Jamaican Volunteers in the First World War


Book Description

This study explores the dynamics of race and masculinity to provide fresh historical insight into the First World War and its Imperial dimensions, examining the experiences of Jamaicans who served in British regiments.Reluctance to accept West Indian volunteers was rooted in the belief that black men lacked the qualities necessary for modern warfare. This, combined with fears over white racial degeneration, resulted in the need to preserve established hierarchies, which was achieved through the exclusion of black soldiers from the front line and their confinement in labour battalions.However, despite their exclusion from the battlefield, the author shows that the experience of war was invaluable in allowing veterans to appropriate codes of heroism, sacrifice and citizenship in order to wage their own battles for independence on their return home, culminating in the nationalist upsurge of the late 1930s.This book offers a lively and accessible account that will prove invaluable to those studying the Imperial dimensions of the First World War, as well and those interested in the wider notions of race and masculinity in the British Empire.




Jamaican Women and the World Wars


Book Description

This book highlights the important, yet often forgotten, roles that Jamaican women played in the World Wars. Predicated on the notion that warfare has historically been an agent of change, Dalea Bean contends that traces of this truism were in Jamaica and illustrates that women have historically been part of the war project, both as soldiers and civilians. This ground-breaking work fills a gap in the historiography of Jamaican women by positioning the World Wars as watershed periods for their changing roles and status in the colony. By unearthing critical themes such as women’s war work as civilians, recruitment of men for service in the British West India Regiment, the local suffrage movement in post-Great War Jamaica, and Jamaican women’s involvement as soldiers in the British Army during the Second World War, this book presents the most extensive and holistic account of Jamaican women’s involvement in the wars.




Caribbean Volunteers at War


Book Description

“During the Second World War nearly 500 Black Caribbean volunteers served with the RAF . . . This valuable work looks at their experiences.”—HistoryOfWar The heroic exploits of the Caribbean men and women who volunteered their services to the Allied effort during the Second World War have, until now, passed by with little fanfare or attention. Indeed, whilst many people are aware of the contribution that the various Bomber Command units paid in securing ultimate victory, little is said or understood of the achievements and sacrifices of the heroic Caribbean volunteers who contributed to some of their greatest victories. Mark Johnson presents us here with an engrossing and humane account of the exploits of such individuals—including a great number of insights and fascinating details taken from conversations with his great-uncle, John Blair, who served a full tour with Bomber Command, earning a Distinguished Flying Cross. The book illuminates the day-to-day reality of life as a Caribbean volunteer during the Second World War and the kind of culture-clash experiences that characterized their wartime careers. An important book, offering a platform upon which to appreciate the true extent of the Caribbean contribution to the Allied war effort, the work offers a new slant on the popular Bomber Command theme; one that looks set to intrigue a number of readers yet to be acquainted with this facet of the unit’s history. “Entertaining and rewarding . . . it is high time we had more books like this one plugging the knowledge gap and setting a few things straight.”—War History Online




The Routledge History of the First World War


Book Description

The Routledge History of the First World War is a work which, in a single volume, covers a range of major themes and issues relating to that conflict. Providing a comprehensive but readily accessible reference work examining the First World War, in accordance with a broad range of themes, this book presents the many ways in which study of the First World War can take place and introduces readers to new areas of research, often untouched in other studies of the war. With a scholarly Introduction and 60 chapters by specialist authors who come from 14 different countries, across four continents, the book is also intended to open lines of further inquiry from its solid base of academic knowledge. The volume demonstrates the war’s global and total nature, examining the conflict in all major theatres and through the lens of the key combatants and neutrals. It also fully engages with issues of race, gender, ideology, and society during the war. This book will appeal to students of all levels, scholars, and general readers alike interested in the First World War from several different perspectives and research areas. The 60 chapters cover topics from numerous angles and provide detailed information about all aspects relating to the First World War.




Serving the empire in the Great War


Book Description

This book contributes to the growing literature on the role of the British non-settler empire in the Great War by exploring the service of the Cypriot Mule Corps on the Salonica Front, and after the war in Constantinople. Varnava encompasses all aspects of the story of the Mule Corps, from the role of the animals to the experiences of the men driving them both during and after the war, as well as how and why this significant story in the history of Cyprus and the British Empire has been forgotten. The book will be of great value to anyone interested in the impact of the Great War upon the British Empire in the Mediterranean, and vice- versa.




Race, Empire and First World War Writing


Book Description

This volume brings together an international cast of scholars from a variety of fields to examine the racial and colonial aspects of the First World War, and show how issues of race and empire shaped its literature and culture. The global nature of the First World War is fast becoming the focus of intense enquiry. This book analyses European discourses about colonial participation and recovers the war experience of different racial, ethnic and national groups, including the Chinese, Vietnamese, Indians, Maori, West Africans and Jamaicans. It also investigates testimonial and literary writings, from war diaries and nursing memoirs to Irish, New Zealand and African American literature, and analyses processes of memory and commemoration in the former colonies and dominions. Drawing upon archival, literary and visual material, the book provides a compelling account of the conflict's reverberations in Europe and its empires and reclaims the multiracial dimensions of war memory.




Black Poppies


Book Description

In 1914 Britain was home to at least 10,000 black Britons, many of African and West Indian heritage. Most of them were loyal to the 'mother country' when the First World War broke out. Despite being discouraged from serving in the British Army, men managed to join all branches of the forces, while black communities contributed to the war effort on the home front. By 1918 it is estimated that Britain's black population had trebled to 30,000, as many black servicemen who had fought for Britain decided to make it their home. It was far from a happy ending, however, as they and their families often came under attack from white ex-servicemen and civilians increasingly resentful of their presence. With first-hand accounts and original photographs, Black Poppies is the essential guide to the military and civilian wartime experiences of black men and women, from the trenches to the music halls. It is intended as a companion to Stephen Bourne's previous books published by The History Press: Mother Country: Britain's Black Community on the Home Front 1939–45 and The Motherland Calls: Britain's Black Servicemen and Women 1939–45.




Edinburgh Companion to the First World War and the Arts


Book Description

A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present




World War I and Propaganda


Book Description

World War I and Propaganda offers a new look at a familiar subject. The contributions to this volume demonstrate that the traditional view of propaganda as top-down manipulation is no longer plausible. Drawing from a variety of sources, scholars examine the complex negotiations involved in propaganda within the British Empire, in occupied territories, in neutral nations, and how war should be conducted. Propaganda was tailored to meet local circumstances and integrated into a larger narrative in which the war was not always the most important issue. Issues centering on local politics, national identity, preservation of tradition, or hopes of a brighter future all played a role in different forms of propaganda. Contributors are Christopher Barthel, Donata Blobaum, Robert Blobaum, Mourad Djebabla, Christopher Fischer, Andrew T. Jarboe, Elli Lemonidou, David Monger, Javier Pounce,Catriona Pennell, Anne Samson, Richard Smith, Kenneth Andrew Steuer, María Inés Tato, and Lisa Todd.




Teaching Representations of the First World War


Book Description

The First World War saw staggering loss of life and was a catalyst for many political and social changes. It was also shaped by the media and art forms that expressed it: film, photography, poetry, memoir, posters, advertisements, and music. This volume's scope shows that today's instructors contend with many different issues in teaching the First World War in a variety of classroom settings. Among these issues are the war's relation to modernism; global reach in the Middle East and South Asia; influence on psychiatry, pacifism, and consumer culture; and effect on public health and the 1918 influenza pandemic.