Johann Adolph Scheibe


Book Description

Johann Adolph Scheibe (1708-1776) is considered to be the most important composer and Kapellmeister in Denmark in the eighteenth century. Although he is mainly known for his critique of Johann Sebastian Bach's style of composition and, to a lesser extent, of Bach as a music theoretician, Scheibe was an immensely productive composer, producing two operas, a series of cantatas, works composed for special occasions, instrumentals and several song collections including children's songs and songs to the freemasons. This book is the first catalogue of Scheibe's oeuvre. Comparing Scheibe's music theoretical and aesthetic ideas, this book offers a balanced view of Scheibe's extensive work and importance for cultural life, in particular in regards to music, in Copenhagen and the Duchies during the eighteenth century.




Johann Adolph Scheibe


Book Description







Johann Adolph Scheibe, a catalogue of his works


Book Description

"The present database is the first ever, descriptive catalogue of Johann Adolph Scheibe's (1708-1776) production including his musical works - ranging from large-scale cantatas and oratorios to sinfonias, chamber music and to communal songs - translations, fiction and satire, studies on music theory, and history as well as performance practice."--Preface.










Johann Scheibe


Book Description

In his nearly forty-year career, Johann Scheibe became Leipzig's most renowned organ builder and one of the late Baroque's masters of the craft. Johann Sebastian Bach and Johann Kuhnau considered Scheibe a valued colleague. Organists and civic leaders shared their high opinion, for Scheibe built or rebuilt every one of the city's organs. Drawing on extensive research and previously untapped archival materials, Lynn Edwards Butler explores Scheibe's professional relationships and the full range of his projects. These assignments included the three-manual organ for St. Paul’s Church, renovations of the organs in the important churches of St. Thomas and St. Nicholas, and the lone surviving example of Scheibe's craft, a small organ in the nearby village of Zschortau. Viewing Scheibe within the context of the era, Butler illuminates the music scene of Bach's time as she follows the life of a gifted craftsman and his essential work on an instrument that anchored religious musical practice and community.







Bach and the Meanings of Counterpoint


Book Description

In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy.