Author : Timothy Peter Martin
Publisher : Cambridge University Press
Page : 310 pages
File Size : 47,70 MB
Release : 1991-12-12
Category : Literary Criticism
ISBN : 0521394872
Timothy Martin documents Joyce's exposure to Wagner's operas, and defines a pervasive Wagnerian presence in his work.
Author :
Publisher :
Page : 138 pages
File Size : 38,76 MB
Release : 1977
Category :
ISBN :
Author : Andrew Bennett
Publisher : Cambridge University Press
Page : 278 pages
File Size : 50,10 MB
Release : 2017-10-05
Category : Literary Criticism
ISBN : 1108307698
Suicide Century investigates suicide as a prominent theme in twentieth-century and contemporary literature. Andrew Bennett argues that with the waning of religious and legal prohibitions on suicide in the eighteenth and nineteenth centuries and the increasing influence of medical and sociological accounts of its causes and significance in the twentieth century, literature responds to the act and idea as an increasingly normalised but incessantly baffling phenomenon. Discussing works by a number of major authors from the long twentieth century, the book explores the way that suicide makes and unmakes subjects, assumes and disrupts meaning, induces and resists empathy, and insists on and makes inconceivable our understanding of ourselves and of others.
Author : David Hayman
Publisher : Rodopi
Page : 292 pages
File Size : 18,8 MB
Release : 1995
Category : Literary Criticism
ISBN : 9789051838602
Joyce criticism is a long way from having controlled the treasure trove of manuscript materials in the 63 volume James Joyce Archive. PROBES represents a new effort of incorporating manuscript research into critical concerns demonstrating in a practical manner how genetic work contributes to a fuller and more nuanced appreciation of Joyce's work. The organization of the essays is designed to highlight our two major but interlocking concerns: the nature and theoretical underpinnings of genetic criticism of Joyce and especially of Finnegans Wake, and some of the many ways that theory can be applied to the creative situation reflected in the notes and manuscripts. The questions raised in this volume are both current and important. Like Finnegans Wake itself, the manuscript record, because it is so complete, by stimulating the reader's curiosity and ingenuity, lends itself to a variety of approaches while rewarding specialized knowledge. Here too, as we decipher and transcribe, we are well advised to follow Joyce's advice and wipe [our] glosses with what [we] know. This volume will provide much that is new and of interest for all scholars of Joyce as well as scholars interested in the issues raised by genetic criticism.
Author : Matthew John Caldwell Hodgart
Publisher : University of Illinois Press
Page : 364 pages
File Size : 16,96 MB
Release : 1997
Category : Literary Criticism
ISBN : 9780252065576
In Joyce's Grand Operoar, two internationally respected Joyce scholars join forces to present over 3,000 of Joyce's opera allusions as they appear in Finnegans Wake. Ruth Bauerle's long, richly detailed, and often amusing introduction critically interprets Joyce's life and work in terms of its operatic and literary interconnections. The resulting volume will delight both opera lovers and Joyceans.
Author : Josh Epstein
Publisher : JHU Press
Page : 381 pages
File Size : 31,44 MB
Release : 2014-12-15
Category : Literary Criticism
ISBN : 1421415232
What is the significance of noise in modernist music and literature? When Stravinsky’s Rite of Spring premiered in Paris in 1913, the crowd rioted in response to the harsh dissonance and jarring rhythms of its score. This was noise, not music. In Sublime Noise, Josh Epstein examines the significance of noise in modernist music and literature. How—and why—did composers and writers incorporate the noises of modern industry, warfare, and big-city life into their work? Epstein argues that, as the creative class engaged with the racket of cityscapes and new media, they reconsidered not just the aesthetic of music but also its cultural effects. Noise, after all, is more than a sonic category: it is a cultural value judgment—a way of abating and categorizing the sounds of a social space or of new music. Pulled into dialogue with modern music’s innovative rhythms, noise signaled the breakdown of art’s autonomy from social life—even the “old favorites” of Beethoven and Wagner took on new cultural meanings when circulated in noisy modern contexts. The use of noise also opened up the closed space of art to the pressures of publicity and technological mediation. Building both on literary cultural studies and work in the “new musicology,” Sublime Noise examines the rich material relationship that exists between music and literature. Through close readings of modernist authors, including James Joyce, T. S. Eliot, Edith Sitwell, E. M. Forster, and Ezra Pound, and composers, including George Antheil, William Walton, Erik Satie, and Benjamin Britten, Epstein offers a radically contemporary account of musical-literary interactions that goes well beyond pure formalism. This book will be of interest to scholars of Anglophone literary modernism and to musicologists interested in how music was given new literary and cultural meaning during that complex interdisciplinary period.
Author : Robert K. Weninger
Publisher : University Press of Florida
Page : 278 pages
File Size : 46,70 MB
Release : 2016-11-29
Category : Literary Criticism
ISBN : 0813059828
"The first comprehensive account of the enormous impact of Joyce on German modernist and postmodern writers. An indispensable book on Joyce's 'German' face."—Gerald Gillespie, Stanford University In August 1919, a production of James Joyce's Exiles was mounted at the Munich Schauspielhaus and quickly fell due to harsh criticism. The reception marked the beginning of a dynamic association between Joyce, German-language writers, and literary critics. It is this relationship that Robert Weninger analyzes in The German Joyce. Opening a new dimension of Joycean scholarship, this book provides the premier study of Joyce's impact on German-language literature and literary criticism in the twentieth century. The opening section follows Joyce's linear intrusion from the 1910s to the 1990s by focusing on such prime moments as the first German translation of Ulysses, Joyce's influence on the Marxist Expressionism debate, and the Nazi blacklisting of Joyce's work. Utilizing this historical reception as a narrative backdrop, Weninger then presents Joyce's horizontal diffusion into German culture. Weninger succeeds in illustrating both German readers' great attraction to Joyce's work as well as Joyce's affinity with some of the great German masters, including Goethe and Rilke. He argues that just as Shakespeare was a model of linguistic exuberance for Germans in the eighteenth century, Joyce became the epitome of poetic inspiration in the twentieth. This volume, through Weninger's critiques and repositions, simultaneously revisits the fraught relationship between influence and intertextuality in literary studies and reassesses their value as tools for contemporary comparative criticism today. Robert K. Weninger, emeritus professor of German and comparative literature at King’s College London, is author or editor of over ten books, including Arno Schmidts Joyce-Rezeption 1957-1970: Ein Beitrag zur Poetik Arno Schmidts, and is a past editor of the Journal of Comparative Critical Studies.
Author :
Publisher : BRILL
Page : 496 pages
File Size : 31,48 MB
Release : 2021-11-22
Category : Literary Criticism
ISBN : 9004484248
... a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase in the mind itself. Thus Stephen Dedalus in James Joyce's Stephen Hero: defines the phenomenon that has ever since been known as the literary epiphany. The essays gathered in this volume comprise a wide survey of this phenomenon. With recurrent reference to its most famous creators, notably William Wordsworth, who was the first to consciously explore and delineate those momentous spots in time in his Prelude, Walter Pater, James Joyce and Virginia Woolf, this book intends to provide a broad and unbiased exploration into the various types and categories of the moment of moment that can be distinguished, ranging from William Blake, Ann Radcliffe and Charles Maturin through the nineteenth-century sonnet tradition and the naturalistic novel to modernist and postmodernist exponents such as Ezra Pound and Elizabeth Bowen, Philip larkin and Seamus Heaney, and include contributions by acclaimed experts in the field such as Martin Bidney, Robert Langbaum, Jay Losey, and Ashton Nichols.
Author :
Publisher : BRILL
Page : 288 pages
File Size : 43,92 MB
Release : 2021-11-15
Category : Social Science
ISBN : 9004490493
Joyce criticism is a long way from having controlled the treasure trove of manuscript materials in the 63 volume James Joyce Archive. PROBES represents a new effort of incorporating manuscript research into critical concerns demonstrating in a practical manner how genetic work contributes to a fuller and more nuanced appreciation of Joyce's work. The organization of the essays is designed to highlight our two major but interlocking concerns: the nature and theoretical underpinnings of genetic criticism of Joyce and especially of Finnegans Wake, and some of the many ways that theory can be applied to the creative situation reflected in the notes and manuscripts. The questions raised in this volume are both current and important. Like Finnegans Wake itself, the manuscript record, because it is so complete, by stimulating the reader's curiosity and ingenuity, lends itself to a variety of approaches while rewarding specialized knowledge. Here too, as we decipher and transcribe, we are well advised to follow Joyce's advice and wipe [our] glosses with what [we] know. This volume will provide much that is new and of interest for all scholars of Joyce as well as scholars interested in the issues raised by genetic criticism.
Author : S. Slote
Publisher : Springer
Page : 214 pages
File Size : 22,78 MB
Release : 2013-10-23
Category : Literary Criticism
ISBN : 1137364122
The first book-length treatment of James Joyce's work through the lens of Friedrich Nietzsche's thought, Slote argues that the range of styles Joyce deploys has an ethical dimension. This intersection raises questions of epistemology, aesthetics, and the construction of the 'Modern' and will appeal to literary and philosophy scholars.
