Joseph Beuys: Beuys 2021


Book Description

Conceived as an imaginary conversation with the artist on the 100th anniversary of his birth, this book pays homage to the revolutionary potential of Beuys' art and thought Is art the only truly revolutionary force? Is the future a category of art? Are these even the questions we need to be asking? One hundred years after the birth of Joseph Beuys, the German state of North Rhine-Westphalia is rearticulating questions fundamental to his art and thought. This publication provides an overview of the extensive program of Beuys 2021: 100 Years of Joseph Beuys--including exhibitions, lectures and performances--and examines what it is that makes this artist so controversial and still so very topical. It explores his complex oeuvre, pays homage to his international impact and rediscovers the revolutionary potential of his thought. A wide range of contributors from many different spheres, generations and cultures enter into a richly associative dialogue with his aphorisms. Together they explore the genesis and viability of Beuys' vision of a future based on the principles of art.




Beuys & Duchamp


Book Description

Points of overlap and contention between two avant-garde visionaries In conversations and interviews, Joseph Beuys (1921-86) alluded to Marcel Duchamp (1887-1968) more than to any other artist. And hardly anyone else seems to have challenged his work and his thought more than this artist from the previous generation. Direct evidence of this complex tension is his oft-cited action The Silence of Marcel Duchamp is Overratedfrom 1964, through which Beuys attempted to shift focus onto the political and social dimensions of his concept of expanded art. The associations and connections between the artists go deep. Both used similar radical strategies to rejuvenate the concept of art and the role of art in everyday life; their questions had a number of aspects in common. This fully illustrated catalog is the first to undertake a profound exploration of this multilayered relationship, while investigating both artists' future-oriented potential.




The Painter's Keys


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Joseph Beuys and the Artistic Education


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Joseph Beuys significantly influenced the development of art in recent decades through his expanded definition of art. In his art and reflections on art, he raised far-reaching questions on the nature of art and its central importance for modern education. His famous claim, “Every human is an artist,“ points to the fundamental ability of every human to be creative in the art of life – with respect to the development of one’s own personality and one’s actions within society. Beuys saw society as an artwork in a permanent process of transformation, a ‘social sculpture‘ in which every person participated, and for which everyone should be educated as comprehensively as possible. Beuys describes pedagogy as central to his art. This book thus examines important aspects of Beuys’s art and theory and the challenges they raise for contemporary artistic education. It outlines the foundational theoretical qualities of artistic education and discusses the practice of ‘artistic projects’ in a series of empirical examples. The author, Carl-Peter Buschkühle, documents projects he has undertaken with various high school classes. In additional chapters, Mario Urlaß discusses the great value of artistic projects in primary school, and Christian Wagner reflects on his collaboration with the performance artist Wolfgang Sautermeister and school students in a socially-disadvantaged urban area. Artistic education has become one of the most influential art-pedagogical concepts in German-speaking countries. This book presents its foundations and educational practices in English for the first time.




Arena


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Letting Art Teach


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"In this book, Gert Biesta presents a new approach to contemporary art education by showing the unique possibilities the arts offer to establish a dialogue with the world around us. This approach to art education is based on teaching as a process of showing, where the teacher shows the student what could be good, important or meaningful to master in the world. As a starting point for illustrating this method, the book proposes 'How to Explain Pictures to a Dead Hare' (1965) by Joseph Beuys, which Biesta uses in order to draw out a number of important lessons about teaching"--Publisher's website.




Objects as History in Twentieth-century German Art


Book Description

This book provides an overview of twentieth-century German art, focusing on some of the period's key works. In Peter Chametzky's innovative approach, these works become representatives rather than representations of twentieth-century history. Chametzky draws on both scholarly and popular sources to demonstrate how the works (and in some cases, the artists themselves) interacted with, and even enacted, historical events, processes, and ideas.--[book jacket].




Joseph Beuys: Utopia at the Stag Monuments


Book Description

Accompanying the most important UK exhibition of Joseph Beuys' (1921-86) work in over a decade, this comprehensive publication traces the development of the artist's practice from his early, rarely seen works to his conceptual environments. At the heart of this exhibition stands Stag Monuments, exhibited whole for the first time since its creation.




Joseph Beuys


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Joseph Beuys, Drawings


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