Museum Tinguely Basel


Book Description

The Museum Tinguely, opened in Basel in 1996, is dedicated to the work of the artist Jean Tinguely (1925 –1991). The collection can for the most part be traced back to a donation by Tinguely’s widow, Niki de Saint Phalle, and contains sculptures, drawings, sketches and archived documents that record the accomplishments of the important avant-garde artist up until his later work. As a Swiss artist in Paris, Tinguely was a member of the Nouveaux Réalistes along with Yves Klein, Christo and Daniel Spoerri. His kinetic sculptures helped to shape the artistic awakening of his time, and with happenings such as Homage to New York, and the Studies for an End of the World he can be said to have been partially responsible for a radical expansion of the definition of art in the early 1960s. The catalog depicts all the sculptures in the collection as well as a generous selection of drawings and sketches. It encompasses a thorough biography, a text on the happenings and events in which Tinguely was involved, recently compiled directories as well as an essay on the restoration of the machine sculptures in the museum.




Car Fetish


Book Description

Presents the automobile as a source of inspiratio for the art of the last 100 years. Starting with the futurists, who saw in the car's beastly roar and thrilling, dangerous speed a new ideal of beauty, this visual study provides an overview of the most powerful and culturally important artworks inspired by the car. Among them are examples of Pop Art by the Nouveaux Realistes, with Jean Tinguely known as a major Formula 1 fan These are presented through the themes of Traffic Withdrawal and Escape and a Fascination with Accident.




Jean Tinguely


Book Description




What Is Now Known Was Once Only Imagined: an (Auto)biography of Niki de Saint Phalle


Book Description

A biography by Nicole Rudick told in Saint Phalle's own words, assembled from rare and unseen materials Known best for her exuberant, often large-scale sculptural works that celebrate the abundance and complexity of female desire, imagination and creativity, Niki de Saint Phalle viewed making art as a ritual, a performance--a process connecting life to art. This unconventional, illuminated biography, told in the first person in Saint Phalle's voice and her own hand, dilates large and small moments in Saint Phalle's life which she sometimes reveals with great candor, at other times carefully unwinding her secrets. Editor Nicole Rudick, in a kind of collaboration with the artist, has assembled a gorgeous and detailed mosaic of Saint Phalle's visual and textual works from a trove of paintings, drawings, sketches and writings, many previously unpublished or long unavailable, that trace her mistakes and successes, her passions and her radical sense of joy. Saint Phalle's invocation--her "bringing to life"--writes Rudick, "is an apt summation of the overlap of Saint Phalle's life and art: both a bringing into existence and a bringing to bear. These are visions from the frontiers of consciousness." Born in France, Niki de Saint Phalle (1930-2002) was raised in New York and began making art at age 23, pursuing a revelatory vision informed both by the monumental works of Antonin Gaudí and the Facteur Cheval, and by aspects of her own life. In addition to her Tirs ("shooting paintings") and Nanas and her celebrated large-scale projects--including the Stravinsky Fountain at the Centre Pompidou, Golem in Jerusalem and the Tarot Garden in Tuscany--Saint Phalle produced writing and works on paper that delve into her own biography: childhood and her break with her family, marriage to Harry Mathews, motherhood, a long collaborative relationship with Jean Tinguely, numerous health crises and her late, productive years in Southern California. Saint Phalle has most recently been the subject of retrospectives at the Guggenheim Museum Bilbao, in 2015, and at MoMA P.S.1, in 2021. Nicole Rudick is a critic and an editor. Her writing on art, literature and comics has been published in the New York Review of Books, the New York Times, the New Yorker, Artforum and elsewhere. She was managing editor of the Paris Review for nearly a decade. She is the editor, most recently, of a new edition of Gary Panter's legendary comic Jimbo: Adventures in Paradise (New York Review Comics, 2021).




Damage Control


Book Description

Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.




Wim Delvoye


Book Description

Borrowing its name from the ancient sewer in Rome, Belgian conceptualist Wim Delvoye's new and improved "Cloaca" is a room-sized shit-making machine whose bowels process two meals a day, serving up a mouthful of complex themes: scatalogy and disgust, high and low culture, man as machine and vice-versa, and the inversion of art semiotics. Many of these same concerns are processed in Delvoye's other work, like the life-sized carved walnut replica of a cement truck, the wood cabinet stocked with 32 circular saw blades painted with scenes in Delft China blue, and a herd of pigs tatooed by Antwerp's finest needle-men. Feces and other anal subjects are parsed in accompanying essays by such luminaries as Milan Kundera, Gerardo Mosquera, Dan Cameron, Georges Bataille and Salvador Dali.




Modern Art - who Cares?


Book Description

Presenting the conservation challenges related to different media and materials of considerable art-historical value, the studies in this volume include symposium papers by art historians, physicists, philosophers, artists, conservators and critics, on topics such as accidental damage, working with artists, packing and transport, and installation.




Impasse Ronsin


Book Description

From around 1864 until 1971 the Impasse Ronsin in Paris was home to a warren of studios used by wide variety of artists. This curious cul-de-sac hidden away in Montparnasse served as home and atelier to some 220 artists, from academic sculptor Alfred Boucher to Argentine performance artist Marta Minujin. If Constantin Brancusi was its most famous resident, its most infamous was Madame Steinheil, mistress and maybe murderer of the French President whose artist-husband also met a brutal end, turning the Impasse Ronsin into one of the most notorious crime scenes of the early 20th century.




The Art of the Leu Family


Book Description

Bringing you the creative artistic tradition of a free-spirited family, this book is a chronological journey through the family’s art starting with Felix Leu’s mother Eva Aeppli. Eva Aeppli the first wife of Jean Tinguely, was the artistic pioneer of the family. Her children are Felix Leu aka Don Feliz and Miriam Tinguely. Felix went on with his wife Loretta Leu aka Y Maria to raise a family, many of them artists who with their partners work in a wide variety of styles. The collection contains selections from Eva Aeppli’s life work. Don Feliz’s surrealistic psychedelic art, the mandala art of Y Maria, works from Miriam Tinguely, Filip Leu, Titine K-Leu, Aia Leu, Tanina Munchkina, Ajja S.F. Leu and some pieces by other members of the family. Featuring a diversity of art with drawings, etchings, watercolours, paintings and sculptures from the many artists in this family. Throughout the generations represented here there has also been a tradition of collaborative works of art, and a selection of these are included. - See more at: http://seedpress.ie/product/the-art-of-the-leu-family/#sthash.uKEHhsYr.dpuf




Creamier


Book Description

Creamier: Contemporary Art in Culture, is the 5th addition to Phaidon?s world renowned Cream series. Every few years, Phaidon brings together 10 illustrious curators to choose 100 of the art world?s best and most important emerging contemporary artists, and what they discover becomes an invaluable resource in an ever-changing art world. As has proven to be the case with those featured in the previous four Cream books, these will be the 100 artists the world is talking about for years to come. Valued by art collectors and art lovers alike as a road map through the ever expanding international art scene of gallery shows, museum exhibitions, biennials, and fairs, the Cream series is a must-have for anyone interested in the art world?s latest news and is an excellent introduction to the dialogue among some of its best minds. The introduction features a conversation between the ten curators discussing one of the art world?s hottest topics ? the recession and how it has impacted the market and artist creativity. Bound on high quality paper, printed to resemble broadsheet newspaper format, Creamier is packed in a custom-made box. The irony of the very latest news contained in a traditional, some would argue vanishing, format is intriguing. Readers are left to question the fluidity of the art world where an artist?s work can be fresh and new for such a short time, but where it never becomes insignificant.