Female Biography


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Giulia Gonzaga and the Religious Controversies of Sixteenth-century Italy


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Giulia Gonzaga (1513-66) was renowned throughout sixteenth-century Italy as a model of pious widowhood and of female beauty. Yet over three decades she sustained a risky friendship and personal correspondence with Pietro Carnesecchi (1508-67), the one-time papal favourite who became infamous for his heretical religious beliefs and associations. Indeed, Carnesecchi was condemned to death by the Tribunal of the Roman Inquisition, implicated in part by evidence of his correspondence with donna Giulia. This major new study traces the evolution of donna Giulia's unorthodox religious ideas and networks. Considered alongside inquisitorial trial records and contemporary religious treatises, donna Giulia's written dialogue with Carnesecchi and others, vividly reflects the religious tensions of mid-sixteenth-century Italy. Giulia Gonzaga and the Religious Controversies of Sixteenth-Century Italy details donna Giulia's important contribution to the exchange and currency of reformist ideas amongst an intellectual elite of women and men, clergy and laity that extended through the Italian peninsula and beyond.




Complete Works


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Michael Angelo


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Music and Patronage in Sixteenth-Century Mantua: Volume 1


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Viewed traditionally, the history of sixteenth-century Mantuan music is almost a catalogue of some of the most distinguished composers of the age, from Tromboncino and Cara, via Jacquet of Mantua, to Wert, Palestrina, Marenzio, Pallavicino, Gastoldi, Rossi and Monteverdi. The remarkable achievements of composers under Gonzaga patronage, practically synonymous with Mantuan patronage during this period, are treated here in their social context. The arguments proceed not just from the music itself, but from detailed examination of archival sources, from which Dr Fenlon reconstructs employment patterns and describes the social structure and institutional life of the city. The aim of the book is to show how the patterns of patronage, and music and musicians, reflect and illuminate the temperaments and prime preoccupations of successive rulers. The book contains a substantial appendix of unpublished archival documents, a small proportion only of the scholarly and comparative sources on which the study is based.