John Herschel's Cape Voyage


Book Description

In 1833 John Herschel sailed from London to Cape Town, southern Africa, to undertake (at his own expense) an astronomical exploration of the southern heavens, as well as a terrestrial exploration of the area around Cape Town. After his return to England in 1838, and as a result of his voyage, he was highly esteemed and became Britain's most recognized man of science. In 1847 his southern hemisphere astronomical observations were published as the Cape Results. The main argument of Ruskin's book is that Herschel's voyage and the publication of the Cape Results, in addition to their contemporary scientific importance, were also significant for nineteenth-century culture and politics. In this book it is demonstrated that the reason for Herschel's widespread cultural renown was the popular notion that his voyage to the Cape was a project aligned with the imperial ambitions of the British government. By leaving England for one of its colonies, and pursuing there a significant scientific project, Herschel was seen in the same light as other British men of science (like James Cook and Richard Lander) who had also undertaken voyages of exploration and discovery at the behest of their nation. It is then demonstrated that the production of the Cape Results, in part because of Herschel's status as Britain's scientific figurehead, was a significant political event. Herschel's decision to journey to the Cape for the purpose of surveying the southern heavens was of great significance to almost all of Britain and much of the continent. It is the purpose of this book to make a case for the scientific, cultural, and political significance of Herschel's Cape voyage and astronomical observations, as a means of demonstrating the relationship of scientific practice to broader aspects of imperial culture and politics in the nineteenth century.




John Herschel's Cape Voyage


Book Description

In John Herschel's Cape Voyage Steven Ruskin demonstrates that the reason for Herschel's widespread cultural renown was the popular notion that his voyage to the Cape was not simply an objective scientific expedition, but was a project closely aligned with the imperial ambitions of the British government.In 1833 Herschel sailed from London to Cape Town, southern Africa, to undertake an astronomical exploration of the southern heavens, as well as a terrestrial exploration of the area around Cape Town. As a result of his voyage, after his return to England in 1838 he was highly esteemed and became Britain's most recognized man of science.In this new examination of Herschel's voyage, Ruskin reaches a better understanding of the relationship of scientific practice to the broader aspects of imperial culture and politics in the nineteenth century.




The Cambridge Companion to John Herschel


Book Description

The first-ever comprehensive account of John Herschel's life, work and legacy, shedding new light on the history of Victorian science.




Victorian Glassworlds


Book Description

Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.




Victorians and Numbers


Book Description

A defining feature of Victorian Britain was its fascination with statistics, and this study shows how data influenced every aspect of Victorian culture and thought, from the methods of natural science and the struggle against disease, to the development of social administration, and the arguments and conflicts between social classes.




Cape Landscapes


Book Description

Sir John Herschel, one of the most noted astronomers of his time, arrived at the Cape in 1834 to spend four years observing the southern sky. During this time he produced over 100 exquisite landscape sketches. They are reproduced in this book, together with a narrative text which provides background to Herschel's life and work and sets the illustrations in their historical and geographical context.




Thomas Hardy's Novel Universe


Book Description

In this, the first book-length study of astronomy in Hardy's writing, historian of science and literary scholar Pamela Gossin brings the analytical tools of both disciplines to bear as she offers unexpected and sophisticated readings of seven novels that enrich Darwinian and feminist perspectives on his work, extend formalist evaluations of his achievement as a writer, and provide fresh interpretations of enigmatic passages and scenes. In an elegantly crafted introduction, Gossin draws together the shared critical values and methods of literary studies and the history of science to articulate a hybrid model of scholarly interpretation and analysis that promotes cross-disciplinary compassion and understanding within the current contention of the science/culture wars. She then situates Hardy's own deeply interdisciplinary knowledge of astronomy and cosmology within both literary and scientific traditions, from the ancient world through the Victorian era. Gossin offers insightful new assessments of A Pair of Blue Eyes, Far from the Madding Crowd, The Return of the Native, Two on a Tower, The Woodlanders, Tess of the D'Urbervilles, and Jude the Obscure, arguing that Hardy's personal synthesis of ancient and modern astronomy with mythopoetic and scientific cosmologies enabled him to write as a literary cosmologist for the post-Darwinian world. The profound new myths that comprise Hardy's novel universe can be read as a sustained set of literary thought-experiments by which he critiques the possibilities, limitations, and dangers of living out the storylines that such imaginative cosmologies project for his time - and ours.




A Commonwealth of Knowledge


Book Description

This is the first full study of the relationship of knowledge to national identity formation in modern South Africa. It explores how the cultivation of knowledge served to support white political ascendancy and claims to nationhood. Elegantly written and wide ranging, the book addresses major themes in both South African and comparative imperial historiography.




A Final Story


Book Description

Popular science readers embrace epics—the sweeping stories that claim to tell the history of all the universe, from the cosmological to the biological to the social. And the appeal is understandable: in writing these works, authors such as E. O. Wilson or Steven Weinberg deliberately seek to move beyond particular disciplines, to create a compelling story weaving together natural historical events, scientific endeavor, human discovery, and contemporary existential concerns. In AFinal Story, Nasser Zakariya delves into the origins and ambitions of these scientific epics, from the nineteenth century to the present, to see what they reveal about the relationship between storytelling, integrated scientific knowledge, and historical method. While seeking to transcend the perspectives of their own eras, the authors of the epics and the debates surrounding them are embedded in political and social struggles of their own times, struggles to which the epics in turn respond. In attempts to narrate an approach to a final, true account, these synthesizing efforts shape and orient scientific developments old and new. By looking closely at the composition of science epics and the related genres developed along with them, we are able to view the historical narrative of science as a form of knowledge itself, one that discloses much about the development of our understanding of and relationship to science over time.




Geographies of the Romantic North


Book Description

This book examines British scientific and antiquarian travels in the "North," circa 1790–1830. British perceptions, representations and imaginings of the North are considered part of late eighteenth- and early nineteenth-century processes of British self-fashioning as a Northern nation, and key in unifying the expanding North Atlantic empire.