Japanese Old Photographs in Bakumatsu-Meiji Period


Book Description

Contains over 5,400 hand-colored photos taken during the Bakumatsu-Meiji Period (1860-1899), the earliest stage in the history of Japanese photography. The database contains photographs of urban and rural scenery, as well as people and customs in various locales, and features captions and explanations in both Japanese and English. Users can search by photographer and picture title, or browse by a list of provided keywords, geographic region, or shelf number.




Old Japan


Book Description

Commemorating 150 years of Japanese photography, it includes many Bakumatsu stereoviews by Pierre Rossier, John Wilson and Shimooka Renjo as well as important albums by Uchida Kuichi and Felix Beato album of 25 prints. Also included are works by photographers such as Ueno Hikoma, Tomishige Rihei, Matsuzaki Shinji, Charles Weed, Wilhelm Burger, Tamoto Kenzo and many others including a previously unknown album of Matsuzaki Shinji's photographs of Japan's 1877 Industrial Exhibition; important albums by Uchida Kuichi, Kusakabe Kimbei, Ogawa Kazumasa, Esaki Reiji, Kanamaru Genzo, Enami Nobukuni (attrib.), Suzuki Shinichi I and Stillfried & Andersen; unique album of more than 300 portraits of famous Meiji-era Japanese from royalty to artists; rare album of Japan's participation in the 1936 Berlin Olympics; photographs of the 1871 Kobe typhoon, 1874 Nagasaki typhoon and 1891 earthquake; unique giant photographic Kusakabe display frame; important Nagasaki views by Ueno Hikoma; Charles Weed Nagasaki mammoth-plate view; 100 Japanese 1869 art photos by Wilhelm Burger; photographs of Julia Lowder (née Brown)- Japan's first female photographer; magnificent panoramas of Yokohama, Kobe and Hakodate by Kusakabe, Beato and Tamoto Kenzo; very rare views of 1871 Korea by Felix Beato; samurai portrait by Milton Miller; early attributed Charles Parker view of Kobe; group of Chinese views and portraits by William Saunders; rare and important stereoviews by Shimooka Renjo, John Wilson, Daniel Clark, Paul Champion, Wilhelm Burger, Pierre Rossier, Charles Weed, Peter Weil, E & H. T. Anthony, G. Riemer, Colonel Du Pin and Antoine Fauchery; rare stereos and cartes de visite of Japanese entertainers abroad including Tannaker Buhicrosan and Asi-Kitchi and wife; cartes de visite by William Willmann, Felix Beato and Tomishige Rihei et.




Early Japanese Images


Book Description

This fascinating Japanese photography book features over 140 images taken between 1853 and 1905 by the most important local and foreign photographers then working in Japan. Almost one-fourth of the images are hand colored, superb examples of a rich art form long since vanished. The Japan of this book too has disappeared, but author and compiler Terry Bennett has put together a unique portrait of the country at perhaps its most decisive turning point, a nation about to abandon its traditional ways and enter the modern age. Important features of Early Japanese Images include the following: A historical overview of the years 1853-1912 The story of early Western photographers in Japan The story of early Japanese photographers Over 100 images reproduced in original sepia tones Over 40 images reproduced as originally handcolored An invaluable index that identifies the photographers




Photography in Japan 1853-1912


Book Description

Photography in Japan 1853-1912 is a fascinating visual record of Japanese culture during its metamorphosis from a feudal society to a modern, industrial nation at a time when the art of photography was still in its infancy. The 350 rare and antique photos in this book, most of them published here for the first time, chronicle the introduction of photography in Japan and early Japanese photography. The images are more than just a history of photography in Japan; they are vital in helping to understand the dramatic changes that occurred in Japan during the mid-nineteenth century. These rare Japanese photographs--whether sensational or everyday, intimate or panoramic--document a nation about to abandon its traditional ways and enter the modern era. Taken between 1853 and 1912 by the most important Japanese and foreign photographers working in Japan, this is the first book to document the history of early photography in Japan a comprehensive and systematic way.




Old Japanese Photographs


Book Description




Japanese Old Photographs in Bakumatsu-Meiji Period


Book Description

Nagasaki University Library of Japan features a database of old Japanese photographs from the Bakumatsu-Meiji Period (1860-1899). The pictures are of foreigners' settlements, urban and rural scenery, tourist spots, customs and people in Nagasaki, Tokyo, Kyoto, Osaka, Kobe and elsewhere. The database is for public use.







Old Japan


Book Description

Includes: incredible large-format photos from the Nadar studio in Paris of the 1862 & 64 Embassies to Europe, all 13 are illustrated and were mounted on original studio card with Nadar's studio stamp embossed, two with Nadar's signature; a collection of 8 quality photos by Felix Beato from the 1860s; an interesting collection of 36 photos of Geisha circa 1890s from various studios; an incredible collection of over 1,000 stereos of Japan from late-Meiji era from various publishers and including 8 complete sets together with quality 1860s wooden graphoscope for viewing; a collection of 145 glass lantern slides of Japan (1860s-1900s)from various publishers; separate photo collections of Nagasaki(20), Tokyo(59), Kobe(77), Yokohama(87), Japanese Brothels & Courtesans(14), Kyoto(60); rare early views of Doshisha University(9) by Kyoto photographer,Hori Masumi II; 1891 Gifu earthquake, a collection of items; collection of photos of various Japanese occupations(36); 16 exceptionally rare mammoth-plate prints by Stillfried; photo collection of Japanese entertainers abroad(10); collection of photos of international exhibitions of Japanese art(28); collection of Japanese royalty photos(11); 2 rare albums of 1894/5 Sino-Japanese War(180+) and others....







The Journey of “A Good Type”


Book Description

When Japan opened its doors to the West in the 1860s, delicately hand-tinted photographic prints of Japanese people and landscapes were among its earliest and most popular exports. David Odo studies the collection of Japanese photographs at Harvard’s Peabody Museum and the ways they were produced, acquired, and circulated in the nineteenth century.