An Extraordinary Collection of Japanese and Chinese High-class Art ... Including Many Articles Selected by Native Connoisseurs at the Imperial Exhibition at Tokio, for Messrs. A.A. Vantine & Co


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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.







Way of the Brush


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The Way of the Brush: Painting Techniques of China and Japan examines the technique, style, traditions, and methods of Chinese ink painting and how they were interpreted in Japanese art. Illustrated with over 250 images and packed with instructions, The Way of the Brush covers every aspect of brush painting, from brushstrokes, composition and the painting surface to meaning, perspective and artistic philosophy. Part One is a study of the techniques of Chinese painting and explains the elements, techniques and principles which eventually carried over into Japanese painting. Part Two is devoted to technical challenges and basic problems associated with the art, including the issue of fakes and forgeries of Chinese art in Japan. Also included are three appendices and a full bibliography.




An Extraordinary Collection of Japanese and Chinese High-Class Art


Book Description

Excerpt from An Extraordinary Collection of Japanese and Chinese High-Class Art: Comprising Superb Satsuma Specimens, Marvelously Wrought Bronzes, Including Masterpieces of Japan's Famous Artisans, Exquisitely Wrought Solid Silver Specimens, Magnificent Cloisonné Enamels, Gems in Carved Jade; Antique Lacquers and Ivory Carvings The old Satsuma-ware, the decoration of which is mostly composed of bird and flower paintings, amongst which the Chrysanthemum, the paeonia, the fowl, the pheasants and pea cocks take a prominent place, is further distinguished by the delicacy of the outline, the fine red and green colors, and by the tracings in thick gold lines of a dull color. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Armed Martial Arts of Japan


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This unique history of Japanese armed martial arts--the only comprehensive treatment of the subject in English--focuses on traditions of swordsmanship and archery from ancient times to the present. G. Cameron Hurst III provides an overview of martial arts in Japanese history and culture, then closely examines the transformation of these fighting skills into sports. He discusses the influence of the Western athletic tradition on the armed martial arts as well as the ways the martial arts have remained distinctly Japanese. During the Tokugawa era (1600-1867), swordsmanship and archery developed from fighting systems into martial arts, transformed by the powerful social forces of peace, urbanization, literacy, and professionalized instruction in art forms. Hurst investigates the changes that occurred as military skills that were no longer necessary took on new purposes: physical fitness, spiritual composure, character development, and sport. He also considers Western misperceptions of Japanese traditional martial arts and argues that, contrary to common views in the West, Zen Buddhism is associated with the martial arts in only a limited way. The author concludes by exploring the modern organization, teaching, ritual, and philosophy of archery and swordsmanship; relating these martial arts to other art forms and placing them in the broader context of Japanese culture.







A Most Valuable Collection of Japanese and Chinese High Class Objects of Art, Ancient and Modern


Book Description

Excerpt from A Most Valuable Collection of Japanese and Chinese High Class Objects of Art, Ancient and Modern: Including Many Unique Specimens in Gold and Silver, Bronze, Ivory, Lacquer, Fabrics, Arms, Satsuma Ware, Porcelain, Imari, Banko, Kaga, Pottery, Etc., Etc Never before has such a valuable collection of. Oriental Art Objects been placed before the public. We can safely say that they far excel in rarity and value any Japanese and Chinese col lection offered at auction in this country. Such goods cannot be easily procured in Japan or China; far from it. Mr. James F. Sutton (of Messrs. A. A. Vantine and Company), aided by native connoisseurs, all gentlemen of culture and judgment, have suc ceeded in obtaining these specimens only after arduous labor and at an expense far beyond that realized by the public in general. Such articles as embraced in this sale command their price, either at home or abroad. Mr. Sutton made it a point to secure every article of merit he met with, no matter What the price might be, for had he not, such was the scarcity, especiallyin Japan, the next seeker (in all probability a European agent in search of just such choice specimens as to be found here), would nu doubtedly have been the purchaser. Many gems in this important collection were secured in the far inland towns and villages of the Mikado's empire, beyond the reach of inexperienced travel ers, but of access to the knowing and persevering Sutton, who, notwithstanding great risk and endurance, would visit such places and obtain many treasures that had been hidden from view for perhaps centuries, and in many instances held sacred. You, reader, are to reap the benefit of this gentleman's expe ricuce and labors. May they be fully appreciated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.