Jumbo's Keeper


Book Description

Much has been written about the great elephant Jumbo, P.T. Barnum's centerpiece from 1882 until the animal's tragic death in 1885. But what could be more authoritative than that penned here by Jumbo's longtime keeper Matthew Scott? This autobiography of Jumbo's keeper and biography of the most famous pachyderm of all was published in 1885, the same year of that elephant's death. Handier than the free PDFs on the web, this you can hold, bookmark, highlight and shelve. An inexpensive imperative for any history buff. With additional illustrations.




Autobiography of Matthew Scott, Jumbo’s Keeper


Book Description

Reproduction of the original: Autobiography of Matthew Scott, Jumbo’s Keeper by Matthew Scott







Jumbo


Book Description

Born in 1861 in French Sudan, imported to Paris as a two year old calf, then later sold to the London Zoo at Regent's Park, Jumbo the elephant delighted countless children (including Winston Churchill and Theodore Roosevelt) with rides and treats gently taken from outstretched hands. Each night, after the children and their families had gone home, he was mistreated in an attempt to keep him docile. By the time he reached sexual maturity, the abused and isolated animal had become dangerously unstable. He was sold to showman P.T. Barnum in 1881 (despite letters from 100,000 British schoolchildren who wrote to Queen Victoria begging her to prevent the sale) and brought to America. There, in the company of other elephants and amid greater physical freedom, Jumbo stabilized and went on to become one of the most lucrative circus acts of all time - as well as the most beloved. The world mourned when his life ended in 1885, with a storied (and most likely embellished) act of animal heroism. Jumbo reportedly rushed in front of an oncoming train in an effort to save a smaller elephant – his companion "Tom Thumb" – then perished while reaching his trunk out toward his longtime handler Matthew Scott – whose intense connection with the pachyderm spawned legends of its own. Integrating the history of elephants in captivity along with the details of Jumbo's celebrity life, dramatic death, and lasting cultural legacy, John Sutherland has written the first comprehensive "biography" of this incredible animal - one whose name has given us one of our most common and hyperbolic adjectives.




Mrs. Brown on Jumbo


Book Description

Reprint of the original, first published in 1882.




Jumbo


Book Description

Jumbo was a superstar of the Victorian era. Every day tens of thousands of people would visit this adored animal known as “the Children’s Pet” or, more simply, “the Giant Elephant,” at the London Zoo. When P.T. Barnum purchased him for his Greatest Show on Earth, Jumbo’s transport to the U.S. made headlines for weeks, and he was an instant sensation in America. His name entered our lexicon as an adjective for oversized things, and half a century after his death his still-famous and unrivalled popularity was the inspiration for Walt Disney’s Dumbo. But fame comes at a price and, like so many modern celebrities, Jumbo led a troubled private life that was far from idyllic. His best friend – a zookeeper named Matthew Scott, who remained by Jumbo’s side in Britain and the United States for twenty years – was moody and manipulative, and Jumbo himself attracted rumors of violent tantrums, a fondness for drink, and of a “wife” he left behind in order to make it big in America. From an eyewitness account of Jumbo’s capture in Africa after ivory hunters had killed his parents, to his early years at the Paris zoo where he was mistreated and regarded as a disappointing runt, to his stunning growth spurt in London where he became the largest elephant in captivity, to the “Jumbo craze” that swept across Britain and the United States, Paul Chambers utilizes new archival material in fully telling Jumbo’s story for the first time.




M.A.B.


Book Description




Jumbos and Jumping Devils


Book Description

Jumbos and Jumping Devils is a pioneering exploration of the social history of circus in India over the last 150 years. It presents a wide variety of amazing tales ranging from the blooming and evolution of circus acrobatics in early twentieth-century Malabar to the sensational legal battles following the ban of wild animals and children from the circus ring in the twenty-first century. Alongside extensive fieldwork and interviews, the author has used memorabilia including photographs, notices, posters, letters, diaries, unpublished autobiographies, private papers, and recollections of the circus community to chronicle the hitherto untold story of the Indian circus. The book paves the way for a new sociocultural analysis of performance genres and popular culture in the subcontinent against several overlapping contexts. These include the remaking of caste and gender identities, transformation of physical cultures and bodies, interventions of the colonial and postcolonial states, and emergence of new transregional and transnational spaces.