Hal Leonard Blues Keyboard Method


Book Description

(Piano Instruction). The authentic guide to traditional and modern blues keyboard playing, with rhythm and soloing concepts for piano and organ. Build your blues vocabulary with ideas for ensemble playing; intros, turnarounds, licks and endings; piano and organ accompaniment; phrasing and soloing; and much more. Written by Marty Sammon, keyboardist in Buddy Guy's band. This book includes access to audio demonstration tracks featuring Marty and his band playing the examples in the book.




FunTime Piano Jazz & Blues - Level 3A-3B


Book Description

(Faber Piano Adventures ). FunTime Piano Jazz & Blues provides an entertaining collection of pieces from the jazz/blues idiom. The book is perfect for the Level 3 student interested in exploring this style. It consists of easy arrangements of jazz and blues standards as well as delightful original compositions that are sure to motivate and entertain any student.




Jazz, Rags & Blues, Book 1


Book Description

Jazz, Rags & Blues, Book 1 contains original solos for late elementary to early intermediate-level pianists that reflect the various styles of the jazz idiom. An excellent way to introduce your students to this distinctive American contribution to 20th century music.




Hal Leonard Jazz Piano for Kids


Book Description

(Piano Method). Here is a fun, easy course that teaches children how to improvise and play jazz piano faster than ever before. Kids will stay motivated as they improvise on popular children's songs arranged in a jazz style, while the opportunity to play alongside video accompaniments will inspire a love for performance. Every song seamlessly integrates a new improvisatory skill, systematically building upon previous learning and enabling the student to progress with confidence. Including exclusive access to video tutorials, this book is the definitive introduction to improvisation and jazz piano. The method can be used in combination with a teacher or parent. Topics covered include: swing and syncopation * echo playing * call and response * rock and swing grooves * improvising on 1-5 notes * hearing chord changes * 12-bar blues * and more.




Jazz Blues (Songbook)


Book Description

(Piano Solo Personality). This second edition features piano solo arrangements with chord names for 25 bluesy jazz classics, including: All Blues * Au Privave * Blue Monk * Blues for Alice * Mr. P.C. * Now's the Time * Straight No Chaser * Tenor Madness * Things Ain't What They Used to Be * and more.




Jazz-Blues Piano


Book Description

(Keyboard Instruction). This comprehensive book/audio pack will teach you the basic skills needed to play jazz-blues piano. From comping to soloing, you'll learn the theory, the tools, and the tricks used by the pros. The audio features many of the examples in the book performed either solo, or with a full band, including a full chapter of complete songs. Topics covered include: scales and chords * harmony and voicings * progressions and comping * melodies and soloing * characteristic stylings.




Play Jazz, Blues, & Rock Piano by Ear Book Three


Book Description

This comprehensive introduction to jazz, blues, and rock piano will offer easy-to- understand explanations of music theory, and guide you step by step as you develop your skills. Above all, Piano by Ear will help you to explore and develop your ability to improvise. Rather than focus on written notation, you'll learn to express yourself at the piano by relying on your ear and on your own creative instincts. Book Three will acquaint you with a number of common chord sequences, whichin turn, will help you to play literally thousands of songs. Click on 'Contents' for more details. Only basic piano technique and basic music-reading skills areneeded. Online audio available




Blues Piano Practice Session Volume 1 In All 12 Keys


Book Description

Blues Piano Practice Session Volume 1 In All 12 Keys Catalog Number: ADG232 Author: Andrew D. Gordon Publisher: ADG Productions I have created various Blues riffs and has transposed them into all 12 keys along with backing tracks to practice with giving you the student a fun way of learning how to play in all keys. We all learned how to play our scales in all 12 keys so I have taken that concept and applied it to learning to play the Blues so that you can try to become equally adept at playing in as many keys as possible. I have heard from teachers who have used my “100 Ultimate Blues Riffs” book who will only allow a student to move on to the next riff once they have mastered playing the riff they are working on in all 12 keys, certainly a great but challenging musical exercise. Each of the riffs are either 2 or 4 measures in length that are notated and recorded around the cycle of 4th.s Also, there is a notation page whereby the riff is being used in a 12 bar blues progression so that you can see how to apply the riff to a real world situation. Each riff has been recorded 4 times: 1. Piano with rhythm tracks recorded around the cycle of 4th.s 2. Rhythm tracks recorded around the cycle of 4th.s to practice with 3. Piano with rhythm tracks recorded in a 12 bar blues progression in a designated key. 4. Rhythm tracks recorded in a 12 bar blues progression in the same key. Reasons for practicing in all 12 keys. Often a singer cannot reach certain notes in the key that you have learned the song in, therefore you will probably be asked to change the key of the song which you can do with confidence knowing all 12 keys. Having the knowledge of playing in all 12 keys, it will then become easier to learn new songs, whatever key they are in. Blues often use the keys of C, F, G, Bb, Eb, Guitar music often uses the keys of E, A, D, by learning as many keys as possible will enable you to adapt to the musical situation you are playing in. Taking riffs, chord progressions etc. through all 12 keys is a great ear training tool relying on your ears to play in keys that you are not used to before the muscle memory sets in. Practicing in all 12 keys is a great exercise for the brain, it is obviously hard work but the more you do it the benefits will become apparent. By practicing in all 12 keys you will start to see various musical patterns evolve that will help you speed up the process of learning music. It is my hope that as you practice playing in the various keys you will eventually not need the music and be able to transpose in your head.




Play Jazz, Blues, & Rock Piano by Ear Book One


Book Description

This comprehensive introduction to jazz, blues, and rock piano will offer easy-to-understand explanations of music theory, and guide you step by step as you develop your skills. Above all, Piano by Ear will help you to explore and develop your ability to improvise. Rather than focus on written notation, you'll learn to express yourself at the piano by relying on your ear and on your own creative instincts. Book One is designed for students who are brand-new to playing music by ear and improvising. Only basic piano technique and basic music-reading skills are needed.




The Jazz Piano Collection


Book Description

The Jazz Piano Collection is a specially selected songbook that combines classic and contemporary jazz numbers with an abundant variety of styles to enjoy, including rich chords, contouring melodies, smooth sounds, swinging rhythms and much more! Each piece is arranged for intermediate solo piano, with chord symbols, perfect for lower-level pianists looking to stretch themselves or more advanced layer looking to expand their repertoire. - A Night In Tunisia [Dizzy Gillespie] - All Blues [Miles Davis] - Anthropology [Dizzy Gillespie & Charlie Parker] - Big Noise Form Winnetka [Bob Crosby & The Bob Cats] - Blue Bossa [Kenny Dorham] - Blue Monk [Thelonious Monk] - Cantaloupe Island [Herbie Hancock] - Corcovado (Quiet Nights Of Quiet Stars) (Antonio Carlos Jobim) - Desafinado (Slightly Out Of Tune) [Antonio Carlos Jobim] - Don't Wait Too Long [Madeleine Peyroux] - Fly Me To The Moon (In Other Words) [Frank Sinatra] - Footprints [Wayne Shorter] - Georgia On My Mind [Ray Charles] - Here's That Rainy Day [Jimmy Van Heusen] - I Wish I Knew How It Would Feel To Be Free [Billy Taylor] - In A Sentimental Mood [Duke Ellington] - Li'l Darlin' [Count Basie] - Lullaby Of Birdland [George Shearing] - Maiden Voyage [Herbie Hancock] - Moanin' [Blakely, Art] [The Jazz Messengers] - Oleo [Sonny Rollins] - Perdido [Count Basie] - Perdido [Duke Ellington] - So What [Miles Davis] - Solitude [Duke Ellington] - St. James Infirmary Blues [Traditional] - Straight No Chaser [Thelonious Monk] - Take Five [Dave Brubeck] - Take The 'A' Train [Duke Ellington] - The Girl In The Other Room [Diana Krall] - The Sidewinder [Lee Morgan]