Hollywood Animal


Book Description

Joe Eszterhas had everything Hollywood could offer. A combination of insider and rebel, he saw and participated in the fights, the deals, the backstabbing, and all the sex and drugs. But here, in his candid and heartwrenching memoir, we see the rest of the story: the inspiring account of the child of Hungarian immigrants who, against all odds, grows up to live the American Dream. Hollywood Animal reveals the trajectory of Eszterhas's life in gripping detail, from his childhood in a refugee camp, to his battle with a devastating cancer. It shows how a struggling journalist became the most successful screenwriter of all time, and how a man who had access to the most beautiful women in Hollywood ultimately chose to live with the love of his life in a small town in Ohio. Above all, it is the story of a father and a son, and the turbulent relationship that was an unending cycle of heartbreak. Hollywood Animal is an enthralling, provocative memoir: a moving celebration of the human spirit.




Hollywood Goes to War


Book Description

The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.




Closing Time


Book Description

An affecting memoir from one of America's most provocative humorists Over the past two decades, Joe Queenan has established himself as a scourge of everything that is half-baked, half-witted, and halfhearted in American culture. In Closing Time, Queenan turns his sights on a more serious and a more personal topic: his childhood in a Philadelphia housing project in the early 1960s. By turns hilarious and heartbreaking, Closing Time recounts Queenan's Irish Catholic upbringing in a family dominated by his erratic, alcoholic father, and his long flight away from the dismal confines of his neighborhood into the greater, wide world. A story about salvation and escape, Closing Time has at its heart the makings of a classic American autobiography.




Hollywood Goes Latin


Book Description

In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.




Hollywood Goes to Washington


Book Description

Fantasy and politics are familiar dancing partners that rarely separate, even in the face of post–Election Day realities. But Hollywood has a tradition of punching holes in the fairy tales of electoral promises with films that meditate on what could have been and should have been. With Hollywood Goes to Washington,Michael Coyne investigates how the American political film unravels the labyrinthine entanglements of politics and the psyche of the American electorate in order to reveal brutal truths about the state of our democracy. From conspiracy dramas such as The Manchurian Candidate to satires like Wag the Dog, Hollywood Goes to Washington argues that political films in American cinema have long reflected the issues and tensions roiling within American society. Coyne elucidates the mythology, iconography, and ideology embedded in both classic and lesser-known films—including Gabriel Over the White House, Silver City, Advise and Consent, and The Siege—and examines the cinematic portrayals of presidents in the White House, the everyman American citizen, and the nebulous enemies who threaten American democracy. The author provocatively contends that whether addressing the threat of domestic fascism in Citizen Kane or the disillusionment of Vietnam and paranoia of the post-Watergate era in Executive Action, the American political film stands as an important cultural bellwether and democratic force—one that is more vital than ever in the face of decreasing civil liberties in the present-day United States. Compelling and wholly original, Hollywood Goes to Washington exposes the political power of the silver screen and its ramifications for contemporary American culture.




Hollywood Goes Shopping


Book Description

Aggressive product placement and retail tie-ins are as much a part of moviemaking today as high-concept scripts and computer-generated special effects, but this phenomenon is hardly recent. Since the silent era, Hollywood studios have proved remarkably adept at advertising both their own products and a bewildering variety of consumer commodities, successfully promoting the idea of consumption itself. Hollywood Goes Shopping brings together leading film studies scholars to explore the complex and sometimes contradictory relationship between American cinema and consumer culture, providing an innovative reading of both film history and the evolution of consumerism in the twentieth century.




From Martyrs to Murderers


Book Description

In From Martyrs to Murderers, the author explores the connections between the dark, unflattering representations of public schools, teachers and teaching in popular Hollywood films and the conservative attacks on public education that have culminated in a generation of neo-liberal standards reform measures. The author’s analysis is based on a survey of 60 movies that feature significant interactions between public school teachers and their students. This study employed a textual analysis method involving viewing the films alongside original script material, which reveals that the narratives involving public schools during the late 20th century and early 21st century are distinct from those involving other types of schools or eras. Rather than the romantic figures of earlier portraits, such as Eve Arden’s beloved Our Miss Brooks in the 1940s and 1950s radio and television serial, these teachers are consistently portrayed as negative archetypes, thus providing a rationale for the school reform agenda of the 1980s. The sheer repetition of these damaging images in Hollywood products of the period made the American public more susceptible to the deceptive arguments outlined in A Nation at Risk, the seminal 1983 report that provided the blueprint for the standards reform movement that has dominated education policy for the past generation. This work thus develops upon the critical perspectives of educational historians and social studies educators who have probed this turning point in the history of American schooling. It also offers an alternative means of viewing the reality of life in the nation’s public institutions.




An Offer I Couldn't Refuse


Book Description

The phone rang at 2:00am, waking me from a sound sleep. To get a call at that hour I panicked and thought the worst. Who would be calling at this hour? Was there an accident? Did something happen to one of my children or perhaps a family member? I fumbled for the phone knocking it off its cradle. My wife stirred next to me asking "Who is it at this hour? Picking up the phone and with an anxious quality in my voice I asked, "Who is it?" Hearing the voice of Bill Kennedy, one of my security personnel, had me immediately sit up in bed. Getting calls in the middle of the night was not unusual to me. But this time, at this hour of the night, I knew it had to be important. Many times, calls came from a location scout or from the production office of a movie company requesting security at a location where they just finished shooting. This time, when I heard my security man's voice, that of Bill Kennedy, I jumped out of bed and took the phone into my bathroom. Bill Kennedy was my security officer assigned at the Waldorf Towers in the Waldorf Astoria Hotel in New York City. Our client was Frank Sinatra. All kinds of thoughts ran through my mind. He then went on to say he was sorry for waking me, but he felt he had to tell me because it was a very unusual situation and shocking to him. He also said if the press were to get the story, it would make page six or even the front page for that matter. I quickly asked if Mr. Sinatra was okay or if anything happened to him. He assured me Mr. Sinatra was okay, and nothing happened to him... but he was not himself. I then asked, "What do you mean he was not himself?" He then described what happened. You cannot make stories like this up. And this is only one story in the many I have encountered as an actor, security person and friend to many of Hollywood's biggest stars. You are about to read stories about the following celebrities I either worked with, did security for, or befriended. I had known many people of interest, quite a few of them Hollywood's biggest stars. Many are still by-words: Telly Savalas, Al Pacino, Meryl Streep, Robert De Niro, Barbra Streisand, Tom Hanks, Frank Sinatra, Katherine Hepburn, to name just a few. So, I decided stories about them might be of interest to movie fans and the public. Then why would anyone want to read my autobiography? Especially when I'm practically a nobody in the business in comparison to them. Yes, I have had my fifteen minutes of fame. I worked in the original Godfather movie. I had a small role in Ghostbusters that people seem to remember me in. I worked in the Kojak series both as an actor and technical advisor. I also had a co-starring role in a TV series called Eischeid, which starred Joe Don Baker. I did okay as an actor but who will remember Joe Cirillo, enough to buy his book? But I realized this story was about a lot more than me. My friends told me that I probably had more interesting stories to tell than the average actor. They would say my book did not have to be limited to just my Hollywood experiences. I could write so much more, and it would not be fiction. They would tell me my being a combat veteran during the Korean War would make an interesting story by itself. And being a police officer in the New York City Police Department for twenty years would be another one. I was on the job from the late 50's to the late 70's, which were very turbulent years in New York City. I had been friends or worked with some of the most honored and famous police officers and detectives in those years. I knew detectives Eddie Egan and Sonny Grosso of The French Connection fame. They were portrayed by Gene Hackman and Roy Scheider, and that movie went on to become the Academy Award winner for best picture of the year. I knew many other famous recognizable names of the NYPD and their stories that were front page headlines. What you are about to read is the truth. I am not looking to embarrass or defame anyone. You can't make this up!




Murder at the Grove


Book Description

Advance praise for "Murder at The Grove" Fans of mysteries, especially West Coast-centric mysteries, rejoice! The irrepressible and irresistible teenage sleuth Adriana Hofstetter is back, with funny-snarky attitude, 40s wardrobe, hippy-dip but caring mom and BFF Billy Feldman intact, and a puzzling new murder to occupy her summer vacation. This time the scene is L.A.'s super mall, The Grove, with Adriana forced to deal with such alien (to her) contemporary concepts as iPods, YouTube and FaceBook to catch the killer of an Apple Store employee. Put away that new iPhone and enjoy. Dick Lochte, author of Sleeping Dog and Croaked! In Murder at the Grove, occasional teenage gumshoe and always odd duck, Adrianna Hofstetter, is at it again, sticking her quirky nose where it doesn't belong; worrying her mother, fretting her friends (make that friend...just one), irritating the police, and persistently interrogating an array of annoyed suspects about a murder case which everyone insists doesn't exist. But the determined and indefatigable Ms. Hofstetter's skewed sleuthing ferrets out the facts faster than she can wolf down onion rings at a local Hollywood bistro. The clues, characters, and locale are all explored with the same eccentric but affectionate Kimmel whimsey displayed in Murder at Hollywood High and the Benjamin Kritzer trilogy. Charles Edward Pogue, screenwriter of The Fly and Dragonheart




The Wrong Direction


Book Description

Is our public education system headed in the wrong direction? Richard Hancock asks us not only to scrutinize education, but to consider crucial pragmatic revisions. He looks hard at some of the negative trends which have become entrenched, including grade inflation and social promotion, and a variety of biases which undermine the integrity of the system. He suggests workable solutions. The book addresses a wide audience: students, parents, educators and administrators in the public system and realms of higher learning, government members, professionals, service and business people, Hancock also refers to others who are striving to bring the plight of the system to the attention of the public and the educational policy-makers. We cannot continue to stifle the brilliant, condescend to special interest groups, and ignore the "average" students, cheating them all of pride in honest achievement. Perhaps it is time to encourage and honour excellence! This is at once a warning and a voice encouraging us to act on behalf of our children and our nation!