John Bell, 1745-1831: A Memoir


Book Description

John Bell (1745-1831) was an English publisher. The Dictionary of National Biography has Charles Knight calling Bell a 'mischievous spirit, the very Puck of booksellers'. His 109-volume, literature-for-the-masses Poets of Great Britain Complete from Chaucer to Churchill, which rivalled Samuel Johnson's Lives of the Most Eminent English Poets (1781), was published from 1777 to 1783. Each volume cost just six shillings, at a time when similar volumes usually cost many times that. The drawings and illustrations with which Bell adorned his publications influenced later publishers, as did his abandonment of the long S. Most notable, perhaps, was Bell's joint-stock organisation of his publishing company, which defied 'the trade' - at the time, forty dominant publishing companies - in order to establish a monopoly on the best publications. In addition to the immense Poets of Great Britain, Bell also published similar volumes on Shakespeare and the British Theatre, as well as the Sunday newspaper Bell's Weekly Messenger and other periodicals.




John Bell, 1745-1831


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John Bell, 1745-1831


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John Bell, Patron of British Theatrical Portraiture


Book Description

For this catalog, Kalman A. Burnim has selected more than 360 portraits from various editions of the John Bell publication Bell's Shakespeare (including John Barker's continuation of 1799-1800) and from Bell's British Theatre (including George Cawthorn's 1797 edition). Philip H. Highfill Jr. has furnished the introductory essay for the catalog. Most of these portraits are by James Roberts and Samuel De Wilde, who were among the leading painters of actors and actresses between 1770 and 1820. Richard Cosway, William Hamilton, Gilbert Stuart, and other painters also have work represented in the catalog. The engraved versions are by James Thornthwaite, William Leney, Philippe Audinet, and others. When possible, each entry is illustrated by a reproduction of the engraving or by an original picture. For each entry, Burnim provides details of publication, the provenance and related pictures, the locations of the originals, and commentary.




Samaritan Scribes and Manuscripts


Book Description

This book aims to provide the critical tools to help scholars in their use of Samaritan manuscripts. The basic codicological tools is a series of complementary data-bases compiled from typological studies of the physical properties of manuscripts. Each typology is in effect a diachronic profile created by painstaking comparison and analysis of the physical properties of manuscripts of known provenance and/or date. Using these typologies or diachronic profiles it is possible to evaluate the chronology of the physical characteristics of any manuscript - the quire or gathering structure, ink, ruling, spacing of the text on the folio, sewing of the sections ... Naturally, the more information available about the physical properties of any manuscript the better the chance of making correlations between the typologies of different properties. The basic rule in palaeography and codicology is that the researcher works on an inductive basis from as wide a sample as possible of dated manuscripts. It is hoped that in the studies in this volume, evidence has been provided which will serve as a guide both to the appearance and the nature of Samaritan manuscripts and to the evaluative process that one would employ in examining them for codicological purposes. The reader should be able to apply the criteria provided here to the evaluation of whatever data can be retrieved from any undated Samaritan manuscripts with which he is confronted. Alan D. Crown in the preface




The Most Disreputable Trade


Book Description

This fascinating book probes the origins of mass-market series of literary 'classics'. Highly informative about the book trade in the late eighteenth and early nineteenth centuries, Bonnell's study is also rich in details about book illustration, copyright law, canon formation, consumer culture, and the history of reading.




Sound and Sense in British Romanticism


Book Description

This unparalleled exploration reveals how understandings of sound shifted and multiplied in late eighteenth- and early nineteenth-century Britain. Drawing on literary studies, musicology and history, and interrogating how writers of this period thought with and through sound, this book opens up a new chapter in the history of the senses.




Colour'd Shadows


Book Description

This book studies the print culture of the nineteenth century as it shaped the meanings and the cultural significance of literary works by women writers - Mary Robinson, Felicia Hemans, Elizabeth Barrett Browning, Lady Blessington, Lady Morgan, Caroline Norton, Letitia Elizabeth Landon, and others. Colour'd Shadows explains and interprets the physical forms of their books, the economics and politics of production and reception, and the cultural meanings of their literary work, showing how poems, literary annuals, engravings, commercial arrangements, the practices of women editors as well as writers, the politics of gender, the changing means of production, and women's literary relationships unfold in the medium of print and, more largely, the rapidly changing culture of the century.




The Correspondence of Jeremy Bentham, Volume 4


Book Description

The first five volumes of the Correspondence of Jeremy Bentham contain over 1,300 letters written both to and from Bentham over a 50-year period, beginning in 1752 (aged three) with his earliest surviving letter to his grandmother, and ending in 1797 with correspondence concerning his attempts to set up a national scheme for the provision of poor relief. Against the background of the debates on the American Revolution of 1776 and the French Revolution of 1789, to which he made significant contributions, Bentham worked first on producing a complete penal code, which involved him in detailed explorations of fundamental legal ideas, and then on his panopticon prison scheme. Despite developing a host of original and ground-breaking ideas, contained in a mass of manuscripts, he published little during these years, and remained, at the close of this period, a relatively obscure individual. Nevertheless, these volumes reveal how the foundations were laid for the remarkable rise of Benthamite utilitarianism in the early nineteenth century. In 1789 Bentham published An Introduction to the Principles of Morals and Legislation, which remains his most famous work, but which had little impact at the time, followed in 1791 by The Panopticon: or, The Inspection-House, in which he proposed the building of a circular penitentiary house. Bentham’s correspondence unfolds against the backdrop of the increasingly violent French Revolution, and shows his initial sympathy for France turning into hostility. On a personal level, in 1791 his brother Samuel returned from Russia, and in 1792 he inherited his father’s house in Queen’s Square Place, Westminster together with a significant property portfolio.




Piracy


Book Description

Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.