Keyboard Concerto in E-flat Major, Op. 3
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Page : pages
File Size : 38,7 MB
Release : 2013
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File Size : 38,7 MB
Release : 2013
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Page : pages
File Size : 20,29 MB
Release : 2013
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Author : Johann Wilhelm Hertel
Publisher : A-R Editions, Inc.
Page : 130 pages
File Size : 45,3 MB
Release : 1988-01-01
Category : Music
ISBN : 0895792222
Author : Carl Ludwig Junker
Publisher : A-R Editions, Inc.
Page : 133 pages
File Size : 16,27 MB
Release : 2017-01-01
Category : Concertos
ISBN : 0895798581
A pastor, critic, and writer by profession, Carl Ludwig Junker today is far better known for his books, articles, and published letters than for his musical compositions. As one of the most interesting and perceptive commentators and theorists of the late eighteenth century, Junker provided valuable information about contemporary musicians and music making during his lifetime. Junker also wrote twenty-four symphonies (now lost), thirteen piano pieces, and several songs. The concerto presented in this edition, opus 2, was published by Bossler in 1782. As Junkers only surviving concerto, it enriches our understanding and appreciation of the early piano concerto, a genre that would find its full realization in the hands of Haydn, Mozart, and Beethoven.
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Page : pages
File Size : 31,79 MB
Release : 2013
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File Size : 12,48 MB
Release : 2013
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File Size : 21,15 MB
Release : 2013
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Author : Michael Talbot
Publisher : Oxford Monographs on Music
Page : 272 pages
File Size : 29,72 MB
Release : 2001
Category : Language Arts & Disciplines
ISBN : 9780198166955
The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.
Author : Sergej Sergeevič Prokofʹev
Publisher :
Page : 84 pages
File Size : 23,65 MB
Release : 1923
Category : Concertos (Piano)
ISBN :
Author : Michael Thomas Roeder
Publisher : Hal Leonard Corporation
Page : 487 pages
File Size : 48,34 MB
Release : 1994
Category : Concerto
ISBN : 0931340616
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.