The Lute in Britain


Book Description

"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.




A Tutor for the Renaissance Lute


Book Description

With the benefit of her many years' study of the repertoire and teaching of the instrument, Diana Poulton has completely re-cast her earlier book ("An Introduction to Lute Playing", 1961) to produce, in "A Tutor for the Renaissance Lute", the most comprehensive method for the lute based on Renaissance precepts. The book will be found equally useful to students working alone – giving clear instructions on all technical matters, progressively introduced according to their difficulty – and to teachers (providing a source of some seventy-five pieces from which to structure their pupils' progress). The advanced student, too, will find that much of the music is suitable for recital programmes.




Defining Strains


Book Description

This volume is the result of new research into such key figures as the composers Tobias Hume, William Kinloch, Patrick MacCrimmon and John Forbes; it looks at the important manuscripts, imported French and Italian music, burgh and ceremonial music, secular songs and their texts, and the psalm singing that dominated public life.




John Dowland


Book Description




The Scottish Lute


Book Description

This landmark book constitutes Mel Bay's first anthology of Renaissance lute andmandora literature in its original tablature form. It also offers the same 56 tunes tastefully transcribed in standard modern guitar notation and tab. For the academically inclined or those who simply want to examine the original scores, this edition includes a downloadable folio of the original lute and mandoratablature plus a thorough explanation of the lute tablature system. The lute part is included in the book and is also available as an online download




The Board lute book


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Guitar & Lute


Book Description




English Lute Composers for Classic Guitar


Book Description

During the 16th and 17th Centuries, lutenists were invariably included as part of the musical retinue of Kings, Queens, and Princes. At least one lutenist was also included in households of nobles and landed gentry. These were the "musicians in residence," so to speak. Professional lutenists were a feature of the courts, and their talents were handsomely rewarded. Though England produced only a small amount of printed lute music, it is extremely fortunate that many manuscript books of famous lutenists were not lost or destroyed and are now carefully preserved in museums and libraries. Lutenists not only composed original works for their instrument but arranged popular airs and dances of the period as well. This book contains excellent examples of each type of composition.




The first book of consort lessons


Book Description

Enthält Werke von Richard Allison, John Dowland, Peter Philllips, Thomas Morley, Nicholas Strogers und William Byrd




Both from the Ears and Mind


Book Description

Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.