Japanese Calligraphy as a Way to Make the Invisible Visible


Book Description

The book is an academic work addressed to beginners in the study of the Japanese language, literature and art, as well as to those fascinated by Japanese culture or by the secrets of Japanese calligraphy in particular. The book combines, in an exciting and unique way, a theoretical analysis with the practice of calligraphy. In short, the book highlights the ‘process of becoming’ on the path of Japanese calligraphy, harmoniously reuniting the perspective of an external, distant, abstract view, with a subjective, practical, internal one. Because the author studied this art under the guidance of Japanese masters, the book also contains the author’s Japanese calligraphy works. Today, in the digital age, this book on Japanese calligraphy emphasizes the creative synergy of handwriting, through which the calm swiftness of the brush movement in a moment of concentration, attention and freedom, reveals a contemplative mental act. The book is, eventually, an inner journey on the path of Japanese calligraphy, as it combines the practice and theory of calligraphic art, rediscovering handwriting through the reveries of the calligraphy brush in the contemporary digital age: writing by painting and painting by writing.




Japanese Calligraphy As a Way to Make the Invisible Visible


Book Description

The book is an academic work addressed to beginners in the study of the Japanese language, literature and art, as well as to those fascinated by Japanese culture or by the secrets of Japanese calligraphy in particular. The book combines, in an exciting and unique way, a theoretical analysis with the practice of calligraphy. In short, the book highlights the 'process of becoming' on the path of Japanese calligraphy, harmoniously reuniting the perspective of an external, distant, abstract view, with a subjective, practical, internal one. Because the author studied this art under the guidance of Japanese masters, the book also contains the author's Japanese calligraphy works. Today, in the digital age, this book on Japanese calligraphy emphasizes the creative synergy of handwriting, through which the calm swiftness of the brush movement in a moment of concentration, attention and freedom, reveals a contemplative mental act. The book is, eventually, an inner journey on the path of Japanese calligraphy, as it combines the practice and theory of calligraphic art, rediscovering handwriting through the reveries of the calligraphy brush in the contemporary digital age: writing by painting and painting by writing.




The Japanese Way of the Artist


Book Description

“Davey uses words with clarity and simplicity to describe the non-word realm of practicing these arts.”—Publishers Weekly "From an economic standpoint, this compilation sells for a price comparable to the price of a single copy of either of the first two works. In addition, the third work, The Japanese Way of the Flower: Ikebana as Moving Meditation, is no longer in print. This makes this compilation a very good deal and the quickest way to secure a copy of The Japanese Way of the Flower: Ikebana as Moving Meditation...In addition, the content of all three works is great. Any one of these books would be worth the price, and this book is great both as a Christmas present and a book for the beach." -- Michael Donnelly Sensei, veteran teacher of Aikido The three works anthologized here are essential to understanding the spiritual, meditative, and physical basis of all classical Japanese creative and martial arts. Living the Japanese Arts & Ways covers key concepts—like wabi and “stillness in motion”—while the other two books show the reader how to use brush calligraphy (shodo) and flower arranging (ikebana) to achieve mind-body unification. Illustrated with diagrams, drawings, and photographs.




Be the Refuge


Book Description

A must-read for modern sanghas--Asian American Buddhists in their own words, on their own terms. Despite the fact that two thirds of U.S. Buddhists identify as Asian American, mainstream perceptions about what it means to be Buddhist in America often whitewash and invisibilize the diverse, inclusive, and intersectional communities that lie at the heart of American Buddhism. Be the Refuge is both critique and celebration, calling out the erasure of Asian American Buddhists while uplifting the complexity and nuance of their authentic stories and vital, thriving communities. Drawn from in-depth interviews with a pan-ethnic, pan-Buddhist group, Be the Refuge is the first book to center young Asian American Buddhists' own voices. With insights from multi-generational, second-generation, convert, and socially engaged Asian American Buddhists, Be the Refuge includes the stories of trailblazers, bridge-builders, integrators, and refuge-makers who hail from a wide range of cultural and religious backgrounds. Championing nuanced representation over stale stereotypes, Han and the 89 interviewees in Be the Refuge push back against false narratives like the Oriental monk, the superstitious immigrant, and the banana Buddhist--typecasting that collapses the multivocality of Asian American Buddhists into tired, essentialized tropes. Encouraging frank conversations about race, representation, and inclusivity among Buddhists of all backgrounds, Be the Refuge embodies the spirit of interconnection that glows at the heart of American Buddhism.




Palazuelo


Book Description




Aesthetic Communication


Book Description

This book deals with the organizational use of aesthetic means. Based on the idea that organizations are systems of communication, it is shown that consciously or not, organizations have always used aesthetic means to reinforce their communication.




Sidewalk Oracles


Book Description

Synchronicity is when the universe gets personal. Through this book of games and enchanting stories, you’ll learn how to monitor the play of coincidence and the symbolic resonance of incidents in daily life in order to tap into the deeper logic of events, receive extraordinary counsel, and have wonderful fun. You will be invited to become a kairomancer: someone who is poised to catch the messages in special moments when synchronicity is in play — and to take action to seize the opportunities those moments present. To be a kairomancer, you need to trust your feelings as you walk the roads of this world, to develop your personal science of shivers, and to recognize in your gut and your skin that you know far more than you hold on the surface of consciousness. This is a way of real magic, which is the art of bringing gifts from a deeper world into this one. Follow it, and you will put a champagne fizz of enchantment into your everyday life.




源氏物語


Book Description




Western Visions of the Far East in a Transpacific Age, 1522-1657


Book Description

Bringing to bear the latest developments across various areas of research and disciplines, this collection provides a broad perspective on how Western Europe made sense of a complex, multi-faceted, and by and large Sino-centered East and Southeast Asia. The volume covers the transpacific period--after Magellan's opening of the transpacific route to the Far East and before the eventual dominance of the region by the British and the Dutch. In contrast to the period of the Enlightenment, during which Orientalist discourses arose, this initial period of encounters and conquest is characterized by an enormous curiosity and a desire to seize--not only materially but intellectually--the lands and peoples of East Asia. The essays investigate European visions of the Far East--particularly of China and Japan--and examine how and why particular representations of Asians and their cultural practices were constructed, revised, and adapted. Collectively, the essays show that images of the Far East were filtered by worldviews that ranged from being, on the one hand, universalistic and relatively equitable towards cultures to the other extreme, unilaterally Eurocentric.




The Philosophy of Lines


Book Description

This book offers a philosophical exploration of lines in art and culture, and traces their history from Antiquity onwards. Lines can be physical phenomena, cognitive responses to observed processes, or both at the same time. Based on this assumption, the book describes the “philosophy of lines” in art, architecture, and science. The book compares Western and Eastern traditions. It examines lines in the works of Paul Klee, Wassily Kandinsky, and Henri Michaux, as well as in Chinese and Japanese art and calligraphy. Lines are not merely a matter of aesthetics but also reflect the psychological states of entire cultures. In the nineteenth century, non-Euclidean geometry sparked the phenomenon of the “self-negating line,” which influenced modern art; it also prepared the ground for virtual reality. Straight lines, distorted lines, blurred lines, hot and cold lines, dynamic lines, lines of force, virtual lines, and on and on, lines narrate the development of human civilization.