Mirour de L'Omme


Book Description

The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.







John Gower in England and Iberia


Book Description

John Gower's great poem, the Confessio Amantis, was the first work of English literature translated into any European language. Occasioned by the existence in Spain of fifteenth-century Portuguese and Spanish manuscripts of the Confessio, the nineteen essays brought together here represent new and original approaches to Gower's role in Anglo-Iberian literary relations. They include major studies of the palaeography of the Iberian manuscripts; of the ownership history of the Portuguese Confessio manuscript; of the glosses of Gowerian manuscripts; and of the manuscript of the Yale Confessio Amantis. Other essays situate the translations amidst Anglo-Spanish relations generally in the fourteenth and fifteenth centuries; examine possible Spanish influences on Gower's writing; and speculate on possible providers of the Confessio to Philippa, daughter of John of Gaunt and queen of Portugal. Further chapters broaden the scope of the volume. Amongst other topics, they look at Gower's use of Virgilian/Dantean models; classical gestures in the Castilian translation; Gower's conscious contrasting of epic ideals and courtly romance; nuances of material goods and the idea of "the good" in the Confessio; Marxian aesthetics, Balzac, and Gowerian narrative in late medieval trading culture between England and Iberia; reading the Confessio through the lens of gift exchange; literary form in Gower's later Latin poems; Gower and Alain Chartier as international initiators of a new "public poetry"; and the modern sales history of manuscript and early printed copies of the Confessio, and what it reveals about literary trends. Ana S ez Hidalgo is Associate Professor at the University of Valladolid, Spain; R.F. Yeager is Professor of English and World Languages and chair of the department at the University of West Florida. Contributors: Mar a Bull n-Fern ndez, David R. Carlson, Si n Echard, A.S.G. Edwards, Robert R. Edwards, Tiago Vi la de Faria, Andrew Galloway, Fernando Galv n, Marta Mar a Guti rrez Rodr guez, Mauricio Herrero Jim nez, Ethan Knapp, Roger A. Ladd, Alberto L zaro, Mar a Luisa L pez-Vidriero Abell , Matthew McCabe, Alastair J. Minnis, Clara Pascual-Argente, Tamara Para A. Shailor, Winthrop Wetherbee




John Gower's Poetic


Book Description

John Gower's Poetic is a new study of Gower's complete poetry. Considered are Vox Clamantis, Mirour de l'Omme, Traitié pour les Amantz marietz, Cinkante Balades, Confessio Amantis, and `To King Henry IV, In Praise of Peace'. In fiveintegrative chapters, Yeger demonstrates that Gower - far from being the lugubrious moralist and journeyman craftsman as which he is often portrayed -was in fact a writer of broad learning and ambition, whose work was consistently shaped bya poetic theory of profound originality. To demonstrate this, John Gower's Poetic re-examines Gower's work from the basic levels of orthography, grammar, vocabulary, and metrics, to his enduring macrocosmic themes; in the process, Yeager shows that Gower saw himself as an `auctor', or `poete', in the manner of Dante, Machaut, Froissart, and Deschamps. The book concludes with an extensive, fresh reading of Gower's greatest poem, the Confessio Amantis. Professor R. F. Yeager teaches in the Department of English and Foreign Languages, University of West Florida, Pensacola.




A Burnable Book


Book Description

A stunning debut historical thriller set in the turbulent 14th Century for fans of CJ Sansom, The Name of the Rose and An Instance of the Fingerpost.




Chaucer and Gower


Book Description




Chaucer, Gower, and the Vernacular Rising


Book Description

Chaucer, Gower, and the Vernacular Rising examines the transmission of Greco-Roman and European literature into English during the late fourteenth and early fifteenth centuries, while literacy was burgeoning among men and women from the nonruling classes. This dissemination offered a radically democratizing potential for accessing, interpreting, and deploying learned texts. Focusing primarily on an overlooked sector of Chaucer’s and Gower’s early readership, namely, the upper strata of nonruling urban classes, Lynn Arner argues that Chaucer’s and Gower’s writings engaged in elaborate processes of constructing cultural expertise. These writings helped define gradations of cultural authority, determining who could contribute to the production of legitimate knowledge and granting certain socioeconomic groups political leverage in the wake of the English Rising of 1381. Chaucer, Gower, and the Vernacular Rising simultaneously examines Chaucer’s and Gower’s negotiations—often articulated at the site of gender—over poetics and over the roles that vernacular poetry should play in the late medieval English social formation. This study investigates how Chaucer’s and Gower’s texts positioned poetry to become a powerful participant in processes of social control.




The Poetic Voices of John Gower


Book Description

Gower's use of the persona, the figure of the writer implicated in the text, is the main theme of this book. While it traces the development of Gower's voice through his major works, it concentrates on the dialogue of Amans and Genius in the Confessio Amantis. It argues that Gower negotiates problems of politics and problems of love by means of an analogy between political ethics and the rules of fin amour; Amans and Genius are both drawn from and occupied with amatory and ethical traditions, and their discourse produces a series of attempts to find a coherent and rational union of lover and ruler. The volume also argues that Gower's goal is poetic as well as political: through the personae, Gower's readers experience the pains and pleasures of erotic and social love. Gower's personae voice potential responses to exemplary experience, prompting readers to feel and to judge, and moving them to become better lovers and better rulers. Gower's analogy between fin amour and politics brings the affects of the lover to the action of government, and suggests for both love and rule the moderation that brings peace and joy. Matthew W. Irvin is Assistant Professor in the Department of English and Chair of the Medieval Studies Program at Sewanee.




The Routledge Research Companion to John Gower


Book Description

The Routledge Research Companion to John Gower reviews the most current scholarship on the late medieval poet and opens doors purposefully to research areas of the future. It is divided into three parts. The first part, "Working theories: medieval and modern," is devoted to the main theoretical aspects that frame Gower’s work, ranging from his use of medieval law, rhetoric, theology, and religious attitudes, to approaches incorporating gender and queer studies. The second part, "Things and places: material cultures," examines the cultural locations of the author, not only from geographical and political perspectives, or in scientific and economic context, but also in the transmission of his poetry through the materiality of the text and its reception. "Polyvocality: text and language," the third part, focuses on Gower’s trilingualism, his approach to history, and narratological and intertextual aspects of his works. The Routledge Research Companion to John Gower is an essential resource for scholars and students of Gower and of Middle English literature, history, and culture generally.




The French Balades


Book Description

Gower's imaginative French poetry is now available in a new edition with facing page translation, annotations, and introduction. Gower's Traitie employs the French poetic form of balade, typically used for courtly verses, to avow instead the virtues of loving marriage, characteristic of Gower's signature moralizing. His Cinkante Balades confront the tradition of the French Livre de Cent Balades, by describing the feelings of a young man towards his lady, but eventually offering a praise of love insofar as it is subject to reason and morality. Together the two works offer an excellent introduction to the Anglo-Norman works of Gower and are perfect for classroom use.