The Japanese Print


Book Description




Japan in Print


Book Description

A quiet revolution in knowledge separated the early modern period in Japan from all previous time. After 1600, self-appointed investigators used the model of the land and cartographic surveys of the newly unified state to observe and order subjects such as agronomy, medicine, gastronomy, commerce, travel, and entertainment. They subsequently circulated their findings through a variety of commercially printed texts: maps, gazetteers, family encyclopedias, urban directories, travel guides, official personnel rosters, and instruction manuals for everything from farming to lovemaking. In this original and gracefully written book, Mary Elizabeth Berry considers the social processes that drove the information explosion of the 1600s. Inviting readers to examine the contours and meanings of this transformation, Berry provides a fascinating account of the conversion of the public from an object of state surveillance into a subject of self-knowledge. Japan in Print shows how, as investigators collected and disseminated richly diverse data, they came to presume in their audience a standard of cultural literacy that changed anonymous consumers into an "us" bound by common frames of reference. This shared space of knowledge made society visible to itself and in the process subverted notions of status hierarchy. Berry demonstrates that the new public texts projected a national collectivity characterized by universal access to markets, mobility, sociability, and self-fashioning.




イラスト日本まるごと事典


Book Description

イラストと簡潔な文章で、日本のすべてを紹介する小事典の決定版!自然、地理、衣・食・住、文化、風俗・習慣から政治、経済、社会、産業、歴史まで、日本をまるごと英語で説明できるようになります。さらに、外国の人との交流を深められるように、手巻き寿司の作り方、浴衣の着方、花の生け方、習字、俳句、折り紙、じゃんけん遊びなど、日本文化の教授法をわかりやすく図解しました。ホームステイや海外留学をするときに頼りになる1冊です。




The Japanese


Book Description

A SUNDAY TIMES BOOK OF THE YEAR 2020 'Mightily impressive ... a marvellous read' Sunday Times From the acclaimed author of Japan Story, this is the history of Japan, distilled into the stories of twenty remarkable individuals. The vivid and entertaining portraits in Chris Harding's enormously enjoyable new book take the reader from the earliest written accounts of Japan right through to the life of the current empress, Masako. We encounter shamans and warlords, poets and revolutionaries, scientists, artists and adventurers - each offering insights of their own into this extraordinary place. For anyone new to Japan, this book is the ideal introduction. For anyone already deeply involved with it, this is a book filled with surprises and pleasures.




Printing Landmarks


Book Description

Spanning the fields of book history, travel literature, map history, and visual culture, Printing Landmarks provides a new perspective on Tokugawa-period culture. Robert Goree draws on diverse archival and scholarly sources to explore why meisho zue enjoyed widespread and enduring popularity.




The Japanese Print


Book Description

This straightforwardly written and highly informative book is designed as an introductory history and guide to Japanese prints for the student and the beginning collector. Not limited to "ukiyo-e", it also discusses medieval Buddhist prints and the prints of the modern era, from the Mieiji period to the present. Thus such modern luminaries as Onchi, Hiratsuka, and Munakata are presented alongside the Edo master printmakers Harunobu, Kiyonaga, Utamaro, Sharaku, Hokusai, and Hiroshige. A major virtue of the book is the attention it gives to the aesthetics of the prints and to the lives of the printmakers themselves. Illustrated with 14 prints in full color and 86 in black and white, it also offers a thoroughly useful chapter on the collection and care of Japanse prints, a glossary, and a valuable selected bibliography. -- From publisher's description.




Japanese Woodblock Prints. 40th Ed


Book Description

The Japanese woodblock print is a phenomenon with no Western equivalent, one where breathtaking landscapes exist alongside blush-inducing erotica; where demons and otherworldly creatures torment the living; and where sumo wrestlers, kabuki actors, and courtesans are rock stars. This condensed edition lifts the veil on a much-loved but little-...




Yokohama


Book Description

"It is a special honor for the Yamanouchi Pharmaceutical Co., Ltd., to assist the Arthur M. Sackler Gallery of the Smithsonian Institution in presenting the museum's first major exhibition of Japanese art, Yokohama: Prints from Nineteenth Century Japan. Japanese woodblock prints, which have enjoyed appreciation throughout the world, were the first artistic medium to respond to the profound changes affecting Japanese technology, society, and institutions during the years following the opening of Yokohama to international trade in 1859. To the people of Japan more than one hundred years ago, Yokohama prints provided the first views of the customs and achievements of the technologically advanced nations of the United States and Europe. The colorful prints enhanced Japanese understanding of nations as yet unseen except by a few official travelers"--




A Collector's Guide to Books on Japan in English


Book Description

Provides an invaluable and very accessible addition to existing biographic sources and references, not least because of the supporting biographies of major writers and the historical and cultural notes provided.




Beyond the Great Wave


Book Description

The Japanese landscape print has had a tremendous influence on Western art of the nineteenth and twentieth centuries. In Japan and in the West it is often seen as the dominant form in Ukiyo-e, pictures from the floating world. And yet for all its importance, it is a genre whose history has never been written. Beyond The Great Wave is a survey or overview for all those interested in discovering the inner dynamics of one of art history's most remarkable achievements. However, it is also a quest narrative, in which landscapes and notions of Japan as a homeland are intertwined and interconnected. Although there has never been a book-length study of the Japanese landscape print in either Japanese or English, a great deal has been written about the two giants of the genre, Hokusai and Hiroshige. From what traditions did these two nineteenth-century artists emerge? Who were their predecessors? What influence, if any, did they have on other Ukiyo-e artists? Can their influence be seen in the shin-hanga and sôsaku-hanga artists of the twentieth century? This book addresses these issues, but it also looks at a number of other factors, such as the growth of tourism in nineteenth-century Japan, necessary for understanding this genre.