Race Man


Book Description

Newsweek, Lit Hub, The Philadelphia Inquirer, and The Atlanta Journal Constitution pick Race Man by Julian Bond as one of their Most-Anticipated Books of 2020! "This compilation of works by social activist and civil rights leader Julian Bond should be required reading in 2020."—Juliana Rose Pignataro, Newsweek "Bond's essays, speeches and interviews were powerful weapons in his lifelong fight for civil rights."—The New York Times "Justice and equality was the mission that spanned his life. Julian Bond helped change this country for the better. And what better way to be remembered than that."—President Barack Obama An inspiring, historic collection of writings from one of America's most important civil rights leaders. No one in the United States did more to advance the legacy of Martin Luther King Jr. than Julian Bond. Race Man—a collection of his speeches, articles, interviews, and letters—constitutes an unrivaled history of the life and times of one of America’s most trusted freedom fighters, offering unfiltered access to his prophetic voice on a wide variety of social issues, including police brutality, abortion, and same-sex marriage. A man who broke race barriers and set precedents throughout his life in politics; co-founder of the Southern Poverty Law Center and long-time chair of the NAACP; Julian Bond was a leader and a visionary who built bridges between the black civil rights movement and other freedom movements—especially for LGBTQ and women's rights. As we enter the third decade of the twenty-first century, there is no better time to return to Bond's works and words, many of them published here for the first time. "Endlessly grateful for this collection of work that shows the expansive nature of Julian Bond's ideas of black liberation, and how those ideas are woven into the fabric of both resistance and uplift. Race Man is the map of a journey that was not only struggle and not only triumph."—Hanif Abdurraqib, author of They Can't Kill Us Until They Kill Us: Essays "Race Man is the essential collection of Julian Bond's wisdom—and required reading for the organizers and leaders who follow in his footsteps today."—Marian Wright Edelman, President Emerita, Children's Defense Fund "Race Man is a staggering collection that offers a genealogy of Bond's freedom-oriented politics and soul work as captured in his written words. Race Man is a book that looks back and speaks forward. It is a timely example of what movement building can look like when servant leaders refuse to leave the most vulnerable out of their visions for Black freedom. We need that reminder, like never before, today."—Darnell L. Moore, author of No Ashes in the Fire: Coming of Age Black & Free in America " [An] essential volume that will appeal to a broad audience of readers interested in the civil rights movement and human rights overall . . ."—Library Journal, Starred Review "Bond's years as an activist also offer a guide through the intellectual and political history of the left in the second half of the 20th century . . . Bond's essays capture the intellectual world that inspired him and that he helped inspire in turn."—Robert Greene II, The Nation




I Must Resist


Book Description

BAYARD RUSTIN POSTHUMOUSLY AWARDED THE 2013 PRESIDENTIAL MEDAL OF FREEDOM A master strategist and tireless activist, Bayard Rustin is best remembered as the organizer of the 1963 March on Washington, one of the largest nonviolent protests ever held in the United States. He brought Gandhi's protest techniques to the American civil rights movement and played a deeply influential role in the life of Martin Luther King, Jr., helping to mold him into an international symbol of nonviolence. Despite these achievements, Rustin often remained in the background. He was silenced, threatened, arrested, beaten, imprisoned and fired from important leadership positions, largely because he was an openly gay man in a fiercely homophobic era. Here we have Rustin in his own words in a collection of over 150 of his eloquent, impassioned letters; his correspondents include the major progressives of his day—including Eleanor Holmes Norton, A. Philip Randolph, Roy Wilkins, Ella Baker and, of course, Martin Luther King, Jr. Bayard Rustin's ability to chart the path "from protest to politics" is both timely and deeply informative. Here, at last, is direct access to the strategic thinking and tactical planning that led to the successes of one of America's most transformative and historic social movements. "Rustin was a life-long agitator for justice. He changed America—and the world—for the better. This collection of his letters makes his life and his passions come vividly alive, and helps restore him to history, a century after this birth. I Must Resist makes for inspiring reading."—John D'Emilio, author of Lost Prophet: The Life and Times of Bayard Rustin "A vital addition to the history of the civil rights movement by an exceptionally determined, vital and creative force who was invaluable to Martin Luther King, Jr., and A. Philip Randolph among many others."—Nat Hentoff "Bayard Rustin's courageously candid letters, most of which have never before been available to researchers, provide fascinating glimpses into the private life of one of history's most reticent public figures."—Clayborne Carson, Founding Director of the Martin Luther King, Jr., Research and Education Institute at Stanford University "These letters—poetic, incisive, passionate, and above all political in the broadest meaning of the word—span almost four decades not only of Bayard Rustin's life but of the emotional and spiritual life of America. There is hardly a social justice movement during this time in which Rustin was not involved from pacifism to ending poverty to battles for sexual freedom. Michael Long's brilliant editing has created a compelling historical narrative and reading these letters is to be witness to the ever-evolving conscience that guides our country's endangered, but surviving, commitment to freedom."—Michael Bronksi, author of A Queer History of the United States "Bayard Rustin was a committed but very complicated person. This marvelously annotated collection of letters explain the spirit, and evolution of the thoughts and actions of an often overlooked key figure in the 20th century civil and human rights movement."—Mary Frances Berry, Geraldine Segal Professor of American Social Thought, University of Pennsylvania, and former Chair United States Commission on Civil Rights "All aspects of Rustin's experiences are captured in these letters, including his struggles with opponents dedicated to silencing him as an international symbol of nonviolent protests against racial injustice. This remarkable and deeply moving publication is a must-read."—William Julius Wilson, Lewis P. and Linda L. Geyser University Professor, Harvard University




Lift Every Voice and Sing


Book Description

"A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln's birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercise. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us and the song was taught to and sung by a chorus of five hundred colored school children. "Shortly afterwards my brother and I moved from Jacksonville to New York, and the song passed out of our minds. But the school children of Jacksonville kept singing it, they went off to other schools and sang it, they became teachers and taught it to other children. Within twenty years it was being sung over the South and in some other parts of the country. Today, the song, popularly known as the Negro National Hymn, is quite generally used. "The lines of this song repay me in elation, almost of exquisite anguish, whenever I hear them sung by Negro children." —James Weldon Johnson, 1935 Pasted into Bibles, schoolbooks, and hearts, "Lift Every Voice and Sing," written by J. Rosamond Johnson and James Weldon Johnson in 1900, has become one of the most beloved songs in the African American community—taught for years in schools, churches, and civic organizations. Adopted by the NAACP as its official song in the 1920s and sung throughout the civil rights movement, it is still heard today at gatherings across America. James Weldon Johnson's lyrics pay homage to a history of struggle but never waver from a sense of optimism for the future—"facing the rising sun of our new day begun, let us march on till victory is won." Its message of hope and strength has made "Lift Every Voice and Sing" a source of inspiration for generations. In celebration of the song's centennial, Julian Bond and Sondra Kathryn Wilson have collected one hundred essays by artists, educators, politicians, and activists reflecting on their personal experiences with the song. Also featuring photos from historical archives, Lift Every Voice and Sing is a moving illustration of the African American experience in the past century. With contributors including John Hope Franklin, Jesse Jackson, Maya Angelou, Norman Lear, Maxine Waters, and Percy Sutton, this volume is a personal tribute to the enduring power of an anthem. "Lift Every Voice and Sing" has touched the hearts of many who have heard it because its true aim, as Harry Belafonte explains, "isn't just to show life as it is but to show life as it should be."




Eyes on the Prize


Book Description

Eyes on the Prize traces the movement from the landmark Brown v. the Board of Education case in 1954 to the march on Selma and the passage of the Voting Rights Act in 1965. This is a companion volume to the first part of the acclaimed PBS series.




This Light of Ours


Book Description

This Light of Ours: Activist Photographers of the Civil Rights Movement is a paradigm-shifting publication that presents the Civil Rights Movement through the work of nine photographers who participated in the movement as activists with SNCC, SCLC, and CORE. Unlike images produced by photojournalists, who covered breaking news events, these photographers lived within the movement—primarily within the Student Nonviolent Coordinating Committee (SNCC) framework—and documented its activities by focusing on the student activists and local people who together made it happen. The core of the book is a selection of 150 black-and-white photographs, representing the work of photographers Bob Adelman, George Ballis, Bob Fitch, Bob Fletcher, Matt Herron, David Prince, Herbert Randall, Maria Varela, and Tamio Wakayama. Images are grouped around four movement themes and convey SNCC's organizing strategies, resolve in the face of violence, impact on local and national politics, and influence on the nation's consciousness. The photographs and texts of This Light of Ours remind us that the movement was a battleground, that the battle was successfully fought by thousands of “ordinary” Americans among whom were the nation's courageous youth, and that the movement's moral vision and impact continue to shape our lives.




Undaunted by the Fight


Book Description

Undaunted by the Fight is a study of small but dedicated, group of Spelman College students and faculty who, between 1957 and 1967 risked their lives, compromised their grades, and jeopardized their careers to make Atlanta and the South a more just and open society. Lefever argues that the participation of Spelman's students and faculty in the Civil Rights Movement represented both a continuity and a break with the institution's earlier history. On the one hand their actions were consistent with Spelman's long history of liberal arts and community service; yet, on the other hand; as his research documents; their actions represented a break with Spelman's traditional non-political stance and challenged the assumption that social changes should occur only gradually and within established legal institutions. For the first time in the eighty-plus years of Spelman's existence, the students and faculty who participated in the Movement took actions that directly challenged the injustices of the social and political status quo. Too often in the past the Movement literature, including the literature on the Atlanta Movement focused disproportionately on the males involved to the exclusion of the women who were equally involved, and; who, in many instances, initiated actions and provided leadership for the Movement. Lefever concludes his study by saying that Spelman's activist students and faculty succeeded to the extent they did because they kept their eyes on the prize. They endured the struggle; he says; and, in so doing; eventually won many prizes -- some personal, others social. Undaunted; they liberated themselves, but at the same time they liberated their school, their city and the larger society.




Ruby (Oprah's Book Club 2.0)


Book Description

A New York Times bestseller and Oprah Book Club 2.0 selection, the epic, unforgettable story of a man determined to protect the woman he loves from the town desperate to destroy her. This beautiful and devastating debut heralds the arrival of a major new voice in fiction. Ephram Jennings has never forgotten the beautiful girl with the long braids running through the piney woods of Liberty, their small East Texas town. Young Ruby Bell, “the kind of pretty it hurt to look at,” has suffered beyond imagining, so as soon as she can, she flees suffocating Liberty for the bright pull of 1950s New York. Ruby quickly winds her way into the ripe center of the city—the darkened piano bars and hidden alleyways of the Village—all the while hoping for a glimpse of the red hair and green eyes of her mother. When a telegram from her cousin forces her to return home, thirty-year-old Ruby finds herself reliving the devastating violence of her girlhood. With the terrifying realization that she might not be strong enough to fight her way back out again, Ruby struggles to survive her memories of the town’s dark past. Meanwhile, Ephram must choose between loyalty to the sister who raised him and the chance for a life with the woman he has loved since he was a boy. Full of life, exquisitely written, and suffused with the pastoral beauty of the rural South, Ruby is a transcendent novel of passion and courage. This wondrous page-turner rushes through the red dust and gossip of Main Street, to the pit fire where men swill bootleg outside Bloom’s Juke, to Celia Jennings’s kitchen, where a cake is being made, yolk by yolk, that Ephram will use to try to begin again with Ruby. Utterly transfixing, with unforgettable characters, riveting suspense, and breathtaking, luminous prose, Ruby offers an unflinching portrait of man’s dark acts and the promise of the redemptive power of love. Ruby was a finalist for the PEN America Robert Bingham Debut Novel Award, a Barnes & Noble Discover Great New Writers selection, and an Indie Next Pick.




A More Beautiful and Terrible History


Book Description

Praised by The New York Times; O, The Oprah Magazine; Bitch Magazine; Slate; Publishers Weekly; and more, this is “a bracing corrective to a national mythology” (New York Times) around the civil rights movement. The civil rights movement has become national legend, lauded by presidents from Reagan to Obama to Trump, as proof of the power of American democracy. This fable, featuring dreamy heroes and accidental heroines, has shuttered the movement firmly in the past, whitewashed the forces that stood in its way, and diminished its scope. And it is used perniciously in our own times to chastise present-day movements and obscure contemporary injustice. In A More Beautiful and Terrible History award-winning historian Jeanne Theoharis dissects this national myth-making, teasing apart the accepted stories to show them in a strikingly different light. We see Rosa Parks not simply as a bus lady but a lifelong criminal justice activist and radical; Martin Luther King, Jr. as not only challenging Southern sheriffs but Northern liberals, too; and Coretta Scott King not only as a “helpmate” but a lifelong economic justice and peace activist who pushed her husband’s activism in these directions. Moving from “the histories we get” to “the histories we need,” Theoharis challenges nine key aspects of the fable to reveal the diversity of people, especially women and young people, who led the movement; the work and disruption it took; the role of the media and “polite racism” in maintaining injustice; and the immense barriers and repression activists faced. Theoharis makes us reckon with the fact that far from being acceptable, passive or unified, the civil rights movement was unpopular, disruptive, and courageously persevering. Activists embraced an expansive vision of justice—which a majority of Americans opposed and which the federal government feared. By showing us the complex reality of the movement, the power of its organizing, and the beauty and scope of the vision, Theoharis proves that there was nothing natural or inevitable about the progress that occurred. A More Beautiful and Terrible History will change our historical frame, revealing the richness of our civil rights legacy, the uncomfortable mirror it holds to the nation, and the crucial work that remains to be done. Winner of the 2018 Brooklyn Public Library Literary Prize in Nonfiction




A Time to Speak, a Time to Act


Book Description




Civil Rights History from the Ground Up


Book Description

After decades of scholarship on the civil rights movement at the local level, the insights of bottom-up movement history remain essentially invisible in the accepted narrative of the movement and peripheral to debates on how to research, document, and teach about the movement. This collection of original works refocuses attention on this bottom-up history and compels a rethinking of what and who we think is central to the movement. The essays examine such locales as Sunflower County, Mississippi; Memphis, Tennessee; and Wilson, North Carolina; and engage such issues as nonviolence and self-defense, the implications of focusing on women in the movement, and struggles for freedom beyond voting rights and school desegregation. Events and incidents discussed range from the movement's heyday to the present and include the Poor People's Campaign mule train to Washington, D.C., the popular response to the deaths of Rosa Parks and Coretta Scott King, and political cartoons addressing Barack Obama's presidential campaign. The kinds of scholarship represented here--which draw on oral history and activist insights (along with traditional sources) and which bring the specificity of time and place into dialogue with broad themes and a national context--are crucial as we continue to foster scholarly debates, evaluate newer conceptual frameworks, and replace the superficial narrative that persists in the popular imagination.