Cigar Box Lithographs


Book Description

CIGAR BOX LITHOGRAPHS: The Inside Stories Uncovered is a thought-provoking production exposing its readership to more than 160 vintage cigar boxes manufactured during the late 19th and early 20th centuries. Most convey stunning litho- graphs that portray prominent historical figures. Such cigar boxes during the 19th century attracted a massive smoking cliental numbering in the millions.... While puffers more than one hundred years ago likely recognized the prominent personalities peering at them from the inside labels of these wooden cigar boxes, those same headlined names, today, are now essentially erased from memory. Lew Wallace (1827- 1905), portrayed in this stunning portrait label, is virtually a forgotten name today. World-famous during his day, he was not only a Major General during the Civil War but became more famous when he wrote what some consider to be the best-selling novel of the 19th century. His Ben Hur (see page 34), a novel that was turned into a Hollywood blockbuster winning a record eleven Oscars in 1959, was certainly the most read and the best-known book title during the 20th century, that is, until it was superseded by Gone with the Wind in the 1930s. By examining the cartouche to the left of this stunning label portrait, one detects Wallace’s role as a General during the Civil War, especially at the Battle of Shiloh. The cartouche to the right of his portrait details his writing studio in Crawfordsville, Indiana. This is where his most famous novel was written. Cigar boxes from the past often became an educational platform inadvertently recording and preserving history. To this day, this nearly 120-year old collectible cigar container whispers its provocative past, that is, providing one takes time out to lift its lid and peer at the lithographic image waiting to be re-discovered or uncovered.... Peer long enough and the box just might whisper its past to you.




The Nature of Gothic


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Sesame and Lilies


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The Queen of the Air


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The Venice Variations


Book Description

From the myth of Arcadia through to the twenty-first century, ideas about sustainability – how we imagine better urban environments – remain persistently relevant, and raise recurring questions. How do cities evolve as complex spaces nurturing both urban creativity and the fortuitous art of discovery, and by which mechanisms do they foster imagination and innovation? While past utopias were conceived in terms of an ideal geometry, contemporary exemplary models of urban design seek technological solutions of optimal organisation. The Venice Variations explores Venice as a prototypical city that may hold unique answers to the ancient narrative of utopia. Venice was not the result of a preconceived ideal but the pragmatic outcome of social and economic networks of communication. Its urban creativity, though, came to represent the quintessential combination of place and institutions of its time. Through a discussion of Venice and two other works owing their inspiration to this city – Italo Calvino’s Invisible Cities and Le Corbusier’s Venice Hospital – Sophia Psarra describes Venice as a system that starts to resemble a highly probabilistic ‘algorithm’, that is, a structure with a small number of rules capable of producing a large number of variations. The rapidly escalating processes of urban development around our big cities share many of the motivations for survival, shelter and trade that brought Venice into existence. Rather than seeing these places as problems to be solved, we need to understand how urban complexity can evolve, as happened from its unprepossessing origins in the marshes of the Venetian lagoon to the ‘model city’ that endured a thousand years. This book frees Venice from stereotypical representations, revealing its generative capacity to inform potential other ‘Venices’ for the future.




All that is Solid Melts Into Air


Book Description

The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.




Historical Painting Techniques, Materials, and Studio Practice


Book Description

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.




Uses of Heritage


Book Description

Examining international case studies including USA, Asia, Australia and New Zealand, this book identifies and explores the use of heritage throughout the world. Challenging the idea that heritage value is self-evident, and that things must be preserved, it demonstrates how it gives tangibility to the values that underpin different communities.