk-lore


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Anya Goes to Jamaica


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Anya's World Adventures Book Series, takes young readers on a tour of the world through the eyes of a child. With the help of Anya's magic globe, readers will experience the joys of travel and adventure. The first stop in the series is Jamaica. Join Anya as she learns about the food, language and culture of this beautiful country.




Jamaican Folklore and the Influence on Jamaican Culture


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Seminar paper from the year 2017 in the subject Cultural Studies - Caribbean Studies, grade: 1,1, , language: English, abstract: Our cultures are influenced by countless different factors, which vary greatly from country to country. From a young age, people are shaped entirely by their culture and by the people who raise them. One aspect that particularly influences young people in societies is folklore. Folklore is defined by the Oxford Dictionary as, “the traditional beliefs, customs, and stories of a community, passed through the generations by word of mouth”. This research paper will focus on various aspects of folklore of the Caribbean country of Jamaica, and the analysis of three different topics concerning Jamaican folklore, namely the Anansi stories, the Jamaican sayings, and a traditional witchcraft called Obeah. Furthermore, the character Anansi, who appears in the majority of these stories, will be examined and analyzed. The methods employed in researching this topic include a personal interview, well documented stories mentioned in books, and internet research to gather background information about these topics.




Anansi's Journey


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The historic Hope lands located on the Liguanea Plain in the southeastern parish of St Andrew, Jamaica, and once the site of one of the island?s earliest sugar estates, has had a long history of human settlements dating back to approximately 600 CE, the era of the indigenous Tainos. It was not until 1655, however, with the English invasion and seizure of Jamaica from the Spanish, that the Hope landscape developed into a thriving rural agrarian settlement. Generous land grants were made to the invading officers and later to immigrants from Britain and North America and from other Caribbean islands. Major Richard Hope came in possession of over 2,600 acres in the Liguanea Plain. Major Hope, unlike many of his counterparts by the 1660s, managed to establish a small sugar plantation, which developed by the mid-1700s into one of the island?s largest, most productive and technologically advanced slave sugar estates. In the 1770s the estate became the property of the Duke of Chandos and his family until 1848, when the estate was dismantled. Over 600 acres were sold to the Kingston and Liguanea Water Works Company and the remaining 1,700 acres were leased to the owner of the adjoining Papine and Mona estates. Poor accounting and border surveillance enabled several persons to possess the land, which was later sanctioned by the Limitations of Actions Law. With the government?s acquisition of the entire property in 1909, the Hope estate underwent remarkable changes in the twentieth century. By 1960 the Hope landscape was radically transformed from a sugar estate worked by hundreds of enslaved black people to a premiere urban centre of commercial, residential and educational land use.




Mango Time


Book Description

Jamaica has a rich musical heritage spanning a diversity of styles and forms. Throughout the island's modern history, music has played a significant role in the social, political and economic life of its people. Mango Time: Folk Songs of Jamaica draws from the wealth of Jamaica's folk music - the music of the Jamaican people which, with its colourful range of forms, reflects the way of life of individuals or entire communities. There are religious songs and secular songs; songs for marriage, birth, death and all rites of passage. There are songs for work and songs for play; songs of upliftment and hope, and songs of derision and despair; songs which tell of small happenings in remote villages and songs which give epic accounts of significant happenings in the island's history. In all these, the Jamaican folk song gives voice to the heart, soul and experience of the Jamaican people.