John Clare and Thomas Hardy


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Celebrating Thomas Hardy


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The essays collected in Celebrating Thomas Hardy include both scholarly studies by leading academics and personal appreciations by perceptive readers and writers. The volume is therefore both a substantial contribution to Hardy studies, which will be valuable to students and academics, and an approachable companion to Hardy for enthusiasts. Responding with a wide variety of subjects and approaches to Hardy's varied 'voices', the volume particularly emphasises Hardy's connections with other writers, from John Clare to Toni Morrison.




"I Am"


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Tess of the D'Urbervilles


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New Essays on John Clare


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Essays by leading scholars offer new insights into a remarkable poet and early advocate of environmental ethics and aesthetics.




Talking about John Clare


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Spanning three decades, this collection of Ronald Blythe's work on John Clare offers a unique contribution to the study of Clare and his tradition.







The Poetry of Birds


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Birds are the most obvious wild things we have around us. They are much watched and much loved, not least by poets. Bird poetry is as old as British poetry itself, and a remarkable number of poets have written poems about birds. Indeed some of the most famous poems in the language concern birds, from Keats's nightingale and Shelley's skylark to Yeats's swans and Hardy's thrush. In this wonderful anthology poet Simon Armitage and birdwatching enthusiast Tim Dee gather together the best of the past and the present, including those famous poems but also many overlooked gems. And in a fascinating divergence from standard anthology practice, the poems are organized according to ornithological classification, beginning with poems by Marianne Moore and David Wright on the ostrich and the emperor penguin and ending with Emily Dickinson and Wallace Stevens on the oriole and the blackbird.




John Clare and the Bounds of Circumstance


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The author suggests that the full significance of Clare's contribution to English literature is found not in his social criticism, but in his refusal to dissociate himself from his past or to become assimilated into the mainstream of English culture at the expense of his class-identity. She argues that a clear set of aesthetic principles informs his finest work and provides the first thematic and structural classification of his poetry. Focussing on the major vocational poems and selected passages from the prose, she shows how Clare formulated the creative ideas and rhetorical techniques that allowed him to give unified expression to both his social and literary concerns. Clare's deep involvement with nature and rural England was not only the basis for his poetry, but also enabled him to articulate beliefs which opposed the inhumane values of his time.




Thomas Hardy


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