Johannes Meintjes Diaries


Book Description

The artist Johannes Petrus Meintjes (19 May 1923 to 7 July 1980) was also a historian and author. Spanning a period of almost 40 years, his body of autobiographical work includes thirteen diaries. Considered Africana, Meintjes self-published the first four volumes (three Diaries and Jeugjare) through his Bamboesberg Publishers. His first diary entry was on 13 February 1941, while the last entry was recorded in 5 July 1980, two days prior to his death. The various diaries, published and unpublished, represent a collected work that tells the story of Johannes Meintjes’ life as an artist and author. This includes inscriptions on people he met, comments about political events as well as matters of faith. In this English synopsis (424 pages, illustrated with examples of his artistic output) the compilers steered clear of deeply personal, nonsensical or malicious comments, while toning down accounts of his extensive social activities. There are references to health or financial issues that affected Meintjes’ creativity and the experience of pain and sadness is also touched upon briefly where appropriate. In the end, it was Meintjes’ entry on 30 January 1964, ‘When I started on the Diary, I never realised that it would become my monument. If it were ever to appear as a single volume, who knows, it can be cut drastically’, that served as catalyst and inspiration culminating in the Afrikaans publication of the Johannes Meintjes Dagboeke launched at the Stellenbosch University Museum in 2023, a century after his birth. Publishing a synopsis of all thirteen diaries into one single volume was a project that took more than ten years. It was spearheaded by Lydia de Waal (a previous Director of the Stellenbosch University Museum) and assisted by Kobus Opperman (the Johannes Meintjes Archivist). Associate Professor Emeritus at Stellenbosch University, Dr Edwin Hees, translated the document into English. Mr Bongani Mgijia, the Director of the Stellenbosch University Museum, graciously arranged for sponsoring this translation. Amanda Botha, seasoned arts journalist, ends the book with her valued conclusion ‘The Meintjes Diaries: Mirror and Reflection’. The English translation contains additional archival material kindly made available by the Meintjes family from their personal collection.







Great Land Rush and the Making of the Modern World, 1650-1900


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He also underscores the tragic history of the indigenous peoples of these regions and shoes how they came to lose "possession" of their land to newly formed governments made up of Europeans with European interests at heart. Weaver shows that the enormous efforts involved in defining and registering large numbers of newly carved-out parcels of property for reallocation during the Great Land Rush were instrumental in the emergence of much stronger concepts of property rights and argues that this period was marked by a complete disregard for previous notions of restraint on dreams of unlimited material possibility. Today, while the traditional forms of colonization that marked the Great Land Rush are no longer practiced by the European powers and their progeny in the new world, the legacy of this period can be seen in the western powers' insatiable thirst for economic growth, including newer forms of economic colonization of underdeveloped countries, and a continuing evolution of the concepts of property rights, including the development and increasing growth in importance of intellectual property rights.







Lord Methuen and the British Army


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This study analyzes the readiness of the British military establishment for war in 1899 and its performance in the South African War (1899-1902). It focuses on the career of Field Marshal Paul Sanford, 3rd Baron Methuen, whose traditional military training, used so effectively in Queen Victoria's small wars, was put to the test by the modern challenges of the South African War. A subsidiary aim of this work is to correct and refine the historical consensus that Methuen's campaing in the South African War was plagued by practical errors and poor judgement. The South African War was a crucial transitional episode in the history of the British army. Unlike Great Britain's other expeditions, it required the concentrated resources of the entire empire. It was a modern war in the sense that it employed the technology, the weaponry, the communications, and the transportation of the second industrial revolution.




A History of South African Literature


Book Description

This book is a critical study of South African literature, from colonial and pre-colonial times onwards. Christopher Heywood discusses selected poems, plays and prose works in five literary traditions: Khoisan, Nguni-Sotho, Afrikaans, English, and Indian. The discussion includes over 100 authors and selected works, including poets from Mqhayi, Marais and Campbell to Butler, Serote and Krog, theatre writers from Boniface and Black to Fugard and Mda, and fiction writers from Schreiner and Plaatje to Bessie Head and the Nobel prizewinners Gordimer and Coetzee. The literature is explored in the setting of crises leading to the formation of modern South Africa, notably the rise and fall of the Emperor Shaka's Zulu kingdom, the Colenso crisis, industrialisation, the colonial and post-colonial wars of 1899, 1914, and 1939, and the dissolution of apartheid society. In Heywood's study, South African literature emerges as among the great literatures of the modern world.




Lantern


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Eleanor Marx


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The extraordinary and dramatic biography of the first modern feminist, who spent her entire life fighting for the principle of equality 'Gripping ... Most lives would be overshadowed by such a melodramatic end. But Marx's life was so much more than a murder mystery, as Rachel Holmes's gripping and vividly told biography demonstrates' Sunday Times 'Superb ... The story of this remarkable life is so well told, with a rare combination of pace, verve and scholarship' Jeanette Winterson, Daily Telegraph Unrestrained by convention, lion-hearted and free, Eleanor Marx (1855-98) was an exceptional woman. Hers was the first English translation of Flaubert's Mme Bovary. She pioneered the theatre of Henrik Ibsen. She was the first woman to lead the British dock workers' and gas workers' trades unions. For years she worked tirelessly for her father, Karl Marx, as personal secretary and researcher. Later she edited many of his key political works, and laid the foundations for his biography. But foremost among her achievements was her pioneering feminism. For her, sexual equality was a necessary precondition for a just society. Drawing strength from her family and their wide circle, including Friedrich Engels and Wilhelm Liebknecht, Eleanor Marx set out into the world to make a difference – her favourite motto: 'Go ahead!' With her closest friends - among them, Olive Schreiner, Havelock Ellis, George Bernard Shaw, Will Thorne and William Morris - she was at the epicentre of British socialism. She was also the only Marx to claim her Jewishness. But her life contained a deep sadness: she loved a faithless and dishonest man, the academic, actor and would-be playwright Edward Aveling. Yet despite the unhappiness he brought her, Eleanor Marx never wavered in her political life, ceaselessly campaigning and organising until her untimely end, which – with its letters, legacies, secrets and hidden paternity – reads in part like a novel by Wilkie Collins, and in part like the modern tragedy it was. Rachel Holmes has gone back to original sources to tell the story of the woman who did more than any other to transform British politics in the nineteenth century, who was unafraid to live her contradictions.




Sandile, the Fall of the Xhosa Nation


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Our Art


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