Julia Pastrana


Book Description

In a dusty corner at the Institute of Forensic Medicine in norway lie the remains of Julia Pastrana, half hidden in a black plastic sack, all but forgotten. Yet in the middle of the nineteeth century, this 'ape woman' was renowed, visited by scientists of international repute, and drawing the populace of three continents to the freakshows in which she starred. just 4ft 6in tall, she was covered in hair, with a protruding jaw; but she also spoke several languages, married, had a child, made money. This is the compelling and strange story of how a woman born in the backwoods of Mexico came to be one of the most infamous women in Europe and America and how, nearly 150 years after she first set foot upon the stage, Julia is still being shown to others. The exhibition goes on.







The Eye of the Beholder: Julia Pastrana's Long Journey Home


Book Description

Born in Sinaloa, Mexico, Julia Pastrana (1834-1860) was a gifted singer, musician and dancer who could converse in English, Spanish and French. She also suffered from one of the most extreme cases of hypertrichosis terminalis on record and severe gingival hyperplasia: her face and body were covered with thick hair and her jaw was disproportionately large. Pastrana toured North America and Europe billed as "The Ugliest Woman in the World." After her death, her body was exhibited throughout Europe and the US. Until her recent repatriation to Sinaloa, her body was kept at the University of Oslo, Norway. Pastrana's story raises issues around beauty, ownership, science and racism, human rights, colonialism, sexism and indigenous rights. Artist Laura Anderson Barbata has brought together scholars and experts from various fields to explore these and other topics as they relate to Pastrana's extraordinary story.




A Cabinet of Medical Curiosities


Book Description

Long ago, curiosities were arranged in cabinets for display: a dried mermaid might be next to a giant's shinbone, the skeletons of conjoined twins beside an Egyptian mummy. In ten essays, Jan Bondeson brings a physician's diagnostic skills to various unexpected, gruesome, and extraordinary aspects of the history of medicine: spontaneous human combustion, colonies of snakes and frogs living in a person's stomach, kings and emperors devoured by lice, vicious tribes of tailed men, and the Two-Headed Boy of Bengal. Bondeson tells the story of Mary Toft, who gained notoriety in 1726 when she allegedly gave birth to seventeen rabbits. King George I, the Prince of Wales, and the court physicians attributed these monstrous births to a "maternal impression" because Mary had longed for a meal of rabbit while pregnant. Bondeson explains that the fallacy of maternal impressions, conspicuous in the novels of Goethe, Sir Walter Scott, and Charles Dickens, has ancient roots in Chinese and Babylonian manuscripts. Bondeson also presents the tragic case of Julia Pastrana, a Mexican Indian woman with thick hair growing over her body and a massive overgrowth of the gums that gave her a simian or ape-like appearance. Called the Ape Woman, she was exhibited all over the world. After her death in 1860, Julia's husband, who had also been her impresario, had her body mummified and continued to exhibit it throughout Europe. Bondeson tracked the mummy down and managed to diagnose Julia Pastrana's condition as the result of a rare genetic syndrome.




Orphans of the Carnival


Book Description

In this stunning work of historical fiction, the Booker Prize–nominated author of Jamrach’s Menagerie reimagines the incredible true story of Julia Pastrana, a woman branded a freak at birth. Although she was pronounced by the most eminent physician of the day to be “a true hybrid wherein the nature of woman presides over that of the brute,” Julia was fluent in English, French, and Spanish, and an accomplished musician with an exquisite singing voice. Alternately vilified and celebrated, all she wanted was for people to see beyond her hairy visage—and perhaps, the chance for love. When Julia meets a charming showman who catapults her onto the global stage, she believes that she has found true happiness at last. But the question of whether her lover truly cares for her—or if his management is just a new form of exploitation—lingers heavily. A deeply moving novel, in Orphans of the Carnival Carol Birch has crafted a haunting examination of how we define ourselves and, ultimately, of what it means to be human.




Circus of Wonders


Book Description

From the #1 internationally bestselling author of the “lush, evocative Gothic” (The New York Times Book Review) The Doll Factory comes an atmospheric and spectacular novel about a woman transformed by the arrival of a Victorian circus of wonders—“as moving as it is deeply entertaining” (Daniel Mason, New York Times bestselling author). Step up, step up! In 1860s England, circus mania is sweeping the nation. Crowds jostle for a glimpse of the lion-tamers, the dazzling trapeze artists and, most thrilling of all, the so-called “human wonders.” When Jasper Jupiter’s Circus of Wonders pitches its tent in a poor coastal town, the life of one young girl changes forever. Sold to the ringmaster as a “leopard girl” because of the birthmarks that cover her body, Nell is utterly devastated. But as she grows close to the other performers, she finds herself enchanted by the glittering freedom of the circus, and by her own role as the Queen of the Moon and Stars. Before long, Nell’s fame spreads across the world—and with it, a chance for Jasper Jupiter to grow his own name and fortune. But what happens when her fame begins to eclipse his own, when even Jasper’s loyal brother Toby becomes captivated by Nell? No longer the quiet flower-picker, Nell knows her own place in the world, and she will fight for it. Circus of Wonders is a beautiful story about the “complex dance between exploitation and empowerment, and the question of what it really means to have control over your own life” (Naomi Ishiguro, author of Escape Routes).




Thinking the Limits of the Body


Book Description

This collection maps the very best efforts to think the body at its limits. Because the body encompasses communities (social and political bodies), territories (geographical bodies), and historical texts and ideas (a body of literature, a body of work), Cohen and Weiss seek trans-disciplinary points of resonance and divergence to examine how disciplinary metaphors materialize specific bodies, and where these bodies break down and/or refuse prescribed paths. Whereas postmodern theorizations of the body often neglect its corporeality in favor of its cultural construction, this book demonstrates the inseparability of textuality, materiality, and history in any discussion of the body.




Born Different


Book Description

Contains brief biographies of Tom Thumb; Robert Wadlow, a giant; Chang and Eng, Siamese twins; Joseph Merrick, Julia Pastrana, and Herrmann Unthan.




Ugliness


Book Description

"'Ugly as sin', 'ugly duckling', 'rear its ugly head'. The word 'ugly' is used freely, yet it is a loaded term: from the simply plain and unsightly to the repulsive and even offensive, definitions slide all over the place. Hovering around 'feared and dreaded', ugliness both repels and fascinates. But the concept of ugliness has a lineage that has long haunted our cultural imagination. Gretchen E. Henderson explores perceptions of ugliness through history, from ancient Roman feasts to medieval grotesque gargoyles, from Mary Shelley's monster cobbled from corpses to the Nazi Exhibition of Degenerate Art. Covering literature, art, music and even Ugly dolls, Henderson reveals how ugliness has long posed a challenge to aesthetics and taste. Henderson digs into the muck of ugliness, moving beyond the traditional philosophic argument or mere opposition to beauty, and emerges with more than a selection of fascinating tidbits. Following ugly bodies and dismantling ugly senses across periods and continents, [this book] draws on a wealth of fields to cross cultures and times, delineating the changing map of ugliness as it charges the public imagination. Illustrated with a range of artefacts, this book offers a refreshing perspective that moves beyond the surface to ask what 'ugly' truly is, even as its meaning continues to shift"--




Popular Exhibitions, Science and Showmanship, 1840–1910


Book Description

Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.