The Irish Literary Periodical, 1923-1958


Book Description

Frank Shovlin examines in detail six Irish literary periodicals that appeared in the first forty years after the partitioning on Ireland. The six titles are The Irish Statesman (1923-30), The Dublin Magazine (1923-58), Ireland To-Day (1936-38), The Bell (1940-54), Envoy (1949-51) and Rann(1948-53). These journals, while not the only examples of the genre in these neglected decades of Irish cultural history, make the finest and most influential contributions towards the development of a native Irish literary tradition in the earliest years of both Irish states, north and south of theborder. The manner in which each of the journals was established and run is considered, with an emphasis on varying editorial personalities and their impact on each periodical. Shovlin emphasizes the common themes of literary realism, the ideological struggle between monolithic nationalism andliberal cosmopolitanism, and the importance of publishing context in the interpretation of literary works. The careers of figures such as Patrick Kavanagh, Sean O Faolain, Liam O Flaherty and John Hewitt are re-examined in the light of their involvement with periodical publication. The authorconcludes with an overview of the progress of the literary periodical in Ireland in the decades after the closure of The Dublin Magazine in 1958. This book is an important contribution to recent growing scholarship on the role of literary magazines specifically and history of the book generally bothin Ireland and elsewhere.










Irish Journal


Book Description

A unique entry in the Böll library, Irish Journal records an eccentric tour of Ireland in the 1950's. An epilogue written fourteen years later reflects on the enormous changes to the country and the people that Böll loved. Irish Journal is a time capsule of a land and a way of life that has disappeared.




The Body in Pain in Irish Literature and Culture


Book Description

This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain – whether endured or inflicted, witnessed or remediated – is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history.







Irish Literary Gazette


Book Description




Incomparable Poetry


Book Description

Incomparable Poetry: An Essay on the Financial Crisis of 2007-2008 and Irish Literature is an attempt to describe the ways in which the financial crisis of 2007-8 impacted literature in Ireland, and thereby describe the ways in which poetry engages with, is structured by, and wrestles with economic issues.Ireland and its contemporary poetry is a particularly suitable case study for studying the effect of the economic crisis on Anglophone poetry, because poetry in Ireland has a special relationship to the state and economy due to its status as a postcolonial nation-state. Beginning with a summary of recent Irish economic and cultural history, and moving across experimental and mainstream poetry, this essay outlines how the poetry of Trevor Joyce, Leontia Flynn, Dave Lordan, and Rachel Warriner addresses in its form and content the boom years of the Celtic Tiger and the financial crisis.Incomparable Poetry also discusses the concerns and historical contexts these poets have turned to in order to make sense of these events - including Chinese history, accountancy, sexual violence, and Iceland's economic history. In contemporary Irish poetry, the author argues, we see a significant interest in matching capitalism's accounting abilities, but in this attempt, these poems often end up broken by the imposition of an external conceptual framework or economic logic. Robert Kiely grew up in Cork, Ireland and now lives in London. His critical work has been published in Irish University Review, Journal of British and Irish Innovative Poetry, The Parish Review, and Samuel Beckett Today/Aujourd'hui. His chapbooks include How to Read (Crater, 2017) and Killing the Cop in Your Head (Sad, 2017). He is Poet-in-Residence at University of Surrey for 2019-20.