Book Description
A close look at early 20th-century New York City is revealed through the eyesof Ashcan artist John Sloan.
Author : Heather Campbell Coyle
Publisher : Delaware Museum of Art
Page : 218 pages
File Size : 47,69 MB
Release : 2007
Category : Art
ISBN :
A close look at early 20th-century New York City is revealed through the eyesof Ashcan artist John Sloan.
Author : John Sloan
Publisher : University of Delaware Press
Page : 316 pages
File Size : 14,20 MB
Release : 1991
Category : Art
ISBN : 0874134390
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Author : Michael Lobel
Publisher : Yale University Press
Page : 241 pages
File Size : 43,40 MB
Release : 2014-04-29
Category : Art
ISBN : 0300195559
This fascinating book highlights the artist’s early career as an illustrator and how it influenced his work as a painter and shaped his response to modernism.
Author : John Sloan
Publisher : Greystone Books Ltd
Page : 264 pages
File Size : 15,79 MB
Release : 2009
Category : Health & Fitness
ISBN : 1553654552
"Medical treatment of elderly people is not working. Worse, it is often harmful. Clear, hard-hitting, and authoritative, A Bitter Pill investigates why the medical system - from its one-size-fits-all prevention strategy to hospital stays that don't benefit anyone - is failing old people who are in fragile health and what we can do about it." --Book Jacket.
Author : John Sloan
Publisher : Ishi Press
Page : 698 pages
File Size : 41,31 MB
Release : 2009-12
Category : Biography & Autobiography
ISBN : 9780923891633
John French Sloan (August 2, 1871 - September 7, 1951) was a U.S. artist. As a member of The Eight, a group of American artists, he became a leading figure in the Ashcan School of realist artists. He was known for his urban genre painting and ability to capture the essence of neighborhood life in New York City, often through his window. Sloan has been called "the premier artist of the Ashcan School who painted the inexhaustible energy and life of New York City during the first decades of the twentieth century," and an "early twentieth-century realist painter who embraced the principles of socialism and placed his artistic talents at the service of those beliefs.
Author : John McDonald
Publisher : MIT Press
Page : 236 pages
File Size : 16,16 MB
Release : 2003
Category : Biography & Autobiography
ISBN : 9780262632850
The story of the ghostwriting of Alfred P. Sloan's best-selling memoir, General Motor's attempts to block the book's publication, and the author's eventual triumph over the corporation. Published in 1964, My Years with General Motors was an immediate best-seller and today is considered one of the few classic books on management. The book is the ghostwritten memoir of Alfred P. Sloan, Jr. (1875-1966), whose business and management strategies enabled General Motors to overtake Ford as the dominant American automobile manufacturer in the 1920s and 1930s. What has been largely unknown until now is that My Years with General Motors was almost not published. Although it was written with the permission of General Motors -- and slated for publication in October 1959 -- at the last minute General Motors tried to suppress the book out of fears that some of the material in it could become evidence in an antitrust action against the company. This book, by John McDonald, Sloan's ghostwriter, tells the behind-the-scenes story of the book's writing, its attempted suppression, and the lawsuit that eventually led to its publication. McDonald's narrative is partly the David-and-Goliath story of a lone journalist taking on the world's then-largest corporation and partly a study of strategy in its own right. McDonald's struggle to publish the book led him to navigate a complicated course among the competing interests of General Motors, Fortune magazine (his employer), and Time, Inc. (Fortune's owner). In many ways this "book about the book" parallels the Sloan book as a tale of successful, brilliantly planned strategy.
Author : John C. Sloan
Publisher :
Page : 259 pages
File Size : 39,3 MB
Release : 1996-07-01
Category : Wine and wine making
ISBN : 9783952000267
Author : Allan Casey
Publisher : Greystone Books Ltd
Page : 274 pages
File Size : 19,15 MB
Release : 2009-11-01
Category : Nature
ISBN : 1926812158
Lakes define not only Canada's landscape but the national imagination. Blending writing on nature, travel, and science, award-winning journalist Allan Casey systematically explores how the country's history and culture originates at the lakeshore. Lakeland describes a series of interconnected journeys by the author, punctuated by the seasons and the personalities he meets along the way including aboriginal fishery managers, fruit growers, boat captains, cottagers, and scientists. Together they form an evocative portrait of these beloved bodies of water and what they mean, from sapphire tarns above the Rocky Mountain tree line to the ponds of western Newfoundland.
Author : John Sloan
Publisher : Courier Corporation
Page : 276 pages
File Size : 11,88 MB
Release : 2000-01-01
Category : Art
ISBN : 9780486409474
This illustrated, practical record of talks and instructional advice by a member of the "Ashcan School" of American painting discusses line, tone, texture, light and shade, composition, design, space, perspective, related issues. Also: figure drawing, painting, landscape and mural painting, much more. Wealth of helpful suggestions and exercises.
Author : Janice Marie Coco
Publisher : University of Delaware Press
Page : 150 pages
File Size : 20,52 MB
Release : 2004
Category : Art
ISBN : 0874138663
"Challenging the cornerstone assumption of Sloan as a neutral spectator, Coco suggests the ways that he used art to define himself as both man and artist, at a time when the ideals of masculinity and artistic identity were at issue. Examining his self-admitted fear of women, she demonstrates how Sloan's perception of them, as potentially threatening to his manhood and his career, manifests itself subtextually in the fetishized nature of his windowed compositions.".