Katachi U Symmetry


Book Description

In Japanese culture the concept of katachi has special significance, connoting relationships and connectedness. Although katachi cannot be translated precisely, it corresponds most closely to "form," "shape," "pattern," or "Gestalt". The contemporary study of katachi is interdisciplinary and encompasses virtually all scientific and aesthetic endeavors. Katachi research seeks to bridge the gap between cultures - whether the "two cultures" of C.P. Snow or the contrasting cultures of East and West. To help achieve this aim and to foster international cooperation, the interdisciplinary symposium titled "Katachi "U" Symmetry" was convened in Tsukuba, Japan, November 21 - 25, 1994. With many participants from differing backgrounds and cultural perspectives, the symposium was the culmination of 15 years of work in the field. Like-minded researchers and philosophers came together from two movements in interdisciplinary studies of katachi and symmetry that arose in the 1980s, one in Japan, the other in Hungary. The proceedings of the symposium will stimulate and provoke the interest of scientists and mathematicians, engineers and architects, philosophers and semioticians - indeed, all those with a lively sense of curiosity and a wide-ranging intellect




Katachi ? Symmetry


Book Description

In Japanese culture the concept of katachi has special significance, connoting relationships and connectedness. Although katachi cannot be translated precisely, it corresponds most closely to "form," "shape," "pattern," or "Gestalt". The contemporary study of katachi is interdisciplinary and encompasses virtually all scientific and aesthetic endeavors. Katachi research seeks to bridge the gap between cultures - whether the "two cultures" of C.P. Snow or the contrasting cultures of East and West. To help achieve this aim and to foster international cooperation, the interdisciplinary symposium titled "Katachi "U" Symmetry" was convened in Tsukuba, Japan, November 21 - 25, 1994. With many participants from differing backgrounds and cultural perspectives, the symposium was the culmination of 15 years of work in the field. Like-minded researchers and philosophers came together from two movements in interdisciplinary studies of katachi and symmetry that arose in the 1980s, one in Japan, the other in Hungary. The proceedings of the symposium will stimulate and provoke the interest of scientists and mathematicians, engineers and architects, philosophers and semioticians - indeed, all those with a lively sense of curiosity and a wide-ranging intellect.




Symmetry


Book Description

The first comprehensive book on the topic in half a century explores recent symmetry – and symmetry breaking – related discoveries, and discusses the questions and answers they raise in diverse disciplines: particle and high-energy physics, structural chemistry and the biochemistry of proteins, in genetic code study, in brain research, and also in architectural structures, and business decision making, to mention only a few examples.




Katachi ? Symmetry


Book Description

In Japanese culture the concept of katachi has special significance, connoting relationships and connectedness. Although katachi cannot be translated precisely, it corresponds most closely to "form," "shape," "pattern," or "Gestalt". The contemporary study of katachi is interdisciplinary and encompasses virtually all scientific and aesthetic endeavors. Katachi research seeks to bridge the gap between cultures - whether the "two cultures" of C.P. Snow or the contrasting cultures of East and West. To help achieve this aim and to foster international cooperation, the interdisciplinary symposium titled "Katachi "U" Symmetry" was convened in Tsukuba, Japan, November 21 - 25, 1994. With many participants from differing backgrounds and cultural perspectives, the symposium was the culmination of 15 years of work in the field. Like-minded researchers and philosophers came together from two movements in interdisciplinary studies of katachi and symmetry that arose in the 1980s, one in Japan, the other in Hungary. The proceedings of the symposium will stimulate and provoke the interest of scientists and mathematicians, engineers and architects, philosophers and semioticians - indeed, all those with a lively sense of curiosity and a wide-ranging intellect.




Symmetry, Ornament and Modularity


Book Description

This book discusses the origins of ornamental art -- illustrated by the oldest examples, dating mostly from the paleolithic and neolithic ages, and considered from the theory-of-symmetry point of view. Because of its multidisciplinary nature, it will interest a wide range of readers: mathematicians, artists, art historians, architects, psychologists, and anthropologists. The book represents the complete analysis of plane symmetry structures, so it can be used by artists as a guide to the creation of new symmetry patterns. Some parts of the contents (such as Chapter 4, about conformal symmetry, and Chapter 6, about modularity in art) give the reader an opportunity to develop computer programs for producing images illustrating the corresponding symmetry forms.





Book Description




Space Tessellations


Book Description

Tackling a topic that has particular appeal in the age of digital design, this well-founded introduction to the subject of parquet deformation fills a gap. These subtle, intricate geometric transformations, best known through the "Metamorphosis" series by M. C. Escher, were introduced to design curricula by American professor William S. Huff in the 1960s. The book brings together scholarly articles by the most important authors in the field and material collected in the archives of the Ulm School of Design in Germany, juxtaposed with extensive illustrations of two- and three-dimensional works created at the Vienna University of Technology. Written for anyone interested in the fields of design and geometry, this book aims to inform and inspire.




Symmetry 2000


Book Description

The Wenner-Gren Foundations hosted an international symposium Symmetry 2000 on September 13-16 2000. This volume in the Wenner-Gren series details the proceedings of this symposium.




Coding, Shaping, Making


Book Description

Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin to design itself and the role of the architect will need redefining. This heavily illustrated book highlights Haresh Lalvani’s efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape‐coding, exploring higher‐dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams. Taking an in-depth look at Lalvani’s pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process. Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art. It will also interest those in the latter fields for its broader implications.




Aesthetics of Interdisciplinarity: Art and Mathematics


Book Description

This anthology fosters an interdisciplinary dialogue between the mathematical and artistic approaches in the field where mathematical and artistic thinking and practice merge. The articles included highlight the most significant current ideas and phenomena, providing a multifaceted and extensive snapshot of the field and indicating how interdisciplinary approaches are applied in the research of various cultural and artistic phenomena. The discussions are related, for example, to the fields of aesthetics, anthropology, art history, art theory, artistic practice, cultural studies, ethno-mathematics, geometry, mathematics, new physics, philosophy, physics, study of visual illusions, and symmetry studies. Further, the book introduces a new concept: the interdisciplinary aesthetics of mathematical art, which the editors use to explain the manifold nature of the aesthetic principles intertwined in these discussions.