Lines of Enquiry


Book Description




Print Quarterly


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Fifty Works by Fifty British Women Artists 1900 - 1950


Book Description

This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w







Paint And Prejudice


Book Description

A prominent figure in the Vorticist art movement of the early 20th century, C.R.W. Nevinson was also a prolific writer and journalist. In this collection of essays and articles, he reflects on a wide range of artistic and cultural topics, from the impact of the First World War on the avant-garde to the rise of modernism in literature. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




A Bitter Truth


Book Description

It is unspeakable, godless, hopeless. I am no longer an artist interested and curious. I am a messenger who will bring back word from the men who are fighting to those who want the war to go on forever. Feeble, inarticulate, will be my message, but it will have a bitter truth. - Paul Nash, 1918, at Passchendaele.




The War Artists


Book Description

Overzicht van het werk van beeldende kunstenaars tot en met de Falklandoorlog van 1982.




Surrealism in Britain


Book Description

This book was originally published in 1999, and is the first comprehensive study of the British surrealist movement and its achievements. Lavishly illustrated, the book provides a year-by-year narrative of the development of surrealism among artists, writers, critics and theorists in Britain. Surrealism was imported into Britain from France by pioneering little magazines. The 1936 International Surrealist Exhibition in London, put together by Herbert Read and Roland Penrose, marked the first attempt to introduce the concept to a wider public. Relations with the Soviet Union, the Spanish Civil War and World War Two fractured the nascent movement as writers and artists worked out their individual responses and struggled to earn a living in wartime. The book follows the story right through to the present day. Michael Remy draws on 20 years of studying British surrealism to provide this authoritative and biographically rich account, a major contribution to the understanding of the achievements of the artists and writers involved and their allegiance to this key twentieth-century movement.




The Middle Parts of Fortune


Book Description

"The Middle Parts of Fortune" is a wartime story by Frederic Manning. In the 1920s the demand for writing on the First World War started to grow, the catalyst being the play 'Journey's End' written by R. C. Sherriff. A friend urged Manning to use his undoubted talent to write a novel about his own intense wartime experiences. To capture the moment, Manning worked rapidly, with little opportunity for second drafts and revisions. The result was "The Middle Parts of Fortune", published anonymously in a numbered limited edition of 520 copies in 1929, which are now collectors' items.