Art Forms in the Plant World


Book Description

Originally intended as reference for his work as architect, sculptor, and teacher, Blossfeldt's exquisite sharp-focus photo studies of plant form — leaves, buds, stems, seed pods, tendrils and twigs — won acclaim with publication of the 1928 edition of this book. 120 full-page black-and-white plates. Original introduction. Publisher's Note. Captions.




Art Forms in Nature


Book Description

Karl Blossfeldt (1865-1932) photographed thousands of plants; these are almost never seen from above, but rather from the side, and against a neutral background. This book featuers these images of plants.




Natural Art Forms


Book Description

Unique, dramatic images of seed pods, buds, stems, and other botanical items appear in this remarkable collection. Excellent source of royalty-free pictures and design ideas for artists, craftspeople. 120 full-page black-and-white plates.




Karl Blossfeldt: Variations


Book Description

How Karl Blossfeldt's plant photographs were disseminated in the popular media of the time, from pattern books to magazine spreads In the 1890s, the Berlin artist, sculptor and teacher Karl Blossfeldt (1865-1932) started to photograph plants, seeds and other illustrative material from nature for the purpose of teaching his students about the patterns and designs found in natural forms. His close-ups of the smallest plant parts, magnified up to 30 times their natural size, startle us as they dramatically highlight the geometrical and sculptural properties of plants. Published in 1928, his first collection of photographs, Urformen der Kunst (later translated into English as Art Forms in Nature) became an international bestseller and remains one of the most significant photobooks of the 20th century. Karl Blossfeldt: Variations is the first monograph to examine the reception of Blossfeldt's work. Drawing on unpublished materials, it analyzes the photographs' replication in teaching materials, pattern books, art books and in the pages of the illustrated press. The six sections of the book trace the paths that Blossfeldt's legendary plant motifs took in their incarnations as specimens, illustrations, patterns, analogues, models and abstractions from 1890 to 1945. Thematic contemporary appraisals illustrating the rediscovery of Blossfeldt's motifs in design and architecture over the past 20 years complement this new perspective on the beloved German photographer.




Vintage Art: Karl Blossfeldt 20 Botanical Photography Prints


Book Description

Vintage Art: 20 Botanical Photography Prints features a collection of curated macrophotography by Karl Blossfeldt, a self taught German photographer (1865-1932). This book highlights some of the beautiful photography from Blossfeldt's book Urformen der Kunst (Archetypes of Art) (1928). He photographed an array of plants, flowers, leaves, and seeds in close detail, by magnifying them several times thus producing images that captured the realism of nature. The prints are one sided and can be removed from the book by either using a box cutter or scissors, the illustrations are ideal for either framing or art and craft projects.




Karl Blossfeldt


Book Description

The iconic German photographer Karl Blossfeldt's stunning plant photography is presented here for the first time in an English language edition with beautifully printed duotones that do justice to the work of this turn of the century master. A truly stunning and important book.




The City is a Novel


Book Description

Alexey Titarenko: The city Is a novel' is the first major monograph devoted to over 20 years of the artist's distinguished career (1991-2014). The book features his autobiographical novel "City of Shadows" and a poetic visual narrative of more than 140 photographs focused on four cities: Saint Petersburg, Venice, Havana, and New York. Insightful essays about Titarenko's work are contributed by Gabriel Bauret, photography historian, critic and curator, Paris; Brett Abbott, Curator of Photography, High Museum of Art, Atlanta; and Sean Corcoran, Curator of Prints and Photographs, Museum of the City of New York.




Karl Gerstner


Book Description

In The Dysfunction of Ritual in Early Confucianism Michael Ing describes how early Confucians coped with situations where their rituals failed to achieve their intended aims. In contrast to most contemporary interpreters of Confucianism, Ing demonstrates that early Confucian texts can be read as arguments for ambiguity in ritual failure. If, as discussed in one text, Confucius builds a tomb for his parents unlike the tombs of antiquity, and rains fall causing the tomb to collapse, it is not immediately clear whether this failure was the result of random misfortune or the result of Confucius straying from the ritual script by building a tomb incongruent with those of antiquity. The Liji (Record of Ritual)--one of the most significant, yet least studied, texts of Confucianism--poses many of these situations and suggests that the line between preventable and unpreventable failures of ritual is not always clear. Ritual performance, in this view, is a performance of risk. It entails rendering oneself vulnerable to the agency of others; and resigning oneself to the need to vary from the successful rituals of past, thereby moving into untested and uncertain territory. Ing's book is the first monograph in English about the Liji--a text that purports to be the writings of Confucius's immediate disciples, and included in the earliest canon of Confucian texts called ''The Five Classics,'' several centuries before the Analects. It challenges some common assumptions of contemporary interpreters of Confucian ethics--in particular the idea that a cultivated ritual agent is able to recognize which failures are within his sphere of control to prevent and thereby render his happiness invulnerable to ritual failure.




Vintage Art


Book Description

Vintage Art: 20 Botanical Photography Prints features a collection of curated macrophotography by Karl Blossfeldt, a self-taught German photographer (1865-1932). This book highlights some of the beautiful photography from Blossfeldt's book Urformen der Kunst (Archetypes of Art) (1928). He photographed an array of plants, flowers, leaves, and seeds in close detail, by magnifying them several times thus producing images that captured the realism of nature. The prints are one-sided and can be removed from the book by either using a box cutter or scissors, the illustrations are ideal for either framing or art and craft projects.




Realism


Book Description

Each book in Taschen's Basic Art movement and genre series includes a detailed introduction with approximately 30 photographs, plus a timeline of the most important events (political, cultural, scientific, sporting, etc.) that took place during the time period.