Jimmy McGovern


Book Description

This, the first book length study of one of Britain's leading television writers, Jimmy McGovern, links his work to key changes in British television over the last thirty years. McGovern's versatility has meant that his work ranges from soap opera to crime series, studio based single drama to art house features for theatrical release. The book therefore acts partly as a survey of the way that drama for the small screen has mutated and changed over a key period in its history. Steve Blandford's percipient and readable book extensively examines some of McGovern's most influential work, including Brookside, Cracker, The Lakes, Hillsborough and The Street.




Liverpool in the 1980s


Book Description

A fascinating selection of images, giving a unique perspective on the people and streets of Liverpool in the 1980s.




Artful Deception


Book Description

A real who-dunit in the City of Boston. Was it a serious lapse in judgment or was it intentional? In truth, it matters not. What does matter is that a solitary act by a college student, babysitting Millions of Dollars' worth of art, in the early morning hours of March 18, 1990, resulted in the theft of thirteen priceless works from the Isabella Stewart Gardner Museum. With the push of a button, the Museum in the Fens lost part of its soul when it was piundered by ruthless thieves.Theories swirl even today, about who was behind it and why the paintings haven't been found. Countless people have written on the subject and yet over twenty years later, still no answers. Until now. Artful Deception is unlike anything else ever written about the heist. It is told from a unique perspective in that it focuses on a crime alliance that purposely seeks no limelight, notiriety or scrutiny from law enforcement, friend or foe. They say little, seek help from no one and are fearful of the press. For once, in the annals of Boston crime, the usual suspects from Southie and the North End were not rounded up after the robbery. Why? Because they didn't have a clue about it until after it went down. When Jimmy "The Tooth" Kelly, Frankie "The Shanks" Martell and Sal "The Clam'' DePasquale found out about it and how much the loot was worth, they desperately wanted a piece of the action. Instead, they hit a stonewall.Questions surrounding the mystery are endless. If it wasn't the Irish or the Italian mobsters, then who was it? Why were some paintings taken and not others? Was it an inside job? Was it payback by someone who had it in for the FBI, the Boston Irish, or the Italian mob? Were people being protected and if so, why? Who was in charge of the Boston field office in 1990? Was McGrath ever close to solving the case? What did the United States Attorney do to try to solve it. Was the Strike Force looking at it? Who was McGrath's boss at the time? Why weren't there any Boston police cruisers seen in the area during their routine patrol? Why didn't the two robbers disguise themselves?Why was one guard able to fall asleep and the other couldn't because he was petrified about what might happen to them? How did the thieves know the layout of the museum's convoluted basement...were they schooled or had they been there before?Fasten your seatbelts and get ready for a fast-paced, spell-binding story of political scandal, deceipt, public corruption and deception, as you join FBI agent Ted McGrath and his crew in their quest to recover the paintings. While McGrath, Savage, Fenore, agent Mullen and Attorney Fowler try to keep the momentum going, certain people in places of power want the group to fail. As progress is made in the twenty year old mystery, it becomes clear to McGrath and Fowler, that someone is equally determined to stymie the investigation and desperately wants sins of the past to remain in the vault. The convoluted twists and turns of the maze-like investigation, will have your head spinning, while the ebb and flow of emotion, frustration, anger, disgust and loathing, will have you talking to yourself. Once immersed in this incredible story, the pages can't be turned fast enough to see where the mission next takes McGrath's "Amigo's", what obstacles they face, the risks they must take and what they finally accomplish as a team, turning what appeared to all to be simply a Fool's Errand, into an incredible masterpiece of detective work.




Working-class writing and publishing in the late twentieth century


Book Description

From the early 1970s, working class writing and publishing in local communities rapidly proliferated into a national movement. This book is the first full evaluation of these developments and opens up new perspectives on literature, culture, class and identity over the past 50 years. Its origins are traced in the context of international shifts in class politics, civil rights, personal expression and cultural change. The writing of young people, older people, adult literacy groups as well as writing workshops is analysed. Thematic chapters explore how audiences consumed this work, the learning of writers, the fierce debates over identity, class and organisation, as well as changing relations with mainstream institutions. The book is accessibly written but engages with a wide range of scholarly work in history, education, cultural studies, literature and sociology. It will be of interest to lecturers and students in these areas as well as the general reader.




Writing Liverpool


Book Description

Roger McGough, Levi Tafari, Willy Russell, Terence Davies, James Hanley, George Garrett, J.G. Farrell, Brian Patten, Adrian Henri, Beryl Bainbridge, Jimmy McGovern, Alan Bleasdale, Helen Forrester, Lyn Andrews, Margaret Murphy, Clive Barker, Ramsey Campbell... no matter what the genre Liverpool seems to have generated some of the most provocative and interesting writers of the last seventy-five years. Intended to mark and celebrate Liverpool’s 800th birthday in 2007 and its status as European City of Culture in 2008, this collection of essays and interviews addresses the wide range of writing that has emerged from Liverpool from the 1930s to the present day. It asks if there is a distinctive Liverpool voice, and if so, how it might be identified. Featuring interviews with Liverpool-born film director and novelist, Terence Davies, (Distant Voices, Still Lives, The Long Day Closes and The House of Mirth), Roger McGough, Willy Russell and Levi Tafari along with contributions from leading cultural critics such as former NME journalist and Mojo magazine founder Paul Du Noyer and award-winning poet George Szirtes, Liverpool Writing will be of interest to readers fascinated by the influences on and of the city dubbed ‘the Centre of the Creative Universe’.




Mid-Term Report


Book Description

A masterclass in media studies from the creator of Grange Hill, Brookside and Hollyoaks. Described in Parliament as 'excellent' by Ed Vaizey, The Parliamentary Under-Secretary of State for Culture, Media and Sport GRANGE HILL Swimming pool disasters. Drugs, and just say ‘no’. Flying sausages. School like you’d never seen it before. BROOKSIDE Lesbian kisses. Bodies under patios. Exploding shops. Suburban life like you’d never seen it before. HOLLYOAKS Bad boys on bikes. Loveable geeks. Leggy blondes. Students like you’d never seen them before. PHIL REDMOND Three classic TV programmes. One TV genius. This is the behind-the-scenes story of how a working-class lad from the Liverpool suburbs went from living on a housing estate to buying one, and from comprehensive school dinners to lunch with the Queen. Along the way he learned a lot of lessons, broke all the rules, and changed television for ever.




Insider's Guide to Writing for Television


Book Description

Do you want to write for TV? Want advice from TV industry experts on how to sell a script? Whether you understand beats and through lines or are still trying to figure out your A story from your B story, The Insider's Guide to Writing for TV supports you through the whole process of writing a television script - from working out a premise to getting your script on screen. Co-authored by a successful scriptwriter and script editor, and the co-founder of one of the UK's most prestigious scriptwriting agencies, you can be confident of definitive guidance on how to write a television script as well as the best professional advice on how to make money from scriptwriting. The television industry continues to expand and producers are always on the lookout for new writing talent. If you're an aspiring scriptwriter, you can make sure you write a winning screenplay - and get it made - with the help of The Insider's Guide to Writing for TV. Inside The Insider's Guide to Writing for TV, you'll find out: What sort of scripts producers are looking for - and which they aren't What practical things - such as production costs - need to be considered What you can - and can't - do on television. Beginning with the basics of scriptwriting and how to develop your script premise and generate story ideas, The Insider's Guide to Writing for TV gives tips from television industry experts on understanding the structure of a television script, creating believable characters and ensuring your script has a compelling storyline. Once you're happy with your television screenplay, there's essential advice on pitching your script and approaching agencies or production companies. Whether you want to write soaps, a TV drama or a sitcom, The Insider's Guide to Writing for TV is your toolkit to making sure your dream of writing for TV becomes a reality. Insider's Guides are comprehensive handbooks written by industry experts with many years of practical experience - so you can be sure you're getting unrivalled advice on how to break into the profession. Also available in the series: The Insider's Guide to Getting Your Book Published







The Golden Thread


Book Description

This two-volume edited collection illuminates the valuable counter-canon of Irish women’s playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting the explosion of new work by contemporary writers. The plays in this volume explore women’s experiences at the intersections of class, sexuality, disability, and ethnicity, pushing at the boundaries of how we define not only Irish theatre, but Irish identity more broadly. CONTRIBUTORS: Nelson Barre, Mary Burke, David Clare, Shonagh Hill, Mária Kurdi, José Lanters, Fiona McDonagh, Dorothy Morrissey, Justine Nakase, Brian Ó Conchubhair, Brenda O'Connell, Shane O'Neill, Graham Price, Siobhán Purcell, Carole Quigley, Sarah Jane Scaife, Melissa Sihra, Clare Wallace




The Rehearsal


Book Description

In an engaging new novel about love onstage and off, an ambitious director invites the cast of Steinbeck's "Of Mice and Men" to his country farm for a month, giving them the opportunity of "becoming" their characters.