Reflections of Realism


Book Description

Comprises papers from the International Conference on [title] held Nov. 1988, London, UK on economics, planning, environmental impact, safety, control, generators. Acidic paper; no index. Holub (German, U. of California, Berkeley) contends that realism is not primarily a textual property, but a matter of reception, and reexamines 19th-century German literary realism by considering traditionally representative texts--novellas and novels--from the perspective of effects on readers. Annotation copyrighted by Book News, Inc., Portland, OR




Nineteenth-century Literature Criticism


Book Description

Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.




The Nineteenth Century, 1830-1890


Book Description

Discusses topics such as drama, regionalism, realism, lyric poetry, poetic realists in prose, impressionism, symbolism, and the social novel, and authors such as Grillparzer, Hebbel, Buchner, Grabbe, Raimund, Nestroy, Immerman, Alexis, Morike, Auerbach, Droste-Hulshoff, Ludwig, Gotthelf, Heinrich Heine, Platen, Lenau, Schopenhauer, Friedrich Nietzsche, Stifter, Keller, Storm, Raabe, Conrad Ferdinand Meyer, Detlev von Liliencron, Richard Dehmel, and others.













Readers and Their Fictions in the Novels and Novellas of Gottfried Keller


Book Description

This study seeks to alter our understanding of Keller's realism by problematizing the act of reading within fiction. The story of reading in Keller's fiction is a self-conscious meditation on the schism between life and its literary representation--and it emphasizes the incapacity of that representation to actually and substantially influence the life it is based on. This has consequences for the didactic writer. The act of reading here generally involves a collision between fiction and its other and a move (or tragic failure to move) toward an acceptance and affirmation of the non-correspondence between life and literature, a process that renders moral didacticism a quixotic project. This position runs counter to the prevailing view of Keller as a consciously didactic author who tried to create a credible copy of reality in order to revise and repair the real world by inspiring readers to make the depicted improvements in their nonfictional universe.