James Joyce's Manuscripts and Letters at the University of Buffalo


Book Description

The approximately 20,000 pages of Joyce manuscripts and letters in the Lockwood Memorial Library of the University of Buffalo here catalogued by Dr. Spielberg offer scholars and critics much unpublished and unsifted material for the explication and examination of Joyce's individual works, as well as the raw material necessary for a detailed exploration of James Joyce's creative process. The scope of the Buffalo Joyce Collection is vast, spanning the full range of Joyce's writing career from 1900 to 1940, from his Epiphanies to possible revisions for Finnegans Wake. Dr. Spielberg's work in compiling the present catalogue of Joyce's own writings and letters in the collection now provides for Joyceans a guide to what up until now has been mainly uncharted territory. The manuscripts—workbooks, notebooks, sketches, schemas, notes, early and late drafts, fair copies, typescripts, galley and page proofs, errata, translations, and letters—have been divided into ten major categories: "Epiphanies," "A Portrait of the Artist as a Young Man," "Exiles," "Verses," "Ulysses," "Finnegans Wake," "Criticism," "Notebooks," "Miscellaneous Manuscripts," and "Letters from Joyce." Each item has been described and identified, following a uniform format for the pertaining facts: title, collation, pagination, contents, other markings, dating, publication, and notes. In his introduction to the catalogue, the author describes the Buffalo Joyce Collection itself, giving the history of its growth, its extent, and holdings. In discussing the manuscripts, he calls particular attention to the "Finnegans Wake Workbooks" (MSS. VI. A., B., C., and D.), which, he comments, "are probably the strangest manuscripts in existence—even for so strange a book as Finnegans Wake ... The apparent disorder and lock of organization of these workbooks is a false impression. Where the reader of the workbooks stumbles and bombinates through what seems to be utter blackness, Joyce danced and skipped with ease. What to us seems chaos was neatness and method to Joyce." It is Dr. Spielberg's hope that the manuscripts he has catalogued will, when examined in detail, "offer a key to the better understanding of the 'hides and hints and misses in prints' in the writings of the most controversial figure of twentieth-century literature."




James Joyce's Manuscripts


Book Description

"Offers the most complete checklist of all extant manuscripts, typescripts, and proofs".




The James Joyce Archive


Book Description




James Joyce


Book Description

James Joyce: A Critical Guide presents a full and comprehensive account of the major writing of the great modernist novelist James Joyce. Ranging right across Joyce's literary corpus from his earliest artistic beginnings to his mature prose masterpieces Ulysses and Finnegans Wake, the book provides detailed textual analysis of each of his major works. It also provides an extended discussion of the biographical, historical, political and social contexts that inform Joyce's writing and a wide-ranging discussion of the multiple strands of Joyce criticism that have established themselves over the last eighty years. The book's combination of sustained close reading of individual texts and critical breadth makes it an ideal companion for both undergraduate students and the wider community of Joyce's readers.




James Joyce


Book Description

A revealing new biography of James Joyce--the first in more than fifty years--of one of the twentieth-century's towering literary figures, complete with new material that has only recently come to light.




Thinking in Literature: Joyce, Woolf, Nabokov


Book Description

Thinking in Literature examines how the Modernist novel might be understood as a machine for thinking, and how it offers means of coming to terms with what it means to think. It begins with a theoretical analysis, via Deleuze, Spinoza and Leibniz, of the concept of thinking in literature, and sets out three principle elements which continually announce themselves as crucial to the process of developing an aesthetic expression: relation; sensation; and composition. Uhlmann then examines the aesthetic practice of three major Modernist writers: James Joyce, Virginia Woolf, and Vladimir Nabokov. Each can be understood as working with relation, sensation and composition, yet each emphasize the interrelations between them in differing ways in expressing the potentials for thinking in literature.







Attachment and Loss in the Works of James Joyce


Book Description

Using John Bowlby's Attachment Theory as a frame of reference, Attachment and Loss in the Works of James Joyce critically analyzes James Joyce's representation of grief. Based on cognitive, emotional and behavioral elements, Attachment Theory allows for new and innovative readings to emerge which differ from those offered by Freudian, Lacanian, and Jungian paradigms. Acknowledging the importance of the Theory of Mind and Reader Response, this book uses the concept of internal working models to elucidate how the childhood experiences with which Joyce has endowed his protagonists ultimately leads to how they respond to loss. The texts of Dubliners, Portrait of the Artist and Ulysses, show how central separation and loss were to Joyce’s work. It provides examples of such experiences in different age groups, under differing circumstances and at different stages in the grief process. Attachment Theory highlights the complexity of human relationships throughout the life cycle, not only how they can affect the grief process but how grief affects them.




A James Joyce Chronology


Book Description

The Author Chronologies Series aims to provide a means whereby the precise chronological facts of an author's life and career can be seen at a glance. This chronology provides a synopsis of Joyce's first years in Dublin and, from 1900, a more detailed account of his life there and attempts to become established as a writer when living mainly in Trieste and Zurich; and finally (when he became world-famous) Paris, concluding with his death in 1941.