Journal of a Landscape Painter in Corsica


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Journal of a Landscape Painter in Corsica


Book Description

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1870 edition. Excerpt: ...squared, eight feet square, and was over 160 feet long.--llawkci; "Alpine Journal," p. 297. ccssionalis, (1) my first acquaintance with which I had made in the woods round Cannes. Here," in Aitone, the smooth satin-like surface of these nests, shining like silver among the tall dark green pines, has a most curious effect; and not less strange, from time to time, are the long strings or processions--some of them ten or fifteen feet in length--of this extraordinary caterpillar crawling along the road, now parallel with its edge, now crossing it in unbroken file. In other parts, below trees more than commonly full of their nests, are great heaps, some of them as large as a half-bushel basket, of these creatures, apparently in a state of torpor, or only in motion towards the point from which their " follow my leader " institution is about to take place. Now and then, in passing under trees loaded with these bombyx bags, the thought that one may plump into one's face is not agreeable, for the hairs which come from these animals on the slightest touch occasion excessive and even dangerous irritation. But the questions arise, on seeing such myriads of these wonderful little brutes--do the nests fall down by their own weight, owing to the increasing size of the caterpillars? Or do the inmates at a certain time open their nests and fall down "spontaneous " to commence their linear expeditions? Do they, as some maintain, migrate in order to procure fresh food? It seems to me not so from what I have noticed of their habits; for though I have continually discovered them coming down the trunk of a pine-tree, I have never seen any going up. Rather is not all this movement preliminary to burrowing in the earth (as, indeed, the peasants about Cannes say...




Edward Lear


Book Description

James Williams's account, the first book-length critical study of the poet since the 1980s, sets out to re-introduce Lear and to accord him his proper place: as a major Victorian figure of continuing appeal and relevance, and especially as a poet of beauty, comedy, and profound ingenuity.




Impressions of Southern Italy


Book Description

Naples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.