Jane Sexes It Up


Book Description

Exploring a wide range of sexual subjects from pornography to prostitution, 20 young, progressive feminists reflect on the limitations they think are imposed by establishment feminism on their bodies and their behavior.




Not My Mother's Sister


Book Description

"No matter how wise a mother's advice is, we listen to our peers." At least that's writer Naomi Wolf's take on the differences between her generation of feminists -- the third wave -- and the feminists who came before her and developed in the late '60s and '70s -- the second wave. In Not My Mother's Sister, Astrid Henry agrees with Wolf that this has been the case with American feminism, but says there are problems inherent in drawing generational lines. Henry begins by examining texts written by women in the second wave, and illustrates how that generation identified with, yet also disassociated itself from, its feminist "foremothers." Younger feminists now claim the movement as their own by distancing themselves from the past. By focusing on feminism's debates about sexuality, they are able to reject the so-called victim feminism of Catherine MacKinnon and Andrea Dworkin. Rejecting the orthodoxies of the second wave, younger feminists celebrate a woman's right to pleasure. Henry asserts, however, that by ignoring diverse older voices, the new generation has oversimplified generational conflict and has underestimated the contributions of earlier feminists to women's rights. They have focused on issues relating to personal identity at the expense of collective political action. Just as writers like Wolf, Katie Roiphe, and Rene Denfeld celebrate a "new" feminist (hetero)sexuality posited in generational terms, queer and lesbian feminists of the third wave similarly distance themselves from those who came before. Henry shows how 1970s lesbian feminism is represented in ways that are remarkably similar to the puritanical portrait of feminism offered by straight third-wavers. She concludes by examining the central role played by feminists of color in the development of third-wave feminism. Indeed, the term "third wave" itself was coined by Rebecca Walker, daughter of Alice Walker. Not My Mother's Sister is an important contribution to the exchange of ideas among feminists of all ages and persuasions.




Girl in Need of a Tourniquet


Book Description

An honest and compelling memoir, Girl in Need of a Tourniquetis Merri Lisa Johnsons account of her borderline personality disorder and how it has affected her life and relationships. Johnson describes the feeling of ''bleeding out'' - unable to tell where she stopped and where her partner began. A self-confessed ''psycho girlfriend,'' she was influenced by many emotional factors from her past. She recalls her path through a dysfunctional, destructive relationship, while recounting the experiences that brought her to her breaking point. In recognizing her struggle with borderline personality disorder, Johnson is ultimately able to seek help, embarking on a soul-searching healing process. It's a path that is painful, difficult, and at times heart-wrenching, but ultimately makes her more able to love and coexist in healthy relationships.




Third Wave Feminism and Television


Book Description

Jane Puts It in a Box




Women & Middlehood : Halfway up the Mountain


Book Description

Middlehood womenfrom forty to sixty-fiveare in a rich and challenging time of life, full of contradictory feelings brought on by our growing strengths and the waning of familiar ways of life. It often feels like a mountain climb, full of glorious vistas, sudden storms, and winding trails. Women and Middlehood: Halfway Up the Mountain is an exploration and celebration of how women journey through this unique time of our lives. It draws upon one of the most powerful methods that women often use for negotiating change in our lives: we talk to other women. Each of us has a wealth of experience, and when that is joined with the experiences of other women, we create a veritable well of wisdom for ourselves and others. In that spirit, many women contributed stories, experiences and insights to this book.




Fifteen


Book Description

With her usual warmth, perceptiveness, and humor, Newbery Medal winner Beverly Cleary creates the joys and worries of a young girl's first crush. It seems too good to be true. The most popular boy in school has asked Jane out—and she's never even dated before. Stan is tall and good-looking, friendly and hard-working—everything Jane ever dreamed of. But is she ready for this? Suppose her parents won't let her go? What if she's nervous and makes a fool of herself? Maybe he'll think she's too young. If only she knew all the clever things to say. If only she were prettier. If only she were ready for this...




Erotic Memoirs and Postfeminism


Book Description

This book analyses the impact of postfeminist discourse and the mainstreaming of pornography on our understanding of intimacy and female sexuality. It is a broad critical survey of a recent publishing phenomenon – the female-authored erotic memoir – and positions the texts under analysis as complex and contradictory expressions of popular feminism.




Sisterhood, Interrupted


Book Description

Contrary to clichés about the end of feminism, Deborah Siegel argues that younger women are not abandoning the movement but reinventing it. After forty years, is feminism today a culture, or a cause? A movement for personal empowerment, or broad-scale social change? Have women achieved equality, or do we still have a long way to go?




The Weatherwomen


Book Description

Assertive, tough, and idealistic, the Weatherwomen--members of the Weather Underground Organization (WUO) from the late 1960s--were determined to stamp out sexism and social injustice. They asserted that militancy was necessary in the pursuit of a socialist revolution that would produce gender, racial, and class equality. This book excavates their long buried history and reclaims the voices of the Weatherwomen. The Weatherwomen's militant feminism had many facets. It criticized the role of women in the home, was concerned with the subordination of women to men, attacked the gender pay gap, and supported female bodily integrity. The Weatherwomen also refined their own feminist ideology into an intersectional one that would incorporate multiple identity perspectives beyond the white, American, middle-class perspective. In shaping a feminist vision for the WUO, the Weatherwomen dealt with sexism within their own organization and were dismissed by some feminist groups of the time as inauthentic. This work strives to recognize the WUO's militant feminist efforts, and the agency, autonomy, and empowerment of its female members, by concentrating on their actions and writings.




Rethinking Women's and Gender Studies


Book Description

Rethinking Women’s and Gender Studies re-examines the field’s foundational assumptions by identifying and critically analyzing eighteen of its key terms. Each essay investigates a single term (e.g., feminism, interdisciplinarity, intersectionality) by asking how it has come to be understood and mobilized in Women’s and Gender Studies and then explicates the roles it plays in both producing and shutting down possible versions of the field. The goal of the book is to trace and expose critical paradoxes, ironies, and contradictions embedded in the language of Women’s and Gender Studies—from its high theory to its casual conversations—that relies on these key terms. Rethinking Women’s and Gender Studies offers a fresh approach to structuring Feminist Theory, Senior Capstone, and introductory graduate-level courses in Women’s and Gender Studies.