Kafka's Last Trial


Book Description

When Franz Kafka died in 1924, his loyal friend and champion Max Brod could not bring himself to fulfil Kafka's last instruction: to burn his remaining manuscripts. Instead, Brod devoted the rest of his life to canonizing Kafka as the most prescient chronicler of the twentieth century. By betraying Kafka's last wish, Brod twice rescued his legacy - first from physical destruction, and then from obscurity. But that betrayal also led to an international legal battle over which country could lay claim to Kafka's legacy: Germany, where Kafka's own sister perished in the Holocaust and where he would have suffered a similar fate had he remained, or Israel? At once a brilliant biographical portrait of Kafka and Brod and the influential group of writers and intellectuals known as the Prague Circle, Kafka's Last Trial offers a gripping account of the controversial trial in Israeli courts - brimming with dilemmas legal, ethical, and political - that determined the fate of the manuscripts Brod had rescued when he fled with Kafka's papers at the last possible moment from Prague to Palestine in 1939. It describes a wrenching escape from Nazi invaders as the gates of Europe closed; of a love affair between exiles stranded in Tel Aviv; and two countries whose national obsessions with overcoming the traumas of the past came to a head in a fascinating and hotly contested trial. Ultimately, Benjamin Balint invites us to question: who owns a literary legacy - the country of one's language and birth or of one's cultural and religious affinities - and what nation can claim a right to it.




Kafka's Last Trial


Book Description

'Fascinating and forensically scrupulous.' John Banville, Guardian When Franz Kafka died in 1924, his loyal champion Max Brod could not bring himself to fulfil his friend’s last instruction: to burn his remaining manuscripts. Instead, Brod devoted the rest of his life to editing, publishing and canonizing Kafka’s work. By betraying his friend’s last wish, Brod twice rescued his legacy – first from physical destruction, and then from obscurity. But that betrayal was also eventually to lead to an international legal battle: as a writer in German, should Kafka’s papers come to rest in Germany, where his three sisters died as victims of the Holocaust? Or, as a Jewish writer, should his work be considered as a cultural inheritance of Israel, a state that did not exist at the time of his death? Alongside an acutely observed portrait of Kafka, Benjamin Balint also traces the journey of the manuscripts Brod had rescued when he fled from Prague to Palestine in 1939 and offers a gripping account of the Israeli court case that determined their fate. He tells of a wrenching escape from the Nazi invaders of Czechoslovakia; of a love affair between exiles stranded in Tel Aviv; and of two countries whose national obsessions with the past eventually faced off in the courts. For fans of Philippe Sands' East West Street, in Kafka’s Last Trial Benjamin Balint invites us to consider Kafka’s remarkable legacy and to question whether that legacy belongs by right to the country of his language, that of his birth, or that of his cultural affinities – but also whether any nation state can lay claim to ownership of a writer’s work at all.




Kafka's Last Trial


Book Description

'A highly entertaining story of literary friendship, epic legal battles and cultural politics centred on one of the most enigmatic writers of the 20th century' Financial Times When Franz Kafka died in 1924, his friend Max Brod could not bring himself to fulfil the writer’s last instruction: to burn his remaining manuscripts. Instead, Brod took them with him to Palestine in 1939, and devoted the rest of his life to editing and canonizing Kafka’s work. By betraying his last wish, Brod twice rescued his legacy – first from physical destruction, and then from obscurity. In Kafka’s Last Trial, Benjamin Balint offers a gripping account of the contest for ownership that followed, ending in Israeli courts with a controversial trial – brimming with legal, ethical, and political dilemmas – that would determine the fate of Kafka’s manuscripts. This is at once a biographical portrait of a literary genius, and the story of two countries whose national obsessions with overcoming the traumas of the past came to a head in a hotly contested trial for the right to claim the literary legacy of one of our modern masters.




The Trial (Legend Classics)


Book Description

Part of the Legend Classics series It's only because of their stupidity that they're able to be so sure of themselves. A novel of such ambiguity will inevitably lend itself to a diversity of interpretation, but in The Trial you can at least be sure to find every element of storytelling now defined as Kafkaesque. Josef K., our protagonist, is unexpectedly arrested on the morning of his thirtieth birthday. The agents who arrest him are unidentified, the agency they work for is unspecified, and the crime for which he has been accused is unknown. When he is released, shortly after, he is told to await further instruction. So begins the manic and emotionless trial of a man beholden to the whims of an unknown force, and his painstaking attempts to find a way out of this existential maze. The Trial brings into focus the absurdity of life, our universal fear of judgement, and one ultimate question: how much of this endless maze will you explore before you accept the fate life has bestowed upon you? The Legend Classics series: Around the World in Eighty Days The Adventures of Huckleberry Finn The Importance of Being Earnest Alice's Adventures in Wonderland The Metamorphosis The Railway Children The Hound of the Baskervilles Frankenstein Wuthering Heights Three Men in a Boat The Time Machine Little Women Anne of Green Gables The Jungle Book The Yellow Wallpaper and Other Stories Dracula A Study in Scarlet Leaves of Grass The Secret Garden The War of the Worlds A Christmas Carol Strange Case of Dr Jekyll and Mr Hyde Heart of Darkness The Scarlet Letter This Side of Paradise Oliver Twist The Picture of Dorian Gray Treasure Island The Turn of the Screw The Adventures of Tom Sawyer Emma The Trial A Selection of Short Stories by Edgar Allan Poe Grimm Fairy Tales




Kafka's Last Trial: The Case of a Literary Legacy


Book Description

The story of the international struggle to preserve Kafka’s literary legacy. Kafka’s Last Trial begins with Kafka’s last instruction to his closest friend, Max Brod: to destroy all his remaining papers upon his death. But when the moment arrived in 1924, Brod could not bring himself to burn the unpublished works of the man he considered a literary genius—even a saint. Instead, Brod devoted his life to championing Kafka’s writing, rescuing his legacy from obscurity and physical destruction. The story of Kafka’s posthumous life is itself Kafkaesque. By the time of Brod’s own death in Tel Aviv in 1968, Kafka’s major works had been published, transforming the once little-known writer into a pillar of literary modernism. Yet Brod left a wealth of still-unpublished papers to his secretary, who sold some, held on to the rest, and then passed the bulk of them on to her daughters, who in turn refused to release them. An international legal battle erupted to determine which country could claim ownership of Kafka’s work: Israel, where Kafka dreamed of living but never entered, or Germany, where Kafka’s three sisters perished in the Holocaust? Benjamin Balint offers a gripping account of the controversial trial in Israeli courts—brimming with dilemmas legal, ethical, and political—that determined the fate of Kafka’s manuscripts. Deeply informed, with sharply drawn portraits and a remarkable ability to evoke a time and place, Kafka’s Last Trial is at once a brilliant biographical portrait of a literary genius, and the story of two countries whose national obsessions with overcoming the traumas of the past came to a head in a hotly contested trial for the right to claim the literary legacy of one of our modern masters.




Kafka's the Trial


Book Description

Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity (whether about himself, or the anonymous system he is facing), only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique.




The Trial / Der Proceß


Book Description

This edition contains the English translation and the original text in German. "The Trial" (original German title: "Der Process", later "Der Prozess", "Der Proceß" and "Der Prozeß") is a novel written by Franz Kafka in 1914 and 1915 but not published until 1925. One of Kafka's best-known works, it tells the story of a man arrested and prosecuted by a remote, inaccessible authority, with the nature of his crime revealed neither to him nor the reader. Like Kafka's other novels, "The Trial" was never completed, although it does include a chapter which brings the story to an end. Because of this, there are some inconsistencies and discontinuities in narration within the novel, such as disparities in timing. After Kafka's death in 1924 his friend and literary executor Max Brod edited the text for publication by Verlag Die Schmiede. The original manuscript is held at the Museum of Modern Literature, Marbach am Neckar, Germany. In 1999, the book was listed in "Le Monde"'s 100 Books of the Century and as No. 2 of the Best German Novels of the Twentieth Century. "Der Process" (auch "Der Prozeß" oder "Der Proceß", Titel der Erstausgabe: "Der Prozess") ist neben "Der Verschollene" (auch unter dem Titel "Amerika" bekannt) und "Das Schloss" einer von drei unvollendeten und postum erschienenen Romanen von Franz Kafka.




Franz Kafka


Book Description

In Stanley Corngold’s view, the themes and strategies of Kafka’s fiction are generated by a tension between his concern for writing and his growing sense of its arbitrary character. Analyzing Kafka’s work in light of "the necessity of form," which is also a merely formal necessity, Corngold uncovers the fundamental paradox of Kafka’s art and life. The first section of the book shows how Kafka’s rhetoric may be understood as the daring project of a man compelled to live his life as literature. In the central part of the book, Corngold reflects on the place of Kafka within the modern tradition, discussing such influential precursors of Cervantes, Flaubert, and Nietzsche, whose works display a comparable narrative disruption. Kafka’s distinctive narrative strategies, Corngold points out, demand interpretation at the same time they resist it. Critics of Kafka, he says, must be aware that their approaches are guided by the principles that Kafka’s fiction identifies, dramatizes, and rejects.




Running Commentary


Book Description

In the years of cultural and political ferment following World War II, a new generation of Jewish- American writers and thinkers arose to make an indelible mark on American culture. Commentary was their magazine; the place where they and other politically sympathetic intellectuals -- Hannah Arendt, Saul Bellow, Lionel Trilling, Alfred Kazin, James Baldwin, Bernard Malamud, Philip Roth, Cynthia Ozick and many others -- shared new work, explored ideas, and argued with each other. Founded by the offspring of immigrants, Commentary began life as a voice for the marginalized and a feisty advocate for civil rights and economic justice. But just as American culture moved in its direction, it began -- inexplicably to some -- to veer right, becoming the voice of neoconservativism and defender of the powerful. This lively history, based on unprecedented access to the magazine's archives and dozens of original interviews, provocatively explains that shift while recreating the atmosphere of some of the most exciting decades in American intellectual life.




The Trial ; America ; The Castle ; Metamorphosis ; In the Penal Settlement ; The Great Wall of China ; Investigations of a Dog ; Letter to His Father ; The Diaries, 1910-23


Book Description

This volume contains the great works of fiction as well as the complete diaries and thus gives the reader considrable insight into the mind of this strange and powerful man.