John Knight's the Sanctuary


Book Description

John Knight's The Sanctuary (Revised Edition) is An amazing story of one man's fifty-year journey "from condemnation to grace," the final twelve-year victorious stretch of which involving over fifty thousand hours living with abused wolves.




John Knight's the Sanctuary


Book Description

John Knight's The Sanctuary is an amazing story of one man's fifty year journey "from condemnation to grace" with the final twelve-year victorious stretch involving over 50,000 hours living with and interacting with abused wolves.




The Sanctuary Seeker


Book Description

Introducing crusader turned county coroner Sir John: the first book in the page-turning Crowner John medieval mystery series, set in twelfth-century England. 1194. Appointed by Richard the Lionheart as the first coroner for the county of Devon, Sir John de Wolfe, recently returned from the Crusades, rides out to the lonely moorland village of Widecombe to hold an inquest on an unidentified body found in a stream. But on his return to Exeter, the new coroner is incensed to find that his own brother-in-law, Sheriff Richard de Revelle, is intent on thwarting the murder investigation – particularly when it emerges that the dead man is both a Crusader and a member of one of Devon’s finest and most honourable families. Assisted by his loyal bodyguard Gwyn and his new clerk, defrocked priest Thomas, Sir John sets out to solve the mystery – whatever the cost.




John Knight


Book Description

Essays and interviews discuss the art of John Knight, a pioneering figure in site-specific art and institutional critique. For more than four decades, the elusive but influential Los Angeles-based artist John Knight has developed a practice of site specificity that tests both architectural and ideological boundaries of the museum, gallery, and public sphere. Knight's works defy notions of stylistic coherence, even, at times, of instant recognizability. Grounded in a sustained method of inhabiting the material, discursive and economic conditions of varied sites, his works systematically challenge notions of object, sign, context, authorship, and value, and they confront audiences not only with mailers, posters, and journals but also with carpenter levels, commemorative plates, deck chairs, bicycle bells, flower arrangements, and credit cards. This volume offers essays and interviews that trace the critical thinking on Knight, discussing the artist's trajectory from 1969 to 2011. These texts, by such prominent figures as Benjamin H. D. Buchloh, Anne Rorimer, Alexander Alberro, and Birgit Pelzer, offer close readings of Knight's pivotal projects in situ while also considering them in terms of such art-historical paradigms as the readymade, the anti-aesthetic, institutional critique, and the relationship between art and design as well as corporate culture at large. The book provides the first collection of these often hard-to-find texts on Knight and will serve as an essential guide for further consideration of his oeuvre.




Seeking Sanctuary


Book Description

In premodern English law, felons had the right to seek sanctuary in a church or ecclesiastical precinct. It is commonly held that this practice virtually died out after the medieval period, but Shannon McSheffrey highlights its resurgence under the Tudor regime and shows how the issue lay at the intersection between law, religion, and culture.







The King's Felons


Book Description

The King's Felons examines the subtle but intentional development of criminal confinement as an alternative to capital punishment in early Tudor England. As the judicial establishment looked for ways to enhance law and order without provoking political opposition, they increasingly turned to two traditional mitigations of criminal punishment: benefit of clergy and sanctuary. Often reviled as corrupt clerical rights which served to undermine secular authority and the rule of law, benefit of clergy and sanctuary in fact provided the justices with room to manoeuvre, allowing them to punish a larger number of felons less harshly while avoiding political scrutiny. The King's Felons explores the evolution of this approach over a period of sixty years, allowing us to see not only the internal development of both law and process, but the ways in which the judicial system responded to external pressures. The dissolution of the monasteries between 1536 and 1540, together with the steady erosion of the wealth and power of the bishops, meant that the institutional and financial foundations on which the justices built this system began to crumble as it was reaching fruition. Over the next two decades they scrambled, with limited success, to secure some small vestiges of the system they had built. The epilogue connects the state of the system in the aftermath of this collapse to our existing understanding of the system in the later part of the century. Providing the first detailed study of criminal justice in the early Tudor period, The King's Felons highlights the role of the Church in the administration of criminal justice and reframes our understanding of many significant acts of the Reformation parliament. This book is a must-read for students and scholars of Tudor history, legal historians and those interested in the role of the church with regard to politics, law, and crime.