Joseph Stella's Symbolism


Book Description

Born in 1877 in a small village in southern Italy, Stella came to New York at the age of eighteen, bringing the influences of the ancient classical tradition from a world deep-rooted in Christian imagery to a dramatic modern city transformed by industrial development. Irma Jaffe explores how Stella skillfully integrated these influences with a variety of contemporary ideas and invested his work with a personal significance that was both sensual and spiritual. The complex iconography of many of his works is examined in detail, including the well-known Battle of Lights, Coney Island and the majestically executed The Voice of the City of New York Interpreted, the five-panel masterpiece that powerfully conveys the grandeur and inspiration of New York City.




Visual Poetry


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Joseph Stella


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Joseph Stella


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Modern Life


Book Description

This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.




Stella's Barn


Book Description

Trouble woke me up early. Only two years old, my first memory: startled from sleep, I follow my mother to the road where she covers with old burlap a dead dog, just run over. My world was frightening and tough, from the beginning. Polish Catholic, my harsh paternal grandmother ruled our house. The men were there to eat and sleep. Alcohol, incest the norm in our neighborhood. With just the clothes on our back, one night Ma spirited us all away to her mother's small subsistence farm in the country where I woke up to imagine I had died and found myself in the Garden of Eden. Plants, animals, fishing in the old muddy river across the railroad tracks: here I could dream! All short-lived when we moved again into our barn-like house of stark poverty and deprivation. I learned from my mother how to ride the rapids, how to grab onto the sides of life's often flimsy, careening boat. Catastrophe visited us, but you will see how our story, my hope, survived.




Industry in Art


Book Description

Youngner examines the tranformation of the depiction of industry in 19th century Pittsburgh from environmental nuisance to an idealized glorification of industrial might, in both fine art and illustration.




Masterpieces of American Modernism


Book Description

Modernism, referring to the period dating roughly from the late 19th century through 1970, is regarded as a crucial moment in the history of American art. Although Modernist artists adopted a wide range of styles, they were tied by a desire to interpret the rapidly changing nature of society, and to cast aside the conventions of representational art. Some, such as Stuart Davis and Joseph Stella, responded to consumerism, urbanism, and industrial technology, while others, such as Arthur Dove and Georgia O’Keeffe, found inspiration in nature and the traditional Native American culture of the Southwest. This magnificent new book presents the works of the Vilcek Collection, an unparalleled private collection of American Modernist art. Jan and Marica Vilcek acquired their first American Modernist work in 2001, and have since assembled an amazing collection of masterworks representative of a crucial moment in the history of American art. Art historian Lewis Kachur explores almost 100 rarely seen paintings, works on paper, and sculptures by more than 20 leading artists active during the first half of the last century, while William C. Agee contributes an authoritative introduction. Lavishly illustrated throughout, Masterpieces of American Modernism offers an outstanding overview of the radical shift in art that this movement represents.




The Société Anonyme


Book Description

This beautifully illustrated book highlights the unique history of The Société Anonyme, Inc., an organization founded in 1920 by the artists Katherine S. Dreier (1877–1952), Marcel Duchamp (1887–1968), and Man Ray (1890–1976). As America’s first “experimental museum” for modern art, the Société Anonyme provided a means for artists, rather than historians, to chronicle the rise of modernism. Led by Dreier and Duchamp, the group eventually assembled a collection of more than one thousand artworks, which it presented to the public in a variety of innovative programs, publications, and exhibitions. The incredible collection of the Société Anonyme now belongs to the Yale University Art Gallery, a gift from the Société and Dreier. It features the work of more than one hundred artists, many of whom are among the century’s most renowned—including Jean Arp, Duchamp, Max Ernst, Wassily Kandinsky, Paul Klee, El Lissitzky, Piet Mondrian, Man Ray, Kurt Schwitters, and Joseph Stella—as well as works by lesser-known artists whose contributions to modernism are substantial. With new archival information, including personal correspondence between Dreier and the artists whose work she assembled, a host of previously unpublished images, essays by leading scholars, and an interview with artists Robert and Sylvia Mangold about the contemporary significance of this collection, this fascinating book is essential to our understanding of the reception and interpretation of modernism in America.