John Hedgecoe's Nude and Portrait Photography
Author : John Hedgecoe
Publisher : Simon & Schuster
Page : 192 pages
File Size : 12,86 MB
Release : 1985-09
Category : Glamour photography
ISBN : 9780685112212
Author : John Hedgecoe
Publisher : Simon & Schuster
Page : 192 pages
File Size : 12,86 MB
Release : 1985-09
Category : Glamour photography
ISBN : 9780685112212
Author : John Hedgecoe
Publisher : Olympic Marketing Corporation
Page : 192 pages
File Size : 28,27 MB
Release : 1985
Category : Photography
ISBN : 9780671508920
A guide to photographing the human body includes discussions of lighting, lenses, backgrounds, camera angles, and special effects
Author : John Hedgecoe
Publisher :
Page : 224 pages
File Size : 22,68 MB
Release : 1984
Category : Photography of the nude
ISBN : 9780170065313
Author :
Publisher :
Page : 300 pages
File Size : 38,96 MB
Release : 1989
Category : Photography
ISBN :
Author :
Publisher :
Page : 168 pages
File Size : 22,51 MB
Release : 1984-02
Category :
ISBN :
Author :
Publisher :
Page : 207 pages
File Size : 39,38 MB
Release : 1998-09
Category : Photography
ISBN : 0240803469
Offers practical guidance in photographic techniques, covering cameras, elements of picture design, exposure, lighting, and the photographing of landscapes, sports, people, and architecture
Author : John Hedgecoe
Publisher : Touchstone
Page : 212 pages
File Size : 26,86 MB
Release : 1983-07
Category : Photography
ISBN : 9780671475017
Author :
Publisher :
Page : 218 pages
File Size : 42,58 MB
Release : 1981-06
Category :
ISBN :
Author : John Hedgecoe
Publisher :
Page : 224 pages
File Size : 50,62 MB
Release : 1991
Category : Portrait photography
ISBN :
Author : Richard Dyer
Publisher : Routledge
Page : 309 pages
File Size : 23,28 MB
Release : 2017-09-19
Category : Social Science
ISBN : 1134829175
Now twenty years since its initial release, Richard Dyer’s classic text White remains a groundbreaking and insightful study of the representation of whiteness in Western visual culture. White explores how, while racial representation is central to the organisation of the contemporary world, white people have remained a largely unexamined category in sharp contrast to the many studies of images of black and Asian peoples. Looking beyond the apparent unremarkability of whiteness, Dyer demonstrates the importance of analysing images of white people. Dyer places this representation within the contexts of Christianity, ‘race’ and colonialism. In a series of absorbing case studies, he shows the construction of whiteness in the technology of photography and film as part of a wider ‘culture of light’; discusses heroic white masculinity in muscle-man action cinema, from Tarzan and Hercules to Conan and Rambo; analyses the stifling role of white women in end-of-empire fictions like Jewel in the Crown and traces the associations of whiteness with death in Falling Down, horror movies and cult dystopian films such as Blade Runner and the Aliens trilogy. This twentieth anniversary edition includes a new introductory chapter by Maxime Cervulle entitled ‘Looking into the light: Whiteness, racism and regimes of representation’. This new introduction illuminates how Dyer has made a major contribution to the study of contemporary regimes of representation by unveiling the cultural mechanisms that have formed and reinforced white hegemony, mechanisms under which white people have come to represent what is ordinary, neutral, even universal.