The Industries of Japan
Author : Johannes Justus Rein
Publisher :
Page : 662 pages
File Size : 12,88 MB
Release : 1889
Category : Agriculture
ISBN :
Author : Johannes Justus Rein
Publisher :
Page : 662 pages
File Size : 12,88 MB
Release : 1889
Category : Agriculture
ISBN :
Author : Joseph L. Anderson
Publisher : Princeton University Press
Page : 527 pages
File Size : 34,38 MB
Release : 2018-06-05
Category : Performing Arts
ISBN : 0691187460
Tracing the development of the Japanese cinema from 1896 (when the first Kinetoscope was imported) through the golden ages of film in Japan up to today, this work reveals the once flourishing film industry and the continuing unique art of the Japanese film. Now back in print with updated sections, major revaluations, a comprehensive international bibliography, and an exceptional collection of 168 stills ranging over eight decades, this book remains the unchallenged reference for all who seek a broad understanding of the aesthetic, historical, and economic elements of motion pictures from Japan.
Author : Sir Rutherford Alcock
Publisher :
Page : 310 pages
File Size : 38,82 MB
Release : 1878
Category : Art
ISBN :
Author : Rutherford Alcock
Publisher :
Page : 308 pages
File Size : 31,64 MB
Release : 1878
Category :
ISBN :
Author : Ellen P. Conant
Publisher : University of Hawaii Press
Page : 312 pages
File Size : 33,47 MB
Release : 2006-02-28
Category : Art
ISBN : 0824840593
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.
Author : 王弦
Publisher : 五洲传播出版社
Page : 152 pages
File Size : 39,94 MB
Release : 2007
Category : Creative ability in business
ISBN : 9787508511368
本书介绍了中国的制造工业,媒体工作者,发明创造者,创意城市和创意产业的投资环境.
Author : Sir Rutherford Alcock
Publisher :
Page : 312 pages
File Size : 31,96 MB
Release : 1878
Category : Art
ISBN :
Author : Félix Régamey
Publisher :
Page : 440 pages
File Size : 10,47 MB
Release : 1892
Category : Art
ISBN :
Author : J. Thomas Rimer
Publisher : University of Hawaii Press
Page : 516 pages
File Size : 45,54 MB
Release : 2012
Category : ART
ISBN : 9780824835828
Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture--one that until now has not been widely visible or thoroughly analyzed outside that country. In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862-1913), whose Book of Tea is still widely read today. Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period.
Author : Felix Regamey
Publisher : Palala Press
Page : 388 pages
File Size : 44,50 MB
Release : 2018-02-17
Category : Art
ISBN : 9781377806280
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.