John Henry Twachtman


Book Description

John Twachtman (1853-1902) was one of the most modern American painters of his day, combining European and American influences to create his own highly individual style noted for its contemplative mood and bold immediacy of composition.







Painters of the Wasatch Mountains


Book Description

A distinct painting development with regard to the American West's Wasatch Range emerged in the nineteenth century and persists even today. These "painters of the Wasatch" have set many precedents through their artistic interpretations of this mountain subject matter. Painters of the Wasatch Mountains presents for the first time a survey of the gamut of painters who formed and have carried forward an expression of nature's mighty gift to both visitors and residents of Utah. As natural successor to the Hudson River School in the East, the "Wasatch school" persists because of the values we associate with that first of America's art movements-a dedication to place, a careful study, and interpretation of the environment in a spiritual and cultural context. The Painters of the Wasatch are not defined by a particular style or medium but by a physical presence that has unlimited appeal and inspiration. Over 300 artworks are included, from the earliest examples of painting in the nineteenth century to works by Utah's contemporary artists. Also included are brief biographies of each artist, with occasional stylistic analysis. Artists featured in this book include: William Warner Major Frank Ward Kent Dan Weggeland James T. Harwood John W. Clawson Edwin Evans Lee Greene Richards John Tullidge Lawrence Squires Valoy Eaton LeConte Stewart Mahonri Young John H. Stansfield Hal Burrows Waldo Midgley Maynard Dixon Joseph A. F. Everett Francis L. Horspool Alice Merrill Horne Dean Fausett Dennis Phillips Tom Leek Gary E. Smith
















After Whistler


Book Description

This illustrated book - published to commemorate the centenary of the artist's death - addresses Whistler's extraordinary legacy and establishes his pivotal place in the history of American art.




The Oxford Dictionary of American Art and Artists


Book Description

With the advent of abstract expressionism in the 1940s, America became the white hot center of the artistic universe. Now, in The Oxford Dictionary of American Art and Artists, the first such volume to appear in three decades, Ann Lee Morgan offers an informative, insightful, and long overdue resource on our nation's artistic heritage. Featuring 945 alphabetically arranged entries, here is an indispensable biographical and critical guide to American art from colonial times to contemporary postmodernism. Readers will find a wealth of factual detail and insightful analysis of the leading American painters, ranging from John Singleton Copley, Thomas Cole, and Mary Cassatt to such modern masters as Jackson Pollack, Romare Bearden, and Andy Warhol. Morgan offers razor-sharp entries on sculptors ranging from Alexander Calder to Louise Nevelson, on photographers such as Berenice Abbott, Man Ray, Walker Evans, and Ansel Adams, and on contemporary installation artists, including video master Bill Viola. In addition, the dictionary provides entries on important individuals connected to the art scene, including collectors such as Peggy Guggenheim and critics such as Clement Greenberg. Morgan also examines notable American institutions, organizations, schools, techniques, styles, and movements. The range of coverage is indeed impressive, but equally important is the quality of analysis that appears in entry after entry. Morgan gives readers a wealth of trustworthy and authoritative information as well as perceptive, well-informed criticism of artists and their work. In addition, the book is thoroughly cross-referenced, so readers can easily find additional information on any topic of interest. Beautifully written, filled with fascinating historical background and penetrating insight, The Oxford Dictionary of American Art and Artists is an essential one-volume resource for art lovers everywhere.