Journal of History


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The Crisis


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The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.







War, Memory, and the 1913 Gettysburg Reunion


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Union and Confederate veterans meet at Gettysburg on the 50th anniversary of the battle This June 29-July 4 reunion drew over 55,000 official attendees plus thousands more who descended upon a town of 4,000 during the scorching summer of 1913, with the promise of little more than a cot and two blankets, military fare, and the presence of countless adversaries from a horrific war. Most were revisiting a time and place in their personal history that involved acute physical and emotional trauma. Contrary to popular belief, veterans were not motivated to attend by a desire for reconciliation, nor did the Great Reunion produce a general sense of a reunified country. The reconciliation premise, advanced by several major speeches at the anniversary, lived in rhetoric more than fact. Recent scholarship effectively dismantles this "Reconciliation of 1913" mythos, finding instead that sectionalism and lingering hostilities largely prevailed among veterans and civilians. Flagel examines how individual veterans viewed the reunion, what motivated them to attend, how they acted and reacted once they arrived, and whether these survivors found what they were personally seeking. While politicians and the press characterized the veterans as relics of a national crusade, Flagel focuses on four men who come to the reunion for different and very individual reasons. Flagel's book adds significantly to Gettysburg literature and to Civil War historiography.







To Cast Out Disease


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This is the first history of the Rockefeller Foundation's International Health Division (1913-1951), which was one of the most important public health agencies of the 20th century, a precursor of the World Health Organization. Based on extensive primary research, the book is enlivened with character sketches and descriptions of the conflicts among the "medical barons" who ran the division as they attempted to eradicate many serious diseases and to set up schools of public health and nursing around the world.




A People's History of Detroit


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Recent bouts of gentrification and investment in Detroit have led some to call it the greatest turnaround story in American history. Meanwhile, activists point to the city's cuts to public services, water shutoffs, mass foreclosures, and violent police raids. In A People's History of Detroit, Mark Jay and Philip Conklin use a class framework to tell a sweeping story of Detroit from 1913 to the present, embedding Motown's history in a global economic context. Attending to the struggle between corporate elites and radical working-class organizations, Jay and Conklin outline the complex sociopolitical dynamics underlying major events in Detroit's past, from the rise of Fordism and the formation of labor unions, to deindustrialization and the city's recent bankruptcy. They demonstrate that Detroit's history is not a tale of two cities—one of wealth and development and another racked by poverty and racial violence; rather it is the story of a single Detroit that operates according to capitalism's mandates.




Proceedings ...


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1913


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An International Bestseller "An absolute gem of a book." --The Observer Just before one of its darkest moments came the twentieth century's most exciting year . . . It was the year Henry Ford first put a conveyer belt in his car factory, and the year Louis Armstrong first picked up a trumpet. It was the year Charlie Chaplin signed his first movie contract, and Coco Chanel and Prada opened their first dress shops. It was the year Proust began his opus, Stravinsky wrote The Rite of Spring, and the first Armory Show in New York introduced the world to Picasso and the world of abstract art. It was the year the recreational drug now known as ecstasy was invented. It was 1913, the year before the world plunged into the catastrophic darkness of World War I. In a witty yet moving narrative that progresses month by month through the year, and is interspersed with numerous photos and documentary artifacts (such as Kafka's love letters), Florian Illies ignores the conventions of the stodgy tome so common in "one year" histories. Forefronting cultural matters as much as politics, he delivers a charming and riveting tale of a world full of hope and unlimited possibility, peopled with amazing characters and radical politics, bristling with new art and new technology . . . even as ominous storm clouds began to gather.