Book Description
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Author : Karen Brazell
Publisher : Columbia University Press
Page : 580 pages
File Size : 26,89 MB
Release : 1998
Category : Drama
ISBN : 9780231108737
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Author : Jonah Salz
Publisher : Cambridge University Press
Page : 1066 pages
File Size : 30,93 MB
Release : 2016-07-14
Category : Drama
ISBN : 1316395324
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Author : David Jortner
Publisher : Lexington Books
Page : 316 pages
File Size : 26,48 MB
Release : 2007
Category : Literary Criticism
ISBN : 9780739123003
Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.
Author : Noel John Pinnington
Publisher : Springer
Page : 230 pages
File Size : 23,7 MB
Release : 2019-02-21
Category : Performing Arts
ISBN : 303006140X
This book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.
Author : Faubion Bowers
Publisher : Tuttle Publishing
Page : 339 pages
File Size : 40,87 MB
Release : 2013-01-08
Category : Drama
ISBN : 1462912184
Japanese Theatre presents a full historical account for Westerners of the theater arts that have flourished for centuries in Japan. Kabuki, arising in the late seventeenth century, is the theater of the commoner. The successive syllables of Kabuki mean "song – dance – skill." The precursors of Kabuki were the puppet theater and the comic interludes in the stately, aristocratic Noh drama – all fully described by the author. In the modem era the Japanese have broken away from Kabuki, and their stage has shown a realistic trend. Left–wing theater groups arose in the 1920’s, were suppressed by the militarists, and then revived during the occupation. Appended to the historical chapters are Mr. Bowers's translations of three Kabuki plays: The Monstrous Spider, Gappo and His Daughter Tsuji, and the bombastic Sukeroku. This book, with its many excellent photographs, is a permanent addition to the West's knowledge of the exotic, exciting theater of Japan and its tradition of great acting.
Author : Benito Ortolani
Publisher : Princeton University Press
Page : 432 pages
File Size : 21,80 MB
Release : 1995-03-09
Category : Drama
ISBN : 9780691043333
From ancient ritualistic practices to modern dance theatre, this study provides concise summaries of all major theatrical art forms in Japan. It situates each genre in its particular social and cultural contexts, describing in detail staging, costumes, repertory and noteworthy actors.
Author : Ortolani
Publisher : BRILL
Page : 372 pages
File Size : 38,51 MB
Release : 2022-07-04
Category : History
ISBN : 9004484140
An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō, explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography — including all major literature in western languages until 1989 — also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component.
Author : John Dietrich Mitchell
Publisher : Iasta
Page : 288 pages
File Size : 24,98 MB
Release : 1994
Category : Drama
ISBN : 9781882763061
The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. Staging Japanese Theatre presents two complete plays in the theatrical forms of Noh and Kabuki. Each play appears in Japanese with English translations on facing pages and is pre-ceded by a brief history of the theatre form and the evolution of the production. The text contains an abundance of photographs, diagrams, and the stage directions from the IASTA performance.
Author : Ernest Fenollosa
Publisher : New Directions Publishing
Page : 176 pages
File Size : 12,58 MB
Release : 1959
Category : Drama
ISBN : 9780811201520
The Noh plays of Japan have been compared to the greatest of Greek tragedies for their evocative, powerful poetry and splendor of emotional intensity.
Author : Stanca Scholz-Cionca
Publisher : BRILL
Page : 512 pages
File Size : 19,64 MB
Release : 2021-08-04
Category : Drama
ISBN : 9004483055
This well-illustrated work is the first attempt to bridge the gap between several specialized discourses concerning Japanese theatre. Central are problems of scholarly and practical reception of Japanese theatre forms in the West. The essays by a careful selection of internationally well-reputed scholars range widely through Japanese theatre, from the ancient to the postmodern, or, one might say, from kagura to angura. It deals with reception of Japanese theatre in the West, the treatment of the body in stage art and drama, Western influence, the impact of Japanese theatre practice and theory upon the actor’s training, and stage directing in the West. Readers will come across a wide variety of intriguing topics, such as lion dances, kabuki, nôh, folk theatre, taishu engeki, and several important modern playwrights, etc. This book truly promises to intensify future dialogue between the many disciplines concerned with Japanese theatre.