Author : Jonathan Huener
Publisher : Berghahn Books
Page : 235 pages
File Size : 30,62 MB
Release : 2007-09
Category : Art
ISBN : 184545359X
"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.
Author : Olaf Peters
Publisher : Prestel Publishing
Page : 320 pages
File Size : 32,17 MB
Release : 2014
Category : Art, Modern
ISBN : 9783791353678
This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991. The book contains reflections on the genesis and evolution of the term "degenerate art" and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.
Author : Dana Smith
Publisher : Routledge
Page : 210 pages
File Size : 47,61 MB
Release : 2022-03-27
Category : History
ISBN : 1000568083
This book provides a social and cultural history of Jewish art in Nazi Germany, with a focus on the Jewish artists, art critics, and audiences in Nazi Bavaria. From the time of its conceptualization in the autumn of 1933 until its final curtain call in November 1938, the Jewish Cultural League in Bavaria sustained three departments: music, visual arts, and adult education. The Bavarian example steps outside the highly professional cultural milieu of Jewish Berlin, and instead looks at relatively unknown efforts of Bavarian Jewish artists as they used art to define what it now meant, to them, to be Jewish under Nazism. Insightful and engaging, this book is ideal for advanced undergraduate students, graduate students, and scholars interested in social and cultural histories of Jews in Germany.
Author : Bryan Mark Rigg
Publisher :
Page : 536 pages
File Size : 16,22 MB
Release : 2002
Category : History
ISBN :
On the murderous road to "racial purity" Hitler encountered unexpected detours, largely due to his own crazed views and inconsistent policies regarding Jewish identity. After centuries of Jewish assimilation and intermarriage in German society, he discovered that eliminating Jews from the rest of the population was more difficult than he'd anticipated. As Bryan Rigg shows in this provocative new study, nowhere was that heinous process more fraught with contradiction and confusion than in the German military. Contrary to conventional views, Rigg reveals that a startlingly large number of German military men were classified by the Nazis as Jews or "partial-Jews" (Mischlinge), in the wake of racial laws first enacted in the mid-1930s. Rigg demonstrates that the actual number was much higher than previously thought-perhaps as many as 150,000 men, including decorated veterans and high-ranking officers, even generals and admirals. As Rigg fully documents for the first time, a great many of these men did not even consider themselves Jewish and had embraced the military as a way of life and as devoted patriots eager to serve a revived German nation. In turn, they had been embraced by the Wehrmacht, which prior to Hitler had given little thought to the "race" of these men but which was now forced to look deeply into the ancestry of its soldiers. The process of investigation and removal, however, was marred by a highly inconsistent application of Nazi law. Numerous "exemptions" were made in order to allow a soldier to stay within the ranks or to spare a soldier's parent, spouse, or other relative from incarceration or far worse. (Hitler's own signature can be found on many of these "exemption" orders.) But as the war dragged on, Nazi politics came to trump military logic, even in the face of the Wehrmacht's growing manpower needs, closing legal loopholes and making it virtually impossible for these soldiers to escape the fate of millions of other victims of the Third Reich. Based on a deep and wide-ranging research in archival and secondary sources, as well as extensive interviews with more than four hundred Mischlinge and their relatives, Rigg's study breaks truly new ground in a crowded field and shows from yet another angle the extremely flawed, dishonest, demeaning, and tragic essence of Hitler's rule.
Author : Rebecca Rovit
Publisher : University of Iowa Press
Page : 304 pages
File Size : 17,55 MB
Release : 2012-09
Category : History
ISBN : 1609381246
"Revealing the complex interplay between history and human lives under conditions of duress, Rebecca Rovit focuses on the eight-year odyssey of Berlin's Jewish Kulturbund Theatre. By examining why and how an all-Jewish repertory theatre could coexist with the Nazi regime. Rovit raises broader questions about the nature of art in an environment of coercion and isolation, artistic integrity and adaptability, and community and identity."--BACK COVER.
Author : Jonathan Petropoulos
Publisher : Yale University Press
Page : 424 pages
File Size : 20,37 MB
Release : 2014-01-01
Category : Biography & Autobiography
ISBN : 0300197470
'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.
Author : Eric Michaud
Publisher : Stanford University Press
Page : 372 pages
File Size : 22,16 MB
Release : 2004
Category : Art
ISBN : 9780804743273
The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'être of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself.
Author : Melissa Muller
Publisher : Vendome Press
Page : 0 pages
File Size : 42,40 MB
Release : 2010-11-01
Category : Art
ISBN : 9780865652637
The legendary names include Rothschild, Mendelssohn, Bloch-Bauer--distinguished bankers, industrialists, diplomats, and art collectors. Their diverse taste ranged from manuscripts and musical instruments to paintings by Old Masters and the avant-garde. But their stigma as Jews in Nazi Germany and occupied Europe doomed them to exile or death in Hitler's concentration camps. Here, after years of meticulous research, Melissa Müller (Anne Frank: The Biography) and Monika Tatzkow (Nazi Looted Art) present the tragic, compelling stories of 15 Jewish collectors, the dispersal of their extraordinary collections through forced sale and/or confiscation, and the ongoing efforts of their heirs to recover their inheritance. For every victory in the effort to return these works to their rightful heirs, there are daunting defeats and long court battles. This real-life legal thriller follows works by Rembrandt, Klimt, Pissarro, Kandinsky, and others. Praise for Lost Lives, Lost Art: "A heartbreaking and enthralling story of the brutal and mindless Nazi destruction of a singularly cultivated caste of rich German and Austrian Jews and the pillage of their great art collections: a world that was lost and could never be recreated." ~ Louis Begley "Each chapter focuses on a single collector. . . the adulatory profiles [are] matched with an attractive layout and an abundance of well-selected images." ~ Wall Street Journal "The book is meticulously researched, brilliantly and dispassionately written, and is in all likelihood a game changer in the world of art, art provenance, and art restitution that will resound for years to come."~ ForeWord Reviews "Richly illustrated with excellent art reproductions and family photographs, this is a solid addition to works on Nazi art plundering and the world of art restitution, ownership, and property rights. This will be of great interest to readers wanting to know more about upper-class Austrian and German Jews. Recommended." ~ Library Journal
Author : Robert Gellately
Publisher : Princeton University Press
Page : 339 pages
File Size : 12,14 MB
Release : 2018-06-05
Category : History
ISBN : 0691188351
When Hitler assumed power in 1933, he and other Nazis had firm ideas on what they called a racially pure "community of the people." They quickly took steps against those whom they wanted to isolate, deport, or destroy. In these essays informed by the latest research, leading scholars offer rich histories of the people branded as "social outsiders" in Nazi Germany: Communists, Jews, "Gypsies," foreign workers, prostitutes, criminals, homosexuals, and the homeless, unemployed, and chronically ill. Although many works have concentrated exclusively on the relationship between Jews and the Third Reich, this collection also includes often-overlooked victims of Nazism while reintegrating the Holocaust into its wider social context. The Nazis knew what attitudes and values they shared with many other Germans, and most of their targets were individuals and groups long regarded as outsiders, nuisances, or "problem cases." The identification, the treatment, and even the pace of their persecution of political opponents and social outsiders illustrated that the Nazis attuned their law-and-order policies to German society, history, and traditions. Hitler's personal convictions, Nazi ideology, and what he deemed to be the wishes and hopes of many people, came together in deciding where it would be politically most advantageous to begin. The first essay explores the political strategies used by the Third Reich to gain support for its ideologies and programs, and each following essay concentrates on one group of outsiders. Together the contributions debate the motivations behind the purges. For example, was the persecution of Jews the direct result of intense, widespread anti-Semitism, or was it part of a more encompassing and arbitrary persecution of "unwanted populations" that intensified with the war? The collection overall offers a nuanced portrayal of German citizens, showing that many supported the Third Reich while some tried to resist, and that the war radicalized social thinking on nearly everyone's part. In addition to the editors, the contributors are Frank Bajohr, Omer Bartov, Doris L. Bergen, Richard J. Evans, Henry Friedlander, Geoffrey J. Giles, Marion A. Kaplan, Sybil H. Milton, Alan E. Steinweis, Annette F. Timm, and Nikolaus Wachsmann.
Author : Peter Chametzky
Publisher : MIT Press
Page : 359 pages
File Size : 23,88 MB
Release : 2021-09-14
Category : Art
ISBN : 0262365278
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German artists who are (among other ethnicities) Turkish, Jewish, Arab, Asian, Iranian, Sinti and Roma, Balkan, and Afro-German. With a title that echoes Peter Gay's 1978 collection of essays, Freud, Jews and Other Germans, this book, like Gay's, rejects the idea of "us" and "them" in German culture. Discussing artworks in a variety of media that both critique and expand notions of identity and community, Chametzky offers a counternarrative to the fiction of an exclusively white, Christian German culture, arguing for a cosmopolitan Germanness. He considers works that deploy critical, confrontational, and playful uses of language, especially German and Turkish; that assert the presence of "foreign bodies" among the German body politic; that grapple with food as a cultural marker; that engage with mass media; and that depict and inhabit spaces imbued with the element of time. American discussions of German contemporary art have largely ignored the emergence of non-ethnic Germans as some of Germany's most important visual artists. Turks, Jews, and Other Germans in Contemporary Art fills this gap.
