Japan's Political Warfare


Book Description

After more than six years of active fighting in the Far East and over two years of open war between Japan and the Anglo-Saxon powers, Japanese political warfare was still a factor largely unknown in the Western world. Overshadowed by the much nearer and more closely felt exertions of the Nazi propaganda machine, it came to be regarded as too remote to have any noticeable bearing on the general course of the war. In the months leading up to Pearl Harbour, Tokyo Radio, the official Domei News Agency and the Japanese press jointly conducted an efficient war of nerves which, for all its alleged clumsiness effectively deceived many in Britain and the USA. The attack on Pearl Harbour showed how Tokyo’s political warfare achieved its object: the creation of a political smoke-screen. During the period of Japan’s conquests in 1942 following Pearl Harbour, and before that in China, Japan’s political warfare showed itself quite capable of producing useful results.The volume is divided into two parts: the first deals with machinery and methods and gives as full and detailed a survey of the various government organs directing and controlling political warfare, the structure of the Japanese press, the organisation of Japanese broadcasting, the functioning of censorship and the extent to which education, science, literature, the arts and the cinema are being employed for purposes of propaganda, both in the Japanese homeland and in the wider area of the conquered empire. The second part deals with the aims and policies of Japanese propaganda, and attempts to give an outline of the way in which the machinery is being operated. It includes an analysis of the main groups of standard slogans and catchphrases which recur everywhere in Japanese propaganda and a special chapter is devoted to the use made of religion for purposes of political warfare.




Japan's Political Warfare


Book Description




War Memory and Social Politics in Japan, 1945–2005


Book Description

"Japan has long wrestled with the memories and legacies of World War II. In the aftermath of defeat, war memory developed as an integral part of particular and divergent approaches to postwar democracy. In the last six decades, the demands placed upon postwar democracy have shifted considerably—from social protest through high economic growth to Japan’s relations in Asia—and the meanings of the war shifted with them.This book unravels the political dynamics that governed the place of war memory in public life. Far from reconciling with the victims of Japanese imperialism, successive conservative administrations have left the memory of the war to representatives of special interests and citizen movements, all of whom used war memory to further their own interests.Franziska Seraphim traces the activism of five prominent civic organizations to examine the ways in which diverse organized memories have secured legitimate niches within the public sphere. The history of these domestic conflicts—over the commemoration of the war dead, the manipulation of national symbols, the teaching of history, or the articulation of relations with China and Korea—is crucial to the current discourse about apology and reconciliation in East Asia, and provides essential context for the global debate on war memory."




Political Warfare


Book Description

"Political Warfare provides a well-researched and wide-ranging overview of the nature of the People's Republic of China (PRC) threat and the political warfare strategies, doctrines, and operational practices used by the Chinese Communist Party (CCP). The author offers detailed and illuminating case studies of PRC political warfare operations designed to undermine Thailand, a U.S. treaty ally, and Taiwan, a close friend"--




The History Problem


Book Description

Seventy years have passed since the end of the Asia-Pacific War, yet Japan remains embroiled in controversy with its neighbors over the war’s commemoration. Among the many points of contention between Japan, China, and South Korea are interpretations of the Tokyo War Crimes Trial, apologies and compensation for foreign victims of Japanese aggression, prime ministerial visits to the Yasukuni Shrine, and the war’s portrayal in textbooks. Collectively, these controversies have come to be called the “history problem.” But why has the problem become so intractable? Can it ever be resolved, and if so, how? To answer these questions author Hiro Saito mobilizes the sociology of collective memory and social movements, political theories of apology and reconciliation, psychological research on intergroup conflict, and philosophical reflections on memory and history. The history problem, he argues, is essentially a relational phenomenon caused when nations publicly showcase self-serving versions of the past at key ceremonies and events: Japan, South Korea, and China all focus on what happened to their own citizens with little regard for foreign others. Saito goes on to explore the emergence of a cosmopolitan form of commemoration taking humanity, rather than nationality, as its primary frame of reference, an approach increasingly used by a transnational network of advocacy NGOs, victims of Japan’s past wrongdoings, historians, and educators. When cosmopolitan commemoration is practiced as a collective endeavor by both perpetrators and victims, Saito argues, a resolution of the history problem—and eventual reconciliation—will finally become possible. The History Problem examines a vast corpus of historical material in both English and Japanese, offering provocative findings that challenge orthodox explanations. Written in clear and accessible prose, this uniquely interdisciplinary book will appeal to sociologists, political scientists, and historians researching collective memory, nationalism and cosmopolitanism, and international relations—and to anyone interested in the commemoration of historical wrongs. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.




Politics and Culture in Wartime Japan


Book Description

The Pacific War was the most traumatic experience for Japan in modern times. This book examines the politics and culture of Japan during this period: the establishment of the wartime regime--its character and limitations; the actions and reactions of the emperor, the bureaucrats, and thepoliticians; the deposing of the Prime Minister in the middle of the war; political developments under his successors; the role of the press; the behavior of the intellectuals; and prevailing attitudes towards the West. Shillony argues that the wartime regime of Japan was very different fromcontemporary totalitarian states. The political values of the Japanese were part of a wider cultural milieu, in which traditional concepts had already been affected by contact with Western civilivzation.




Military Intervention in Pre-War Japanese Politics


Book Description

This is a study of the impact of inter-war naval arms control policy-making on the domestic politics of Japan, especially the areas of civil-military, inter-military (Army/Navy) and especially intra-military (Navy) relations and on the professional and political career of one leading naval figure, Admiral Kato Kanji (1873-1939). In this re-appraisal of Kato's career, the author challenges the conventional and negative interpretation of both Kato's role in the naval politics and factions within the Imperial Navy, utilizing Kato's involvement in the domestic political debate as a focal device for studying two key areas of Japanese civil-military relations: civilian control and the phenomenon of massive, overt naval intervention in domestic politics.




Imagining Japan in Post-war East Asia


Book Description

In the decades since her defeat in the Second World War, Japan has continued to loom large in the national imagination of many of her East Asian neighbours. While for many, Japan still conjures up images of rampant military brutality, at different times and in different communities, alternative images of the Japanese ‘Other’ have vied for predominance – in ways that remain poorly understood, not least within Japan itself. Imagining Japan in Postwar East Asia analyses the portrayal of Japan in the societies of East and Southeast Asia, and asks how and why this has changed in recent decades, and what these changing images of Japan reveal about the ways in which these societies construct their own identities. It examines the role played by an imagined ‘Japan’ in the construction of national selves across the East Asian region, as mediated through a broad range of media ranging from school curricula and textbooks to film, television, literature and comics. Commencing with an extensive thematic and comparative overview chapter, the volume also includes contributions focusing specifically on Chinese societies (the mainland PRC, Hong Kong and Taiwan), Korea, the Philippines, Malaysia and Singapore. These studies show how changes in the representation of Japan have been related to political, social and cultural shifts within the societies of East Asia – and in particular to the ways in which these societies have imagined or constructed their own identities. Bringing together contributors working in the fields of education, anthropology, history, sociology, political science and media studies, this interdisciplinary volume will be of interest to all students and scholars concerned with issues of identity, politics and culture in the societies of East Asia, and to those seeking a deeper understanding of Japan’s fraught relations with its regional neighbours.




From Party Politics to Militarism in Japan, 1924-1941


Book Description

The years in Japan between June 1924, when a coalition cabinet of three political parties was established, and December 1941, when the country declared war on the United States and Britain, was characterized first by nearly a decade of domestic and international cooperation-and then a period of oppressive militarism. Kitaoka Shinichi captures the essence of these years in Japan's political history, stressing not only the discontinuities, but also the connections, between the two periods.Kitaoka pays particular attention to the interaction of domestic and foreign affairs. He equally explores the conflicts between political parties and the military-as well as those among internal factions in both spheres. Connecting political issues to economic and social developments, his book serves as a comprehensive history of the period, a history that, in his words, "exemplifies the horrific damage that can result when a modern nation-state goes off course."




The Politics of Painting


Book Description

This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.