Author : Geoffrey K. Spratt
Publisher : Cork University Press
Page : 686 pages
File Size : 22,78 MB
Release : 1987
Category : Music
ISBN : 9780902561342
Studie over het werk van de Zwitserse laat-romantische componist (1892-1955)
Author : Harry Halbreich
Publisher : Hal Leonard Corporation
Page : 702 pages
File Size : 33,64 MB
Release : 1999
Category : Biography & Autobiography
ISBN : 9781574670417
Arthur Honegger (1892--1955), Swiss by nationality, French by education and residence, was a major composer of the 20th century. Although he earned popular acclaim early in his career, in his later years his consistently tonal musical language was considered outmoded. His most significant works include five symphonies, a large body of chamber music, and several large-scale oratorios that combine choral and instrumental writing with declaimed narrative in a uniquely effective way. HARDCOVER
Author : Gail Patterson
Publisher : Nova Publishers
Page : 262 pages
File Size : 19,38 MB
Release : 2002
Category : Biography & Autobiography
ISBN : 9781590335031
Few individuals in the annals of world history have had so lasting an impact as Joan of Arc, who rallied a country behind her and continues to inspire people today. Although she began life as a peasant, she became a key figure in the latter stages of the Hundred Years' War. As a teenager she experienced visions from God calling her to aid the French king. Her confidence and bearing, along with her fervent adherence to God and her Catholic faith, belied her age and so influenced the monarch that he made her commander of one of his companies. She helped lead the French forces in battle against the English, in turn becoming a national icon. However, she was eventually captured and tried by the English in a trial rife with ecclesiastical and political overtones. Convicted as a heretic, Joan was sentenced and burned at the stake. As a martyr, she gained mythic status and the Roman Catholic Church made her a saint in 1920. This book presents a fascinating study of Joan of Arc's life based on excerpts from John A Mooney's gripping 1919 biography. The overview is augmented by a substantial and selective bibliography, featuring access provided through author, title, and subject indexes.
Author : Barbara L. Kelly
Publisher : Boydell & Brewer Ltd
Page : 272 pages
File Size : 18,10 MB
Release : 2013
Category : Music
ISBN : 1843838109
Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.
Author : Quaintance Eaton
Publisher : U of Minnesota Press
Page : 370 pages
File Size : 28,34 MB
Release : 1974-03
Category : Opera
ISBN : 0816657548
Opera Production II was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. For the world of opera this is an indispensable basic reference work which provides essential information about more than 350 operas. Producers, singers, directors, students, orchestras, and audiences will find useful, concise information in this handbook, a sequel to the author's earlier book Opera Production I: A Handbook, which contains similar information about more than 500 other operas. While the first volume concentrates on more familiar operas, this book is devoted principally to lesser known works, both old and new, including many as yet unperformed contemporary operas. The details given about each opera are those needed to assess the production requirements for a given work: the number and importance of settings; size of orchestra, chorus, and ballet; number of singers, their relative importance and individual requirements; vocal and acting demands of performers, including vocal ranges in most cases; plot synopsis; and brief historical material to anchor the reader in the necessary knowledge of the period and source of the libretto. The information is compressed into capsule form so that anyone using the book can tell at a glance the suitability of a work to the particular facilities, talents, or tastes of an opera company or its public. In addition to the reference material, there is a chapter "Production Problems in Handel's Opera" by Randolph Mickelson, a helpful feature since nine of Handel's operas are included and they are apt to pose special production problems.
Author : University of California (System)
Publisher :
Page : 148 pages
File Size : 24,71 MB
Release : 1983
Category :
ISBN :
Author : Myles W. Jackson
Publisher : Princeton University Press
Page : 360 pages
File Size : 33,51 MB
Release : 2024-09-17
Category : Technology & Engineering
ISBN : 0691260842
A landmark history of early radio in Germany and the quest for broadcast fidelity When we turn on a radio or stream a playlist, we can usually recognize the instrument we hear, whether it’s a cello, a guitar, or an operatic voice. Such fidelity was not always true of radio. Broadcasting Fidelity shows how the problem of broadcast fidelity pushed German scientists beyond the traditional bounds of their disciplines and led to the creation of one of the most important electronic instruments of the twentieth century. In the early days of radio, acoustical distortions made it hard for even the most discerning musical ears to differentiate instruments and voices. The physicists and engineers of interwar Germany, with the assistance of leading composers and musicians, tackled this daunting technical challenge. Research led to the invention in 1930 of the trautonium, an early electronic instrument capable of imitating the timbres of numerous acoustical instruments and generating novel sounds for many musical genres. Myles Jackson charts the broader political and artistic trajectories of this instrument, tracing how it was embraced by the Nazis and subsequently used to subvert Nazi aesthetics after the war and describing how Alfred Hitchcock commissioned a later version of the trautonium to provide the sounds of birds squawking and flapping their wings in his 1963 thriller The Birds. A splendid work of scholarship by an acclaimed historian of science, Broadcasting Fidelity reveals how the interplay of science, technology, politics, and culture gave rise to new aesthetic concepts, innovative musical genres, and the modern discipline of electroacoustics.
Author : Robert Shapiro
Publisher : Peter Owen Publishers
Page : 638 pages
File Size : 37,9 MB
Release : 2014-07-01
Category : Music
ISBN : 072061774X
The absorbing, comprehensive story of an absolutely unique experiment in classical music, involving many key figures of the Dada and Surrealist movements Les Six were a group of talented composers who came together in a unique collaboration that has never been matched in classical music, and here their remarkable story is told for the first time. A musical experiment originally conceived by Erik Satie and then built upon by Jean Cocteau, Les Six were also born out of the shock of the German invasion of France in 1914—an avant-garde riposte to German romanticism and Wagnerism. Les Six were all—and still are—respected in music circles, but under the aegis of Cocteau, they found themselves moving among a whole new milieu: the likes of Picasso, René Clair, Blaise Cendrars, and Maurice Chevalier all appear in the story. But the story of Les Six goes on long after the heyday of Bohemian Paris—the group never officially disbanded and it was only in the last 20 years that the last member died; moreover, their spouses, descendents, and associates are still active, ensuring that the remarkable legacy of this unique group survives.
Author : Stephen C. Meyer
Publisher : Oxford University Press
Page : 844 pages
File Size : 30,50 MB
Release : 2020-03-02
Category : Music
ISBN : 0190658460
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Author : Paul A Cohen
Publisher : Columbia University Press
Page : 301 pages
File Size : 47,48 MB
Release : 2014-04-29
Category : History
ISBN : 0231537298
When people experience a traumatic event, such as war or the threat of annihilation, they often turn to history for stories that promise a positive outcome to their suffering. During World War II, the French took comfort in the story of Joan of Arc and her heroic efforts to rid France of foreign occupation. To bring the Joan narrative more into line with current circumstances, however, popular retellings modified the original story so that what people believed took place in the past was often quite different from what actually occurred. Paul A. Cohen identifies this interplay between story and history as a worldwide phenomenon, found in countries of radically different cultural, religious, and social character. He focuses here on Serbia, Israel, China, France, the Soviet Union, and Great Britain, all of which experienced severe crises in the twentieth century and, in response, appropriated age-old historical narratives that resonated with what was happening in the present to serve a unifying, restorative purpose. A central theme in the book is the distinction between popular memory and history. Although vitally important to historians, this distinction is routinely blurred in people's minds, and the historian's truth often cannot compete with the power of a compelling story from the past, even when it has been seriously distorted by myth or political manipulation. Cohen concludes by suggesting that the patterns of interaction he probes, given their near universality, may well be rooted in certain human propensities that transcend cultural difference.
